Johann Heinrich Meyer

His father, Johann Baptist Meyer, was a merchant from Zürich. He took his first drawing lessons at the age of sixteen. Two years later the painter, Johann Caspar Füssli, introduced him to the works of the archaeologist and art critic, Johann Joachim Winckelmann. His History of the Art of Antiquity was decisive in shaping Meyer's attitudes and approach to art.

In 1784, he went to Rome to join the German "colony". Two years later, he met Goethe, who was apparently impressed with Meyer's knowledge. In 1788, he moved to Naples and worked as a drawing teacher. Later, he visited his hometown in Switzerland with Goethe, who gathered material on William Tell that he would pass along to Friedrich Schiller. He got together with Goethe again, in 1790, and accompanied him to Weimar, where he would live for the rest of his life. Until 1802, he lived with Goethe.

In 1795, after a study trip to Italy, he became a Professor at the Weimar Princely Free Drawing School. Three years later, he and Goethe began publishing a short-lived art journal; Propyläen. He was placed in charge of managing the paintings and decorations at Schloss Weimar in 1799, following a major reconstruction overseen by Goethe.

In 1803, he married Amalie von Koppenfels (1771-1825), the youngest daughter of Johann Friedrich Kobe von Koppenfels (1737-1811), a confidential government councilor at the Grand Ducal Court in Jena. They had no children.

From 1804, he published articles on art history in the Allgemeine Literatur-Zeitung, signed with the initials, "W.K.F". In 1805, he contributed a chapter on 18th century art to Goethe's compilation, Winckelmann and His Century. The following year, he was appointed to succeed the late Georg Melchior Kraus as Director of the Weimar Princely Free Drawing School.

He received the honorary title of Councilor in 1807. From 1809 to 1815, he was engaged in writing his History of Art, which was published posthumously, as was the last volume of his three-volume work, A History of the Fine Arts Among the Greeks. He also made contributions to Goethe's Theory of Colours.

• Carl Brun (1885), "Meyer, Heinrich (Kunstschriftsteller)", Allgemeine Deutsche Biographie (ADB) (in German), 21, Leipzig: Duncker & Humblot, pp. 591–594
• Choung-Hi Lee-Kuhn (1994), "Meyer, Heinrich", Neue Deutsche Biographie (NDB) (in German), 17, Berlin: Duncker & Humblot, pp. 347–349; (full text online)
• Jochen Klauß: Der 'Kunschtmeyer'. Johann Heinrich Meyer: Freund und Orakel Goethes. Weimar 2001, ISBN 3-7400-1114-9.
• Rolf Bothe, Ulrich Haussmann (Eds.): Goethes Bildergalerie. Die Anfänge der Kunstsammlungen zu Weimar. G-und-H-Verlag, Berlin 2002, ISBN 3-931768-66-X
• Alexander Rosenbaum, Johannes Rößler, Harald Tausch (Eds.): Johann Heinrich Meyer, Series: Kunst und Wissen im klassischen Weimar Vol.9, Wallstein, Göttingen 2013, ISBN 978-3-8353-0515-1
• Johannes Rößler: Die Kunst zu sehen. Johann Heinrich Meyer und die Bildpraktiken des Klassizismus, Series : Ars et Scientia Vol.22). De Gruyter, Berlin, Boston 2020, ISBN 978-3-1105-8806-4

Wikimedia Commons has media related to Johann Heinrich Meyer.

• Literature by and about Heinrich Meyer in the German National Library catalogue
• Briefe Friedrich Schillers an Heinrich Meyer in Friedrich Schiller Archiv
• Johann Heinrich Meyer: Mahlerische Reise in die Italienische Schweiz. Zurich 1793 in Viatimages
• "Meyer, Heinrich (genannt Kunst-Meyer, Kunschtmeyer, Goethe-Meyer)". SIKART Lexicon on art in Switzerland.
• More works by Meyer @ ArtNet