José Echániz

Echániz was born in the town of Guanabacoa on June 4, 1905.[3]

Echániz received his first piano lessons from his father, who was a professor at the Conservatorio Nacional Hubert de Blanck. He later studied with Ignacio Tellería, until he entered the Conservatorio Falcón in La Habana under the tutelage of Alberto Falcón himself, from which he graduated with the title Professor of Piano at the age of fourteen.

On January 4, 1922 he made his American debut at Town Hall in New York. He toured the world with Tito Schipa, appearing with the famous Italian tenor as his accompanist in joint recitals, and in recordings. While touring with Schipa, Echániz also gave solo recitals.[3]

During his career Echániz appeared in the United States and in Europe as a recitalist, and also as soloist with major orchestras under conductors such as Gonzalo Roig, José Iturbi, Rudolf Ganz, Erick Leinsdorf, Howard Hanson, Frederick Stock, Vladimir Golschmann, Sir Eugene Goosens, Dmitri Mitropoulos, Paul White, Guy Fraser Harrison, Laszlo Somogyi, Theodore Bloomfield, and Massimo Preccia.[2]

He taught piano at his own studio in La Habana from 1924 to 1932. From 1948 to 1954, he was music director of the Grand Rapids Symphony in Grand Rapids, Michigan. Echániz held a professorship at the Conservatory of Music at James Milliken University in Decatur, Illinois for twelve years, later joining the faculty of the Eastman School of Music in a full-time teaching position, all the while continuing his active career as recitalist and soloist in the United States and abroad.[3][2] Echániz was also the founder of the Lake Placid Chamber Music Festival and School. From 1963 until his death he was its director, and he was also the pianist for the Lake Placid Trio. During the regular academic year, Echániz was also active in clinics and music workshops throughout the United States.[3]

Echániz had been scheduled to give his first New York recital in eleven years in December 1968, but on the night of the performance at Philharmonic Hall at New York's Lincoln Center, he was so ill from what was believed to be Hong Kong flu that he was able to perform only the first half of the program. All upcoming appearances were cancelled, including a scheduled Kilbourn Hall recital at the Eastman School of Music in Rochester, New York state in celebration of his twenty-fifth anniversary. Instead, director of the school Walter Hendl gave a dinner in honor of Echániz at Hutchinson House, Rochester.[4] on November 4, 1969, with some two hundred guests in attendance.[3]

José Echániz died on December 30, 1969 in his Pittsford, New York home, after suffering from cancer for several months.[1] At the time of his passing his immediate survivors included his wife Dulce; two sons, José Jr. and Carlos; and a daughter, María.

Label from an AMPICO piano roll, 1920s. "Cuban Dance" played by José Echániz.

In the 1920s, while still a teenager, Echániz made his first recordings, piano rolls for the Ampico and Duo-Art companies, recording the works of Cervantes, Vogrich and Soro. As well as the standard piano literature, these recording included his own arrangements of the works of other composers, and his own compositions.[3] The 1930s saw him move into the era of electrical recordings, which he made as a soloist for Columbia Records. He also made several recordings as accompanist for Tito Schipa.[5]

• José Echániz discography at Discogs

José Echániz at Eloquence https://eloquenceclassics.com/

José Echániz at Decca https://www.deccaclassics.com/us/

José Echániz at Deutsche Grammophon https://www.deutschegrammophon.com/us/

José Echániz at Find A Grave https://www.findagrave.com/memorial/194801409?createdMemorial=Yes