Kalthoum Bornaz
Kalthoum Bornaz (24 August 1945 – 3 September 2016)[1] was a Tunisian screenwriter, film editor, and director who belonged to the first generation of women filmmakers in Tunisia.[2] She was born in Tunisia on 24 August 1945 and moved to France in order to continue her education abroad. She worked both in Tunisia and overseas on the development of many feature-length films as an editor and director.[3]
Early life and education
Kalthoum Bornaz was introduced to and fascinated by films since a very young age. This fascination comes from the important fact that she has parents that were really passionate of cinema. She did not follow her passion right away instead, she followed a major in Literature in Tunisia. Kalthoum Bornaz then left her home country, in order to complete her university education in France.
After her transition to France, Bornaz switched majors, and instead decided to follow cinema at the University of Paris III.[4] She graduated in 1968 with a degree, and an expertise in film editing, script supervision, and montage from the Institut des Hautes Études Cinématographiques situated in Paris. After the completion of her diploma, Bornaz remained in France and worked as a film technician in different programs, short films, and feature-length motion pictures.[4]
Career
Kalthoum Bornaz worked on a various number of feature-length motion pictures as a coproducer, assistant producer, film technician, and in many other fields of her expertise. She also collaborated with various producers, and filmmakers in the production of a number of films such as Claude Chabrol, Roman Polanski, Randa Chahal-Sabbag.[3] Bornaz not only produced films in collaboration with other directors since she also worked solo in producing documentaries, short films, and feature-length motion pictures.
Short Films
Kalthoum Bornaz's first film was produced in 1986, Couleurs Fertiles, it was a short film of fifteen minutes made, and released in Tunisia. After the production of her first film, Bornaz realised a set of consecutive short films the following eight years of her career: Three Characters in Search of a Theatre, The Gaze of the Seagull, Wedding Nights in Tunisia. In 2000, she produced another short film called The Forest of El Medfoun, and it was her last short film production .
Feature Length Films
An important year in this director's career was in 1998 when Kalthoum Bornaz directed her first feature-length film, Keswa. Keswa is a film that received a number of negative reviews because it dealt with the topic of women's right in Tunisia in a poor manner as stated by critics.[3] Keswa was produced with the support of various production companies such as Les Films de la Mouette, which was her own production company, M.P.S. Sarim Al Fassi, and Morgane Productions. The film was not only shown in Tunisia since it was also released in various countries, and international film festivals, such as in Tübingen and Mannheim.
Her second and last feature film was The Other Half of the Sky, and it was produced in 2008 with Les Films de la Mouette, and Mille et Une Production. The Other Half of the Sky allowed Kalthoum Bornaz the opportunity to be recognized as the only female director to compete, and present her motion picture in the official competition at Television Festival and Ouagadougou’s Pan-African Film.[4]
Filmography
Year | Title | Role |
---|---|---|
1986 | Couleurs Fertiles (Fertile colors) | Screenwritter, Director & Editor |
1988 | Trois Personnages en Quête d'un Théâtre (Three characters in search of a theatre) | Screenwritter & Director |
1992 | Regard de Mouette (The Gaze of the Seagull) | Screenwritter, Director & Editor |
1996 | Nuit de noces a Tunis (Wedding Nights in Tunis) | Screenwritter & Director |
1998 | Keswa (The lost Thread) | Screenwritter, Director, & Editor |
2000 | La forêt d'El Medfoun (The forest of El Medfoun) | Screenwritter & Director |
2008 | L'autre moitié du ciel (The Other Half of the Sky)[7] | Screenwritter & Director |
References
- Tunisian film maker Kalthoum Bornaz passes away
- Gana, Nouri (2013). The Making of the Tunisian Revolution: Contexts, Architects, Prospects. Edinburgh University Press.
- Hillauer, Rebecca (2005). Encyclopedia of Arab Women Filmmakers. American University in Cairo Press. pp. 384–389.
- "Kalthoum Bornaz Tunisie". Africultures. Africultures La revue des cultures africaines.
- "tribute to Kalthoum Bornaz and the Tunisian Women cinema in Paris". 1001 Tunisie. March 6, 2017.
- "Hommage à Kalthoum Bornaz à la rentrée de la Cinémathèque Tunisienne". Kapitalis. September 15, 2018.
- Abadi, Jacob (2012-01-01). Tunisia Since the Arab Conquest: The Saga of a Westernized Muslim State. Apollo Books. p. 542. ISBN 9780863724350.
External links
Further reading
- Gana, Nouri. "Postcolonial Film: Allegories of Discontent, Visions of Dissent." The Making of the Tunisian Revolution: Contexts, Architects, Prospects. Edinburgh: Edinburgh University Press, 2013. 183-90.
- "Kalthoum Bornaz." Africultures: La Revue Des Cultures Africaines.
- Nelmes, Jill, and Jule Selbo. "Tunisia." Women Screenwriters an International Guide. Basingstoke: Palgrave Macmillan, 2015.
- McCreadie, Marsha. Women Screenwriters Today: Their Lives and Words. Westport, Connecticut London: Praeger, 2006.
- Beauchamp, Cari. Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood. New York: Scribner, 1997.
- Martin, Florence. Screens and Veils: Maghrebi Women's Cinema. Indiana University Press, 2011. 227-28
- Les Cinémas D'Afrique: Dictionnaire. Paris: Association Des Trois Mondes, 2000. Web.