Kevin Sampson (artist)

Sampson was born in 1954 in Elizabeth, New Jersey.[1] Following high school and a few years of college, Sampson became a police officer and then a detective with the Scotch Plains Police Department in New Jersey.[3] During his career as a police officer, Sampson worked as a composite sketch artist for the Scotch Plains Police Department, the first African American uniformed police composite sketch artist in the country.[4]

Sampson moved to Newark in 1993[5] where he attended the Newark School of Fine and Industrial Arts.[4][6] He began focusing on his art full-time following the deaths of close family members and his retirement from the Scotch Plains Police Department.[7][3]

Sampson has been a gallery artist with Cavin-Morris Gallery in New York since 1992. Sampson makes sculptures from found objects, such as glass cabinet knobs, sticks, strings, screws, and wood chips. These sculptures act as altars, memorials, and spiritual objects.[1][2] Sampson's work has been influenced by other New York artists who honor the dead through vernacular memorials. His work differs from these artists, as most create murals in Latin American neighborhoods and these street-side, altar-like assemblages of objects are meant to last through only a brief public-display period of remembrance and grief.[8]

Sampson began making art as a means to heal after the death of several family members and as a new way to give back to his community.[9][3] In the early 1990s, Sampson's wife, Pamela, was diagnosed with a terminal illness and their son, Kyle, was born prematurely and died.[8] Sampson's work references and incorporates African spiritual traditions, including Yoruba, and follows the traditions of the Griot or storyteller.[10][1] Much of Sampson's work offers commentary on issues of race, racism, and various forms of systemic injustice in the United States.[4][1] Alongside other Newark-based artists, Sampson has spoken out against the recent, ongoing gentrification taking place in Newark, NJ.[5]

Sampson has completed a number of residencies throughout the United States, including The Marie Walsh Sharp Space program in New York City; a teaching residency at the John Michael Kohler Art Center in Sheboygan, Wisconsin; the Joan Mitchell Center's residency in New Orleans; the Art and Industry Residency at the Kohler in Wisconsin; and most recently, the Inaugural Residency at the Mystic Seaport Museum in Connecticut.[11]

• 2012: Spirit—Fire—Shake! Focal objects by Renée Stout, Kevin Sampson and Odinga Tyehimba, Gregg Museum of Art & Design, North Carolina State University (Raleigh, NC)[12]
• 2013: Kevin Blythe Sampson: An Ill Wind Blowing, Intuit: The Center for Intuitive and Outsider Art (Chicago, IL)[13]
• 2014: The Roots of the Spirit: Lonnie Holley, Mr. Imagination, Charlie Lucas, Kevin Sampson, Weigand Gallery, Notre Dame de Namur University (Belmont, CA)[14]
• 2015: Anthems for the Mother Earth Goddess, Andrew Edlin Gallery (New York, NY)[15][16]
• 2016: Modern Heroics: 75 Years of African-American Expressionism, Newark Museum (Newark, NJ)[17]

• 1994: Marie Walsh Sharpe Foundation, Artist-in-Residence (New York, New York)[18]
• 2001: Joan Mitchell Foundation, Painters & Sculptors Grant (New Orleans, Louisiana)[19]
• 2016: Joan Mitchell Center, Artist-in-Residence (New Orleans, Louisiana)[20]
• 2017: John Michael Kohler Arts Center, Kohler Arts and Industry Residency (Kohler Village, Wisconsin)