Lever (1966)
Lever is a 1966 minimalist sculpture by Carl Andre.
Lever (1966) | |
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Artist | Carl Andre |
Year | 1966 |
Medium | 137 firebricks |
Dimensions | 11.4 cm × 22.5 cm × 883.9 cm (0.37 ft × 0.74 ft × 28 ft) |
Location | National Gallery of Canada, Ottawa, Ontario |
Background
Carl Andre is credited with changing the history of sculpture.[1] Andre's works can be characterized by four important characteristics, flatness, modular compositions using standardized untransformed materials in repetition, generic space and use of ordinary materials and forms.[2] One of Andre's most important works, is titled "Lever."[1] Carl Andre's Lever was one of the most audacious entries in the groundbreaking exhibition 1966 Primary Structures exhibition at New York's Jewish Museum that introduced the public to Minimalism.[3]
‘Lever’, which consists of a single line of 137 firebricks, was exhibited along with fellow minimalists – Dan Flavin, John McCracken, Donald Judd among them – who were intently creating a new American art.[4] The work transforms a space very simply, and the bricks hug the floor.[2] ‘Lever’ projects out from the wall and straight across the floor and was likened by Andre to a fallen column.[3]
Response
The exhibiting of ‘Lever’ at “Primary Structures” brought recognition to Carl Andre.[5] Lever startled gallery visitors, as it interrupted their movement and, in its simplicity, was annoying.[3] Made from easily available building materials ("anyone could do it: where was the art?"), Lever demanded respect from thoughtful viewers while undermining traditional artistic values.[3] Andre's use of common industrial materials was radical at the time, and he arranged them on-site in grids or in other simple geometric configurations.[4] Such provocations became routine for Andre: "my ambition as an artist is to be the 'Turner of matter.'[3] The artist made space itself his primary concern and celebrated materials for their own sake.[4]
In 1970, the Guggenheim gave Andre his first solo museum show.[4] Mr. Andre's sculpture, Lever, has subsequently been displayed at Dia Beacon.[6]
References
- Michel, Karen (22 Jun 2014). "With Blocks And Bricks, A Minimalist Returns To The Gallery". npr.org. National Public Radio. Retrieved 23 Aug 2020.
- "Carl Andre - Lever". gallery.ca. The National Gallery of Canada. Retrieved 23 Aug 2020.
- Wolf, Justin (21 Mar 2015). "Minimalism Movement Overview and Analysis". theartstory.org. The Art Story. Retrieved 23 Aug 2020.
- Belcove, Julie (25 Jan 2013). "My work doesn't mean a damn thing". ft.com. The Financial Times. Retrieved 23 Aug 2020.
- Tompkins, Calvin (28 Nov 2011). "The Materialist - Carl Andre's eminent obscurity". newyorker.com. The New Yorker. Retrieved 23 Aug 2020.
- Pollack, Maika (7 May 2014). "Carl Andre: Sculpture as Place, 1958–2010". observer.com. The Observer. Retrieved 23 Aug 2020.
External links
Wikiquote has quotations related to: Carl Andre |
Wikimedia Commons has media related to Carl Andre. |
- Official Website
- Carl Andre Dia Retrospective
- Carl Andre – Biography and Analysis from the Art Story Foundation website
- Short biography from the Guggenheim Museum
- Carl Andre Work & Extended Biography Timeline of Exhibitions 1964–present
- Brooklyn Rail In Conversation: Carl Andre with Michèle Gerber Klein and Phong Bui