Light in the Attic Records

Already in highschool, Sullivan was interested in starting his own label. "I always wanted my own label," Sullivan told The Stranger in 2006, "but it was always the wrong time." [2]

After high school and college at the University of Arizona, Sullivan interned for Seattle, Washington-based record labels like Sub Pop and the now-defunct Loosegroove Records. Susie Tennant, Sub Pop’s then radio-promotions director, offered Sullivan a chance to intern with Madrid, Spain-based record label, Munster Records.[2] Munster Records focused primarily on reissues of bands like The Stooges and Spacemen 3, inspiring Sullivan to begin rethinking his own concept behind the still active idea of starting a record label.[3]

Upon Sullivan’s return to the states he began producing live shows in the Seattle area including performances by performers like Saul Williams, Clinic, and Kid Koala under the name Light In The Attic. With a stronger interest in the production of records, Sullivan returned to his original idea of a reissue label.

Major projects were, among others:

• a reissue of The Last Poet's first two releases - The Last Poets and This Is Madness.[4]
• the reissue of the soundtrack to 1974 blackploitation film Lialeh composed by Bernard Purdie.
• the reissue of several works from The Free Design.[4]
• Wheedle's Groove, a collection of songs from forgotten soul and funk groups from Seattle, including, amongst others, Patrinell Wright, The Black & White Affair, Kenny G, Ron Buford, Overton Berry[5][6]
• in 2006, Light in the Attic released the album "Passover" from the psych-rock group The Black Angels. This was their first contemporary release.[7]
• the reissue of Betty Davis' albums Betty Davis and They Say I'm Different. Davis agreed with the project, but did no co-operate.[8]
• In 2009, the label acquired the rights to distribute deceased Serge Gainsbourg's classic album Histoire de Melody Nelson. This was their first project with an already established artist.[9]
• In 2010, they launched their 50th album. This album was a release of old demos by folk-country singer Kris Kristofferson and was named Please Don't Tell Me How The Story Ends: Publishing Demos 1968 - 1972.[10]
• In 2011, the reissue of U.F.O. by singer-songwriter Jim Sullivan.[11]
• In 2014, the label released the compilation album Native North America, Vol. 1.[12]
• In 2017, for the occasion of Record Store Day, they released the official soundtrack of the cult film Ciao! Manhattan in vinyl and CD formats on their Cinewax imprint. This marks the first time that the soundtrack has been commercially released in any form.[13]

• Light In The Attic Records Official Page