Lincoln-Cass Films

Lincoln Cass Films was a short-lived Australian film production company.

History

Formed in July 1913, its principal filmmakers were W. J. Lincoln and Godfrey Cass and the managing director of the company was H. Dean Stewart. Charles Wheeler was stage manager and Maurice Bertel was the cinematographer. The company hired actors from Melbourne theatre along with "Australian bush riders".[1][2] It also occasionally gave live performances.[3]

Movies were made at a glass-roofed studio in Cole Street in the Melbourne suburb of Elsternwick.[4][5] Locations were shot in bushland near the town of Healesville. Between July and October 1913 they made eight features of which only The Sick Stockrider survives today.[6]

According to one report:

The idea of the management is to produce the best pictures possible and though the market at this end of the globe is limited, and they are, in consequence, more severely handicapped than American and European producers, they anticipate that the world's markets will accept their work if it is up to the accepted standard of design and treatment. They are convinced that Australia possesses natural beauties equal to those of any part of the globe, some of them very little known even to Australians themselves, and their intention is to procure a class of pictures of sensational interest, coupled with artistic feature, but not to over burden the public with too much of bushranging incidents, for the bush ranger is, after all, only a type, and a limited type, of the figures which moved across the Australian stage of history in its early development.[7]

The Sick Stockrider was the first movie released.[8][9]

The company had trouble getting its films seen throughout Australia. Dean Stewart attributed this directly to the influence of Australasian Films and their practice of enforcing block booking. For example, Lincoln Cass did not get a film seen in Sydney until The Road to Ruin (1913), and even then that was only after they set up an exchange in Sydney.[10] Their Melbourne offices were gutted by fire in 1914.[11] The company folded and their studio was sold to J.C. Williamson Ltd in 1915.[12]

Filmography

See also

References
  1. "AUSTRALIAN-MADE FILMS". The Argus. Melbourne. 9 August 1913. p. 21. Retrieved 3 February 2012 – via National Library of Australia.
  2. "NIGGER JIM". The Mail. Adelaide. 18 October 1913. p. 6 Section: SECOND SECTION. Retrieved 3 February 2012 – via National Library of Australia.
  3. "ARBOR DAY". Healesville and Yarra Glen Guardian. Vic. 8 August 1913. p. 3. Retrieved 3 February 2012 – via National Library of Australia.
  4. "WHO'S WHO IN THE MOVIES". Table Talk. Melbourne. 20 March 1930. p. 24. Retrieved 18 June 2015 – via National Library of Australia.
  5. "MOVING PICTURES". The Prahran Telegraph. Vic. 13 September 1913. p. 6. Retrieved 7 July 2015 – via National Library of Australia.
  6. Graham Shirley and Brian Adams, Australian Cinema: The First Eighty Years, Currency Press 1989 p 42
  7. "CINEMA". The Prahran Telegraph. Vic. 30 August 1913. p. 1. Retrieved 7 July 2015 – via National Library of Australia.
  8. "PICTURE FILM PRODUCTION,". The Prahran Telegraph. Vic. 16 August 1913. p. 5. Retrieved 18 June 2015 – via National Library of Australia.
  9. "AUSTRALIAN-MADE FILMS". The Argus. Melbourne. 9 August 1913. p. 21. Retrieved 7 July 2015 – via National Library of Australia.
  10. "NIGGER JIM". The Mail. Adelaide. 18 October 1913. p. 6 Section: SECOND SECTION. Retrieved 9 April 2012 – via National Library of Australia.
  11. "EXPLOSION AND FIRE". The Advertiser. Adelaide. 16 March 1914. p. 9. Retrieved 9 April 2012 – via National Library of Australia.
  12. Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998, p41


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.