List of compositions by Franz Lachner
This is a partial list of compositions by Franz Lachner.
Works with opus number
By opus number:
Opus No. | Name | Key | Earliest Known Date |
---|---|---|---|
1 | Rondeau brillant for piano[1] | A minor-A major | Published 1824 ca. |
2 | Piano Sonata[2][3] | F♯ minor | Composed 1825, published 1826/27 |
3 | Momento capriccioso for piano[3] | A minor | Published 1824 |
8 | Rondeau brillant for piano | E♭ major | c1823 |
12 | Introduction et Variations sur un thême suisse pour piano et cor ou violoncelle | F major | ? |
14 | Cello Sonata[4][3] | A major | Composed 1826, published 1828 ca. |
15 | Introduction et variations brillantes sur un theme original for piano[3] | E♭ major | Published 1827/28 or earlier |
17 | Rondeau Brillant for piano | B minor | Published 1828 |
20 | Sonata for Piano 4-hands | C minor[5] | Published by 1827[6] |
21 | Nocturne No.1 in French Style (for piano 4-hands)[7] | E major | Published 1826 |
22 | Deuxième Nocturne à quatre mains pour le Pianoforte sur de thêmes favoris de l’Opéra Oberon de C. M. de Weber | E♭ major | Published 1826 |
23 | Morgenhymne. Chor f. Sopran, Alt, Tenor u. Bass m. willk. Begl. d. Pfte oder d. Physharmonica. | ? | 1829[8][9] |
25 | Sonata for Piano[10] | F major[11] | Published 1828 or earlier |
26 | Three Scherzi for 4 Hands[11] | D minor, E major, G major | Composed 1830 |
27 | 4 Lieder (texts by Heine, von Osten and Chamisso. Voice, cello (bassoon), piano) | 1832 publication[3] | |
28 | Waldklänge (1, 2 for soprano, horn and piano, 3 for voice, violin and piano)[12] | ? | Published 1834 |
29 | Serenade for four cellos | G minor-major[3] | Composed and published 1829 |
30 | Herbst, Verlangen, Bewußtsein – songs after Rellstab for voice, cello or horn & piano[13] | ? | Published 1832 |
31 | Die vier Menschenalter, Cantata after Seidl for 3 solo voices, chorus, orchestra | ? | Published 1835 (overture),[14] 1836 (vocal score)[15] |
32 | Symphony No. 1 | E♭ major | 1828[16] |
33 | Sangerfährt (Bard's Journey), for voice and piano, to texts by Heinrich Heine[17] | ? | 1831-2[18] |
34 | 3 Gedichte (texts by Heine. Voice, cello and piano) | published 1833[3] | |
36 | 3 Deutsche Gesänge (voice, cello, piano. Heine & Uhland) | published 1833[3] | |
39 | Sonata, for piano four-hands | F major[11] | 1832 ca., published 1834[3] |
40 | Der Sternenkranz for 4 Men’s Voices | A major | Published 1835[19] |
41 | Symphony No. 3 | D minor | 1834[20] |
44 | Symphony No. 2 | F major[3][21] | Composed 1833 |
48 | Deutsche Gesänge[22] | n/a | 1836[19] |
49 | 6 Deutsche Gesänge mit Begleitung des Piano Forte | n/a | 1836[19] |
51 | Geistliche lieder for voice and organ or piano | C minor/E♭[23] | 1837[19] |
52 | Symphony No. 5 "Passionate/a" | C minor | 1835, premiered 23 April 1839[24][25] |
52(a?)[26] | Mass for voices, orchestra and organ | E♭ | published 1844 (HMB 1845 but January 1845, so 1844)[19][27][28] |
54 | 6 deutsche Gesänge for baritone (or alto) and piano | n/a | pub. 1837[19] |
56 | Symphony No. 6 | D major (D major – B major – B minor – D)[29] | published 1837[30] |
56 also | 3 deutsche Gesänge | ? | 1838?[19] |
58 | Erhörung, f. eine Singst. m. Begl. d. Pfte u. Vclle (od. Horn.) after Otto Prechler | 1838,[31] published 1839[32] | |
58 also | Symphony No. 7 | D minor | 1839 or 1840 (Hall, Chronology, p. 336)[33][34][35] |
59 | Frauenliebe und -leben (after Chamisso), song-cycle for voice, horn and piano | E major | 1838,[36] published 1839[32] |
59 also | Der Sänger am Rhein, 6 lieder for voice and piano | Published 1835 | |
60 | Der Sturm for chorus and optional piano | E-flat major | Published 1839 |
61 | 3 Gesänge von Koch[37] | ? | by 1860 |
62 | Vorüber! (song to text by Otto Prechtler) | F minor | 1840 or earlier (publication)[3] |
62 also | Introduction und Fuge für Piano-forte (or organ...) zu vier Händen | D minor | c. 1835[38] |
63 | Vöglein mein Bote (songcycle, 3 songs) Die Armesünder-Blum. Die Männer sind mechant! 3 Lieder. (Vöglein flieg’ fort – Am Kreuzweg wird begraben – Du sagtest mir es, Mutter.) | No.1 is in C major with text by Johann Gabriel Seidl | 1840[39][40] |
64-66 | Gesänge für vier Männerstimmen | published 1842[41] | |
70 | 3 Lieder for voice and piano | ? | published 1842[42] |
71 | 3 songs for 4-part men's chorus[37] | ? | by 1843[43] |
71 (also)[24] | Catarina Cornaro Königin von Cypern (Große Oper in 4 Ackten) (opera) | ? | 1841. Premiered Munich, 1841 (overture published 1843[44])[45][46][47] |
75 | String Quartet No. 1 | B minor[48] | published in 1843 by Schott, Mainz.[8][19][49] |
76 | String Quartet No. 2 (Allegro-Adagio-Scherzo-Allegro) | A major | Published 1843[8][50] |
77 | String Quartet No. 3 | E♭ major[3] | 1843 publication |
77 also | 3 Gesänge for 3 sopranos and piano | Published 1845 | |
78 | 3 Gesänge for voice and piano | Published 1845 | |
79 | 4 Gesänge for male chorus | Published 1845 | |
80 | Gesänge f. 3 Sopranstimmen m. Begl. d. Pfte. (in several volumes) | ? | 3rd volume published 1847[51] |
81 | 4 Lieder | 1846[52] Published 1847[53] | |
81 also | 7 Lieder (different set) | 1845[54] | |
82 | Frauenliebe und -leben (after Chamisso) Song-cycle for soprano, clarinet and piano. Arrangement of Op. 59.[55] | ? | Published 1847[56] |
84 | 7 Lieder for Bass | ? | pub.1847[57] |
85 | Psalm 63 for female chorus and piano or harp | E♭ major | pub.1847[58] |
86 | 3 Gedichte von F. Rückert, f. 2 Singstimmen m. Pftebegl. | ? | pub.1847[59] |
88 | Mass | ? | pub.1847[58] |
88 also | 4 Gedichte for chorus | ? | pub.1847[58] |
89 | Kriegers Gebet for male chorus and military band | E♭ major | pub.1847[60] |
90 | 15 Vespers for Chorus and Organ (Psalmi Vespertini) | ? | Manuscript, possibly unpublished. An 1850 manuscript copy exists[61] |
91 | Der 133te Psalm (for 4 women's voices) | B major[62] | pub. 1849[63] |
92 | Mass for two "voix égales" (of the same vocal type) and organ[58][64] | E♭ | 1847[58] |
93 | 3 Gedichte von Dräxler-Manfred f. vierstimmigen Männerchor (with piano or wind) | ? | pub.1848[65] |
94 | 3 Gedichte for male chorus | ? | pub.1849 |
96 | Sängerfahrt, 18 songs for voice and piano | ? | pub.1851-52 |
97 | 6 vocal duets[37] | ? | by 1860 |
98 | Mass for soloists, chorus, orchestra and organ[24] | E♭ | ? |
99 | Three canons for three sopranos and piano[37] | ? | 1853[66] Published 1855[19] |
100 | Symphony No. 8 | G minor | (1851?) Published by 1855[19] |
101 | 3 Lieder for voice and piano, to text by Emanuel Geibel: Des Müden Abendlied Die junge Nonne Schmetterling |
unknown | 1856 (pub.)[19] |
102 | 3 Psalmen for 2 choruses | 1856 (pub.) | |
103 | Festchor zu Mozart's Säkularfeier for 2 bassoons, brass, timpani | E♭ major | pub. 1857[19] |
104 | Siegesgesang aus Hermannschlacht by Friedrich Gottlieb Klopstock for male chorus and wind band | B minor-B major | 1856[19] |
105 | 3 Gesänge for 3 Women’s Voices and piano | ? | 1857[19] |
106 | 6 Duets after L. Koch for soprano, alto and piano | ? | 1857[19] |
107 | 4 Poems by L. Koch for vocal quartet | ? | 1858[19] |
108 | 3 Quartets for Women’s Voices | ? | by 1860[19] |
109 | 6 Piano Pieces (ded. to Betty Schott) | n/a | 1858[19][3] |
110 | 12 Gesänge: für Sopran, Alt, Tenor & Baß[67] | ? | by 1860[68] |
111 | 12 Lieder for soprano (or tenor) and piano | ? | 1861 |
112 | Sturmesmythe after Nikolaus Lenau for Men’s Chorus and Orchestra | C major | 1861[19] |
113 | Suite No. 1 for Orchestra | D minor | 1861[69] |
114 | 3 Chöre for male chorus | 1863 publication | |
115 | Suite No. 2 for Large Orchestra | E minor[70] | 1863?[71] |
116 | 4 Lieder for voice and piano(texts by von Fallersleben)[3] | 1863 publication | |
117 | Psalm 150 for male chorus and orchestra | E♭ major[3] | 1863[8][72] |
118 | Bundeslied, for Men's Chorus, to words by Theodor Heigel | E♭ major | 1864 ca.[73] |
119 | Drei Gedichte von L. Koch | ? | Published 1865[74] |
120 | String Quartet No. 4 | D minor | published in 1849?? (A search of HMB gives 1866 which seems more likely)[19][75][76] |
121 | String Quintet (quartet plus contrabass) | C minor[5] | pub. 1864[77] |
122 | Suite No. 3 for Large Orchestra | F minor[78] | published 1866[79] |
123 | Festlied for male chorus and wind band | E♭ major | Published 1867 |
128 | Drei Lieder für Männerstimmen[80] | ? | Published 1867 |
129 | Suite No. 4 for Large Orchestra | E♭ major[5][81] | 1865? by 1866.[82][83] |
130 | Mass for two choirs and soloists | F major[84] | 1872[19] |
131 | 2 Motetten (1 for soprano and chorus, 2 for chorus) | Published 1872 | |
132 | Ave Maria (soprano, small choir, small ensemble) | ? | 1870[19] |
133 | Ave Maria for alto, 2 violas, 2 cellos and double Bass, or alto and organ | G major | 1869[19] |
134 | 6 Lieder for voice and piano | Published 1868 | |
135 | Suite No. 5 for Large Orchestra | C minor | published in 1868[85] |
136 | Zigeunerlied for bass, male chorus and piano | G minor | Published 1868 |
136 also | An die Nacht for male chorus | E♭ major | Published 1869 |
137 (WulL G9) | Gebet after a text by Emanuel Geibel (for voice, 2 violins, 2 cellos and bass, or voice and organ or melodium) | C major | 1870[86][87] |
138 | Variations for Piano 4-Hands | E minor | published 1869[19][88] |
139 | Piano Quintet No. 1 | C minor | published 1870[89] |
140 | Suite for Piano and Violin (or Violoncello) | A minor[90] | published in 1870[19] |
140 also | Abendfriede von Lenau für Männerchor und Orchester[91] | ? | ca.1870? |
141 | 4 Gesänge for male chorus or 3 voices | ? | Published 1870 |
142 | Suite for Piano | C minor | published in the 1860s[5] |
143 | Fest-marsch für Blech-instrumente (brass and drums) | E♭ major[92] | by 1873[93] |
145 | Piano Quintet No. 2 | A minor | 1869[94] |
146 | Requiem | F minor | 1856, revised 1865[95] published 1871[19] |
149 | Gebet for 2 sopranos and organ | F major | 1868 |
150 | Suite for Orchestra No. 6 | C major[96] | published 1872[19][97] |
152 | Six Songs for Alto with Piano | n/a? | by 1872[98] |
153 | Horch! Die Vesper-Hymne Klingt for 2 choruses | F major | Published 1861 |
154 | Stabat Mater for Mixed Choir a cappella | ? | 1872[19] |
155 | Mass for 5 Part Chorus (S/A/T/2B), Soloists, and Organ ad lib. | D minor | by 1872[19] |
156 | Octet[99] | B♭ | published by 1850? |
160 | Elegie: Quintet for 5 Cellos | 1834[100] | 1872[19] |
161 | Psalm 30 (soprano and orchestra, or piano, or organ) | ? | 1873[19] |
162 | Ave Maria for Soprano, chorus & accompaniment (new edition of Op.132) | F major | Published 1873[3] |
163 | Psalm 26 (bass voice and orchestra, or piano, or organ) | ? | 1873[19] |
166 | Abend-Elegie : für eine Tenorstimme, Violine und Orgel oder Harmonium oder Pianoforte[91] | ? | ca.1880 |
167 | 3 Chöre for male chorus | ? | 1874 |
168 | Stabat Mater[24] for female chorus, 2 violas, 2 cellos and double bass, or female chorus and organ or physharmonika | ? | Published by J.Aibl in mid-1870s? |
169 | String Quartet No. 5 | G major | Published in 1875[19][101] |
169 also | 9 Gesänge for chorus | Published 1875 | |
170 | Ball-Suite for orchestra | D major | by 1875[102] |
172 | 6 Piano Pieces | n/a | 1876[19][3] |
173 | String Quartet No. 6 | E minor | 1848-9[103][104] |
175 | Organ Sonata No. 1 | F minor | 1877[105] |
176 | Organ Sonata No. 2 | C Major | 1877[105] |
177 | Organ Sonata No. 3 | E minor | 1877[105] |
178 | 4 Gesänge for 2 female voices | 1875[106] | |
179 | Hornesklänge (for Male chorus and winds) | E♭ major | Published 1877[3] |
180 | Martini Kirchweihe for baritone and male chorus | E minor | Published 1877[3] |
181 | Kriegsgesang for Men’s Voices and Orchestra after Cavallo. | ? | 1877[19] |
182 | Gruß des Regensburger Liederkranzes an die Festgenossen for male chorus | ? | Published 1877 |
184 | 3 Lieder for 2 voices and piano | ? | ? |
185 | 4 Gesänge for 4 voices | ? | 1879 |
186 | 4 Gesänge for 4 voices | ? | 1880 |
187 | 6 Songs for 4 Female Voices[24] | n/a | 1880s? |
190 | Suite No. 7 for Orchestra | D minor | 1881[69] |
191 | Partsongs for male chorus | n/a | Published 1885 |
Works without opus number
Name | Key | Earliest Known Date |
---|---|---|
Fantasie for Horn and Piano | F minor | 1825[107] |
Fantasie for Piano | F♯ minor | Composed 1877 |
Festhymne zur Enthüllung des König Ludwigs Denkmal for voices and wind band | ? | Composed 1862 ca. |
Frühlingsnähe for voice and piano | F major | Composed 1844 |
5 Lieder for Voice, Cello and Piano | ? | Composed 1851 |
4 Lieder for Voice, Cello (or horn) and Piano | ? | Published 1832 |
March for piano | E♭ major | Composed 1863 or earlier |
Wind Quintet No. 1 | F major | 1823[108][109] |
Wind Quintet No. 2 | E♭ major | 1827[109][110] |
Septet[109][111] | E♭ major | 1824 (completed by Franz Beyer) |
Die Liebesboten (song, text by Heinrich Heine) | A minor | 1826[112] |
Flute Concerto | D minor | 1832[113] |
Harp Concerto | D minor | ? |
Andante for Brass Instruments | A♭ major | Composed 1833 |
Moses (oratorio) | ? | 1833?[114] |
Andante for orchestra | D major | Composed 1837? |
Ave Maria for soprano and harp | B♭ major | ? |
9 Entreactes for orchestra | ? | Composed 1826 |
Symphony No. 4 | E major[3][115][116][117] | 1834[118][115][3] |
Psalm 134[91] | ? | 1870? |
Psalm 42 for chorus | D minor | Composed 1837 |
Nonet | F major | 1857[8] |
Piano Trio | C minor | Composed 1829[3] |
Piano Trio | E major | Composed 1828 |
Praeludium for piano | A minor | Published 1877 |
Rêverie | G major | Published 1887 |
Seebild for voice and piano | F major | Published 1856 |
Die stille Nacht for voice and piano | F major | Published 1883 |
Zur Grundsteinlegung des K. Maximilaneums for male chorus and wind band | E♭ major | Composed 1857 ca. |
Notte Soave Delizia for alto, horn and piano (Italian version of Op.58, Erhörung)[31] | ? | 1838-40?[119] |
Cantate Domino canticum novum for 4 voices, orchestra, WulL C2 (manuscript)[120] | E♭ major | 1830?[121] |
Fantasy for Piano[122] | ? | 1885? |
String Quartet | E♭ major | 1824[123] |
Elegy for flute and organ | ? | 1879[124] |
Notes
- OCLC 165288424
- OCLC 165288552
- IMSLP
- OCLC 49418761 and "Persistent NYPL record for cello sonata". Retrieved 12 March 2016.
- Netherlands Royal Library
- OCLC 62628756
- See Kronseder worklist.
- Published in 1833 according to Bussenius (1856).
- OCLC 165288554
- "Title Page of BSB Scan of Opp. 25, 26 and 39". Retrieved 7 August 2010.
- Helena Dearing, Sopran: Lachner, Waldvögelein on YouTube
- "Entry for Herbst at Recmusic.org". 1995–2003. Retrieved 10 February 2009.
- HMB
- HMB
- "Description of Lachner Symphony 1". Naxos.com. December 1985. Retrieved 10 February 2009.
- "Recmusic.org entry for Sangerfährt, with texts". Retrieved 10 February 2009.
- "Description of Teldec Premiere of Sangerfährt". Retrieved 10 February 2009.
- Publication date from Hofmeister – http://www.hofmeister.rhul.ac.uk (note: this link now back as of early 2011. If broken again, scans of the publication can be perused more directly at ONB at "ONB Hofmeister Scan Archive 1829–1947 mostly" (in German). Österreichische Nationalbibliothek (Austrian National Library). Retrieved 4 February 2011. and sometimes through Google Books.
- Hall, Charles J. (2002). Chronology of Western Classical Music at Google Books. Taylor & Francis. p. 317. ISBN 0-415-94216-0. Note: date in Hall 2002 may be date of earliest performance or of publication, not of composition, e.g. as with the Octet – under 1851 though apparently published in 1850. Some more information is now available @ IMSLP.
- Wulf (1999), p. 45.
- Allgemeine musikalische Zeitung, Volume 39 at Google Books, page VIII, table of contents for 1837 volume
- Wulf (1999), p. 543.
- Austrian Library Musiksammlung Catalog
- "Description of Recording of Symphony no. 5". Naxos.com. December 1993. Retrieved 11 February 2009.
- may be a misprint for Op.92?
- This work is also called WulL A3, after its place in the Wulf (1999) catalogue. See RISM for information on a manuscript copy (1860–1864, Heilige Kapelle, Altötting) of this work, in short score and parts - S, A, T, B, strings, clarinets, bassoons, trumpets, trombones, timpani.) As often RISM's entry has two incipits.
- "Austrian National Library Parts for Mass in E-flat". 1850s. Retrieved 12 March 2016.
- Allgemeine musikalische Zeitung, Volume 40 at Google Books – 23 June 1838, page 371. (Published by Häslinger but still unrecorded.)
- University of Rochester Library – date for Symphony 6
- RISM Autograph
- Hofmeister
- also "Klassika Symphonie Nr.7" (in German). July 2009. Retrieved 3 February 2011.
- OCLC 959697325 and https://opac.rism.info/search?id=456081750, 1840 manuscript, where it's called "Elegie in Form einer Sinfonie" Op.58.
- Further discussed in Fifield (2016), The German Symphony Between Beethoven and Brahms: The Fall and Rise of a Genre, p.76 who notes that the composer reworked the first two movements 42 years later as the first two movements of his Suite No.7 Op.190 (1881)
- RISM autograph
- Hofmeister (1860), p. 343.
- Youens, Susan (2007), Heinrich Heine and the Lied at Google Books. Cambridge University Press. ISBN 0-521-82374-9. p. 327.
- "Hofmeister at RHUL". October 1840. Retrieved 5 March 2013.
- "RISM link to autograph of No.1 at Landesbibliothekszentrum Rheinland-Pfalz / Pfälzische Landesbibliothek, Musikabteilung, Speyer". Retrieved 5 March 2013.
- See HMB
- HMB.
- See HMB
- "Hofmeisters Monatsberichte". 1843. Retrieved 10 December 2010.
- "RISM (score, parts, at Detmold)". Retrieved 4 January 2013. (also RISM2 (Hamburg) which gives premiere date as 3 December 1841, Munich Hofoper.
- IMSLP
- Should not be confused with Donizetti's better-known opera of slightly later.
- "NYPL link for opus 75, 1840s publication. Collection of the Flonzaley Quartet". Retrieved 16 March 2016.
- New Grove, p. 349 – see Google Books search
- Allmusic entry for date.
- HMB 1847 p. 177
- RISM autograph.
- HMB.
- HMB
- "Cornell Library Catalog Description of Frauenliebe und Leben". Retrieved 19 January 2018.
- "Frauenliebe und -leben, Op 82: Introduction". Hyperion. Retrieved 1 September 2017.
- HMB 1847 page 161
- Hofmeister, 1847, page 117
- HMB 1847 page 157
- Hofmeister, 1847, page 104
- OCLC 959697024, also RISM, in regards the Op.90 Vespers
- Score and Parts at BSB Bavarian Library, IMSLP
- HMB 1849 page 58.
- OCLC 163493558
- HMB 1848 page 96
- RISM autograph
- Lachner: 12 Gesänge: für Sopran, Alt, Tenor & Baß at Google Books.
- Hofmeister, Adolf Moritz (and Wilhelm Altmann?) Handbuch der musikalischen Literatur; oder, allgemeines systematisch-geordnetes Verzeichnis der in Deutschland und in den angrenzenden Ländern gedruckten Musikalien auch musikalischen Schriften und Abbildungen, mit Anzeige der Verleger und Preise at Google Books. 3rd Edition of 1860. page 344.
- "Page about Suites 1 and 7". Naxos.com. June 1990. Retrieved 10 February 2009.
- OCLC 174601851
- Dwight's Journal of Music at Google Books – apparently premiered at the Festival of the Lower Rhine in mid-May 1863.
- OCLC 165288339
- OCLC 165869211
- OCLC 165365028
- "NYPL permalink for quartet op. 120". Retrieved 12 March 2016.
- However, Kronseder gives 1849 for publication, not just composition, date of this work. This is hard to verify.
- Kronseder gives 1834.
- Selmar Bagge, ed. (28 February 1866). "Review of Publication of Third Suite, with Music Examples. Prelude is in F minor. Some other sources claim A♭ major, but this is clearer evidence". Leipziger Allgemeine musikalische Zeitung. 1 (9): 70–3. Retrieved 12 February 2009.
- OCLC 165288621; University of Rochester Libraries for key and date
- OCLC 165288220.
- downloadable from Google books and IMSLP
- Leipziger Allgemeine musikalische zeitung at Google Books. Review of 4th Suite, Vienna performance, page 105. (another review, of the Munich premiere of the suite, is around page 142 of the journal, from May 1866.)
- The Musical World at Google Books Possibly (and as confirmed by the review of the actual concert, which quotes the work which can be compared in full score online), the "New" suite for orchestra mentioned as part of the lineup of the new series of concerts for the coming Vienna season 1865 to '66. Probably though not definitely ready by that point (not definitely...) when the article was written in November 1865. As noted in the other link, given its Vienna premiere in a concert reviewed in the Leipzig AMZ in March 1866, so composed and premiered no later than then at any rate!
- OCLC 213328159
- University of Rochester Library for key and date of Suite No. 5
- "RISM link to 1872 autograph manuscript at Münchner Stadtbibliothek, Musikbibliothek, München". Retrieved 5 March 2013. WulL means as usual Wulf (1999) catalogue). Originally intended? to be published as Op.161 from RISM's notes
- "Hofmeister at RHUL". September 1870. Retrieved 5 March 2013. (announcement of publication by Schott Music.
- Dutch Royal Library
- "Hofmeister Monatsbericht for Piano Quintet 1". Retrieved 16 October 2010.
- IMSLP score of Violin Suite
- Dresden Library
- Organ arr. of score is at IMSLP
- publication date from Hofmeister Monatsbericht
- "Details of Piano Quintet 2 at NYPL". Retrieved 12 March 2016.
- Woolf, Jonathan (February 2007). "Review of Carus Recording of Requiem". Retrieved 11 February 2009.
- downloadable from Google Books and in part from IMSLP
- OCLC 40121303; "University of Michigan Permalink to Suite No. 6". Retrieved 11 February 2009.
- OCLC 62628562
- Howell, Christopher (May 2002). "Review: Lachner: Nonet, Octet". Musicweb International. Retrieved 2 October 2015.
- "RISM: Teilautograph for Elegie Op.160, 1834". Retrieved 11 April 2017.
- "NYPL Permalink for Quartet in G by Lachner". Retrieved 10 February 2009.
- OCLC 84865307
- "Page about Quartet no. 6". Edition Silvertrust. Retrieved 10 February 2009.
- Published 1849 according to Kronseder.
- Fenech, Gerald (2008). "Review of Recording of the Lachner Organ Sonatas". Classical.net. Retrieved 11 February 2009.
- RISM autograph
- "Persistent NYPL link for F minor fantasy". Retrieved 12 March 2016.. Note that the horn and piano fantasy of 1825 may not have been published until the 1980s.
- Hall, p. 273.
- Lachner, Franz Paul (2004). Ladson Jonathan Saylor (ed.). Two Woodwind Quintets. A-R Editions, Inc. ISBN 9780895795465. OCLC 54699772.
- "Persistent NYPL record for Wind Quintet No. 2". Retrieved 24 September 2018.
- See: [Mus.ms. 5793 D-Mbs Mus.ms. 5792] & D-Mbs Mus.ms. 5793 @ RISM, and Beyer's OCLC 19557729 completion published in 1988 (perhaps in 1967 and reprinted - unclear).
- "RISM link to Autograph with 1826 ("Wien den 17 Dezembr. [1]826") date at Leipziger Stadtbibliothek - Musikbibliothek, Leipzig". Retrieved 5 March 2013.
- "Persistent NYPL record for Flute Concerto". Retrieved 10 February 2009.
- Fifield, Christopher. (2005) Bruch: His Life and Works at Google Books. Boydell Press. p. 256. ISBN 1-84383-136-8.
- "RISM- autograph, symphony no.4 score". Retrieved 13 July 2018. ("D-Mbs Mus. ms. 5753")
- Composed by November 1834 according to the autograph at RISM; conducted by 17 February? in Vienna (the fifth symphony was premiered there on 19 February) 1836 by the composer according to an Allgemeine musikalische Zeitung (p.107) from that month.
- `Die Componisten der neueren Zeit: Adam, Auber, Beethoven, Bellini..., p. 66, at Google Books. 1856. Published by Diabelli, according to the 1856 source. Symphony 7 of 1838(-39?) "Elegie in Form einer Symphonie is implied to not have been published." Fifield's more recent book "The German Symphony between Beethoven and Brahms", which discusses Lachner at length, and RISM entries on the 1838 Elegie, note that two movements of the Elegie were later used in the published Suite No.7.
- Hall, p. 317.
- RISM autograph
- "RISM reference for Cantate Domino at Hofburgkapelle, Wien". Retrieved 4 January 2013.. WulL - refers to Wulf (1999) worklist.
- "ÖNB-suche (Austrian National Library Advanced Search)" (in German). Retrieved 12 March 2016.
- OCLC 497695450. Included in a collection of memoria for Vincenzo Bellini?
- Early manuscript quartet in E-flat major - "Streich-Quartett. | für 2 Violinen, Viola, Violoncell | von Fr. Lachner. | (Wien 1824.)" - in the Nachlass Franz Paul Lachner, Munich Library, Mus.ms. 5790. "Link to Quartet in E-flat". Répertoire International des Sources Musicales (in German). Retrieved 12 March 2016.
- OCLC 959698521
References
- Wulf, Jürgen (1999) (in German). Die Geistliche Vokalmusik Franz Lachners: Biographische und stilistische Untersuchungen mit thematischem Verzeichnis. Hildesheim: Georg Olms Verlag. ISBN 3-487-10863-1.
- Bussenius, Arthur Friedrich (1856) (in German). "“Die” Componisten der neueren Zeit: Adam, Auber, Beethoven ... ; in Biographien geschildert. Franz, Vincenz, Ignaz Lachner : Biographien · Volume 39". Ernst Balde Verlag.
See also
- Franz Lachner (1903, by Otto Kronseder), p. 50, at Google Books (Worklist, pp. 50–55).
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