Lorraine Garcia-Nakata

Garcia-Nakata was born in Yuba City, California[2] as the third generation in her family to reside in the United States. Her maternal grandparents Basilio Prado and Juanita Montes Muños, came to the United States in 1914, during the Mexican Revolution. Lorraine grew up in the Central Valley and identifies as Chicana. Lorraine lived in Oroville, California before moving to [[Olivehurst, California.[3] Lorraine earned an Associates of Arts Degree from Yuba College, in Marysville, CA in 1973. She transferred to California State University, Sacramento as an Art major and graduated with honors in 1974. In 1976, Lorraine was accepted into the art department of the University of Washington, Seattle as a sculpture major and on the Dean's List. She was hired at the University, Henry Gallery, where she met (now deceased) Curator, Lamar Harrington initiating Lorraine's museum knowledge and expertise. During the period (1970-1979) she and her partner "lived-on-the-land" made home in Eastern Washington, she also did independent study, as an apprentice with now deceased master potter, Everett Lynch(1898-1988). Here, she also apprenticed in weaving (counter-balance loom) with Everett's spouse, Dorothy. Mr. Lynch approached Lorraine about carrying on his studio, however Lorraine would be making a move accepting a position teaching ceramics and drawing at Moses Lake College, Moses Lake, Washington. Art Department Chair, Stephen Tse wanted her to become Chair when he retired, however it was at this time Lorraine made a major decision by returning to California in August 1979. This began a new life chapter as the following biographical information shares.

Garcia-Nakata is currently part of the Chairman's Advisory Committee at the Friends of National Museum For the American Latino since 2017. She is a founding member of the San Francisco Latino Historical Society since 2015. In 1997 she became part of the International Advisory for the Diego Rivera Mural in San Francisco City College and in 1995 she was an Advisory Board member for the Kearny Street Art Workshop, also located in San Francisco.

• Chola Enterprises, 2015 [5]
• Children’s Stories for Adults: from the I Can Eat Fire Writings, 2018 [6]
• Illuminations: Day of the Dead Indigenous and Colonial Expressions, 2004 [7]
• Mexican Museum/La Casa Futura, Lorraine García-Nakata, 1998 [8]

• 2016, Stanford University Library, Special Collections acquires Lorraine García-Nakata Papers, Stanford University, Stanford, CA. April 6
• 2010, State of California Senate, Certificate of Recognition, Lorraine García-Nakata
• 2010, San Francisco Mexican Consulate Honors Lorraine García-Nakata in conjunction with. Bicentennial of Independence and Centennial of the Mexican Revolution
• 2009, San Francisco Community Leadership Awards, Children’s Book Press, Lorraine García-Nakata, Publisher/Executive Director
• 2006, Artist Residency, Chicano Visions Exhibition Special Program, Royal Chicano Air Force (RCAF): Lorraine García-Nakata, Juanishi Orosco, Esteban Villa, José Montoya, September 2006, Kimball Gallery, San Francisco De Young Museum.
• 2005, Certificate of Special Congressional Recognition, Member of Congress, Nancy Pelosi
• 2003, California Arts Council, Visual Arts Fellowship Award, Printmaking[2]
• 2001, US Senate Certificate of Recognition
• 1999, Profiles Of Excellence: Lorraine García-Nakata, Channel 7/KGO, San Francisco, CA
• 1998, Salute, Bay Area Latinos, abc 7 KGO Television, August 12, San Francisco, CA (Award ceremony/on-air profile)
• 1998, Honored Guests: Susan Leal, Treasurer, City County of SF and Lorraine García-Nakata, Director, The Mexican Museum, Green Room, Warm Memorial Building.
• 1990, Ballad of the Bones (commissioned sculpture installation)Other artists involved in Ballad: Wong Aoki, Mark Izu, Michal Keck, John O'Neal, David Pangaro, Jael Weisman, Judith Kajiwara, Jill Whitcroft, Festival 2000, Cowell Theatre, Fort Mason Center, San Francisco, CA
• 1985, Atelier IV, print commission,June-Ralph Maradiaga, Lorraine García, Eloy Torrez, Linda Vallejo, Willie Herron
• 1979/80, Artist-in-Residence, California Arts Council

• Diaz, Ella Maria. “Flying Under the Radar with the Royal Chicano Air Force Mapping a Chicano/a Art History By Ella Maria Diaz.” The University of Texas Press, 15 Mar. 2019, utpress.utexas.edu/books/diaz-flying-under-the-radar-with-royal-chicano-air-force.
• Keller, Gary D., and Amy K. Phillips. “Triumph of Our Communities.” Triumph of Our Communities | Bilingual Press, 22 June 2011, bilingualpress.clas.asu.edu/book/triumph-our-communities.
• Murawski, Mike. “Telling to Live: Testimonio as Educational Praxis.” Art Museum Teaching, artmuseumteaching.com/tag/lorraine-garcia-nakata/.
• Watson, Sheila. “Museums and Their Communities.” CRC Press, 7 Aug. 2007, www.crcpress.com/Museums-and-their-Communities/Watson/p/book/9780415402606.
• Hablamos Juntos, Together We Speak Project, Curriculum/Contemporary Latina Broadside Project, Lorraine García-Nakata, Natural History, 2019
• Artistas Chicanas, The Mexican Museum, Spring Issue, 1985, San Francisco, CA
• Burgos-Debray. Verso, NY and London, 2009. (2nd Ed). The Latina Feminist Group. 2001. Telling to Live: Latina Feminist Testimonios. Duke University Press.

• Official website