Mark Norfolk

Born in London, Mark Norfolk studied Independent Film at the University of Wales, Cardiff[1] and has worked as an actor, reporter and sports journalist.[2]

Norfolk noticed while growing up that the voices of black characters in plays and TV shows were never really authentic, "That takes away a large part of what they are: they're just doing what the majority of society has given them to do. What that's done over the years is made black people lose any representation of themselves. So it's very important that people are now trying to use language as it is said."[3] The continuing themes in his writing bring a sharp focus on contemporary British society and how the various groups and generations interlock or collide.

Mark Norfolk's theatre debut came in 1998 when as part of Black History Month his play, Fair As The Dark Get was staged at the Albany Theatre, and closely followed by Buy Your Leave the next year.

He then wrote and directed Diary Of Somebody(2000) a short film which won an LFVDA Production Award (London Film & Video Development Agency) and followed that with a low budget, digital feature film Love Is Not Enough[4][5] which premiered on 10 September 2001 to a sold out audience at the Curzon Soho Cinema, London as part of the BFM International Film Festival. Time Out film critic Tom Charity wrote "You could call it an avant garde deconstruction of independent film practice and process – or you could call it a piss-take. It's a shambles, but engagingly so. I laughed lots."[6] ITV's popular film show, Movie Nights called it "a highlight of the festival". In 2002 Love is Not Enough opened at the same cinema.

Norfolk's play, Knock Down Ginger was produced at the Warehouse Theatre after being selected[7] for its International Playwriting Festival in June 2002. The play was nominated for the Arts Council's Eclipse Award For Combating Racism Through Theatre and was shortlisted for the Verity Bargate playwriting award,[8] later the same year it was staged in Urbino, Italy, opening the Premio Candoni Festival of New Writing and won a Croydon Guardian Culture Award.[9] The play, directed by Jeffery Kissoon, starred Judith Jacob, Sylvester Williams and marked the stage debut for Troy Glasgow.

In 2002 he took part in the Soho Theatre Writers' Attachment Programme where he developed Wrong Place. The play went into production directed by artistic director, Abigail Morris and featuring Mark Theodore, Larrington Walker and Geoffrey Burton, at the Soho Theatre the following year.[10] 2003 also saw the start of an ongoing film and theatre collaboration with actor and director, Jeffery Kissoon with whom he later worked, most notably on Naked Soldiers (2010) [11] featuring Ewart James Walters, Adam Sopp and Elisabeth Dahl at the Warehouse Theatre;[12] and the next year Where The Flowers Grow (2011) [13] featuring Ashley Gerlach and Jodie Richardson.

In 2013 Norfolk was a co-writer of Blair's Children [14] at the Cockpit Theatre with April De Angelis, Anders Lustgarten, Georgia Fitch and Paula B. Stanic. In 2016 Mark worked with Jeffery Kissoon on adapting William Shakespeare's Hamlet [15]for the first ever all-black cast of the play in the UK which toured nationally for Black Theatre Live. The production was also noted for having an all-black creative team. In the same year Mark adapted Hamlet [16] for an Albanian language contemporary version titled Princi I, that he also directed at the Dodona Theatre in Pristina, Kosovo.

Norfolk's collaboration with Jeffery Kissoon escalated when, as Kazimba Theatre, they staged his play Dare To Do (The Bear Maxim) [17] based on Kweku Adoboli the 'rogue banker' who was convicted of perpetrating the then, largest trading loss in British banking history'. The production, staged at The Space, a venue literally under the shadow of the banking industry on the Isle of Dogs in east London, was notable for its use of non-binary casting when former backing vocalist and singer, Jaye Ella-Ruth took the title role and when Adoboli took part in an after-show question and answer session in the midst of his own personal deportation battle with the UK government. Rehearsals for Dare To Do took place in Bay 56, a unit within the Village off Portobello Market, West London, a space occupied by the local community in response to the Grenfell Tower fire tragedy. This association with Portobello Road ignited a relationship with The Muse Gallery in Portobello Road where Kissoon and Norfolk under the Kazimba Theatre banner would produce regular readings of new plays including The Misclarification Of Sulieman Dewani, Dinner For Bono, What A' Fe Yu' [18]written by Mark Norfolk; and Birdbath [19]by Leonard Melfi. Mark Norfolk's plays are published by Oberon Books [20] and more recently Aurora Metro Publishing. [21]

Norfolk has also written a number of productions for broadcast on BBC Radio, including In The Car Park (2002), Medium Risk[22] (2005) and, paradoxically, a radio film called Broken Chain (2008).[23] for Radio 4s The City Speaks.

Norfolk's first 35mm film, Crossing Bridges started production in 2004 after the script won £1000 in a competition.[24] Without even a fraction of the £150,000 budget, Norfolk proved to be a tenacious and resourceful independent filmmaker. He launched into production, gathering investors as the project progressed.[25] Crossing Bridges tells the story of a suicidal man who meets an angel and features Jason Rose, Jeffery Kissoon and Elisabeth Dahl and went on to win an armful of international awards.[26]

Mark Norfolk's 2012 film, Ham and the Piper[27] features Jeffery Kissoon in the lead role alongside Jennifer Guy and has since won a host of awards including SevenArt Best Film[28] and Best Leading Actor at the Peloponnesian International Film Festival, Best Feature Film at the Carmarthen Bay International Film Festival, Best Film/Video at the Black International Cinema Festival and a Silver Chris Award at the Columbus International Film Festival.

His experimental art genre movie, Shadow Gene[29] starring Elisabeth Dahl and Riley Stewart was completed in 2014 and had a preview screening at the Venice Experimental Cinema and Performance Festival before winning [30] Best Actress and Best Editing at the Peloponnesian International Film Festival. The film's narrative follows a female assassin on a mission to destroy men with a degenerative gene and was shot entirely on discarded Super 8 and 16mm film stocks along with hand-drawn animation, still photographs and a soundtrack by brilliant young composer, Nedyalka Dimitrova. In June 2015, Shadow Gene won Best Film, Best Director and Best Actress at Festfilm Kosova [31] in Prishtina and later that year won Best Actress and Best Editing at the Peloponnesian International Film Festival, Greece.

Norfolk's next film was I, Father (Un 'Ati) [32] in 2018, an extremely low budget adaptation of his Kosovan play, Princi I produced by Filma-KS and Prussia Lane Productions. Photography was completed in just over 4 days and the film has since picked up a number of awards at international film festivals.

Norfolk was Writer In Residence at HMP High Down, a London prison working with the Writers in Prison Network, supported by Arts Council England and the Learning and Skills Council for over six years,[33] publishing several books and was the first ever Writer in Residence for the London Borough of Newham [34] in an ambitious collaboration between creative writing agency, Spread the Word, Arts Council England and Newham Council where he established its first borough-wide inclusive creative writing competition, Changing Face [35] and worked with elderly residents on a project called A Picture Paints A Thousand Words. Norfolk is the inaugural recipient of the Roland Rees Bursary in honour of the late theatre director who died in September 2015.[36] He is a former Writer in Residence at Kingston University Writing School and a former associate Lecturer in Screenwriting at Birkbeck University, London.

Source: various databases:[37][38][39][40]

• Prussia Lane Productions