Mata Hari (musical)

Mata Hari is a musical with a book by Jerome Coopersmith, lyrics by Martin Charnin and music by Edward Thomas. The exotic dancer Mata Hari was accused of spying for the Germans during World War I and was executed by a French firing squad, but her guilt is still being debated.[1] The musical is centered on her fictional affair with a French intelligence officer who plays a major role in her arrest and execution and later regrets it. A parallel sequence of events follows a young French soldier who fights in the trenches, illustrating what war is really about. The musical was perceived as an anti-war piece at a time when the US war in Vietnam was sinking in popularity.

Mata Hari
Original production poster
MusicEdward Thomas
LyricsMartin Charnin
BookJerome Coopersmith
BasisLast years of Mata Hari
Productions1967

The show's original production by David Merrick received a pre-Broadway tryout in December 1967 at National Theatre in Washington, DC, starring Austrian actress Marisa Mell in the title role opposite Pernell Roberts, who left Bonanza to star in the show; the crew included director Vincente Minnelli, set designer Jo Mielziner, costume designer Irene Sharaff, and choreographer Jack Cole. The show received scathing reviews and Merrick cancelled the Broadway production,[2] taking a $500,000 loss.[3][4] In December 1968, the authors brought a more modest version of it to New York's off-Broadway Theatre de Lys (now the Lucille Lortel Theater) under the title Ballad for a Firing Squad.[2] It lasted there for fifteen performances.[5]

In 1996, York Theatre in New York revived the 1968 version under the original title Mata Hari.[6] A cast recording of that production was released in 2001.[7]

Synopsis

In 1917, Captain Henry LaFarge, a French military intelligence officer, believes that the exotic dancer, Mata Hari, is the most dangerous German spy in France; he is obsessed with bringing her to justice. While surveilling her, he falls in love and they have an affair. Still in doubt about her loyalty to France, he sets a trap for her, and she fails the test. She is tried and sentenced to death. LaFarge discovers that she may have been framed by his superiors, who wish to blame their military losses upon her supposed espionage. LaFarge tries to prevent the execution but fails. He falls into despair even as he is hailed as a hero for capturing the spy. The story is interwoven with scenes portraying a young soldier who evolves from a naïve and idealistic youth into a war-hardened, but disillusioned, killer. He sings the anti-war song "Maman", describing a letter to his mother from the trenches. The two story lines intersect when he becomes a member of Mata Hari's execution squad.

Musical numbers

References
  1. Shipman, Pat (2007). Femme Fatale: Love, Lies, and the Unknown Life of Mata Hari. New York: HarperCollins
  2. Zolotow, Sam (October 4, 1968). "Mata Hari Given Another Chance; Merrick Show That Failed Is Due Off Broadway". The New York Times. ISSN 0362-4331. Retrieved January 29, 2016.
  3. "The Road: Merrick Shoots Mata". Time. 8 December 1967. Retrieved 5 February 2018.
  4. Wallenberg, Mirko di. Mata Hari, Marisa Mell webpages, accessed 15 June 2013
  5. Flinn, Denny Martin. "Ballad for a Firing Squad", Little Musicals for Little Theatres: A Reference Guide to the Musicals that Don't Need Chandeliers or Helicopters to Succeed, Hal Leonard Corporation (2006), pp. 11–13 ISBN 0879103213
  6. Holden, Stephen. "Theater Review: A Fictional Nemesis for a Legendary Spy", The New York Times, January 26, 1996, p. C16
  7. Martin Charnin; Edward Thomas (2000-01-01), Mata Hari, Original Cast Record, retrieved 2016-01-29
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