Matthew Ball (dancer)
Matthew Ball (born 14 December 1993) is an English ballet dancer who is currently a principal dancer with The Royal Ballet.
Matthew Ball | |
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Born | Liverpool, England | 14 December 1993
Education | The Royal Ballet School |
Occupation | Ballet dancer |
Current group | The Royal Ballet |
Early life
Ball was born in December 1993 in Liverpool.[1][2] His mother is a GCSE dance teacher mother and a father who works in arts education.[1] He started dancing at age 6, and entered the Royal Ballet Lower School at age 11. He moved to the Upper School at age 16, and graduated in 2013. However, due to a knee surgery, he could not perform at his graduation performance.[3]
Career
External video | |
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Romeo and Juliet – Balcony Pas de deux (The Royal Ballet), YouTube video | |
The Sleeping Beauty – Bluebird pas de deux (Yasmine Naghdi, Matthew Ball; The Royal Ballet), YouTube video |
Ball joined The Royal Ballet in the 2013/14 season, became a First Artist in 2015,[4] Soloist in 2016[5] and First Soloist in 2017.[6]
In March 2018, he was tasked with replacing an injured David Hallberg mid-show as Albrecht Giselle, even though he had only danced the role once and had never danced with ballerina Natalia Osipova, who was playing the title role, in a full-length ballet before.[1] Ball's performance was praised by The Times and the audience reacted positively to the performance.[7] Ball was promoted to principal dancer in July that year.[1]In December, he took time off from the Royal Ballet for 32 performance as the lead swan in Matthew Bourne's Swan Lake at the Sadler's Wells Theatre.[1][8]
He had danced lead roles in the ballets such as classical version of Swan Lake, La Bayadère, Don Quixote, Ashton's Marguerite and Armand and McGregor's Infra.[1] He was also given less than two weeks to prepare his debut as Crown Prince Rudolf in MacMillan Mayerling to replace another injured dancer.[1][3] He had also created roles in new works such as Wheeldon's Corybantic Games,[9] Marriott's The Unknown Soldier,[3] and Marston's The Cellist.[10]
In 2020, Ball was featured in the BBC documentary Men at the Barre.[2] Later that year, in the first series of performance since the Royal Opera House's closure due to the 2019-20 coronavirus pandemic, which was broadcast online, Ball and Mayara Magri performed an extract from Christopher Wheeldon's Within the Golden Hour, after learning the pas de deux in five days.[11]
Selected repertoire
Ball's repertoire with the Royal Ballet includes:[4]
- Solor in La Bayadère
- Basilio in Don Quixote
- Albrecht and pas de six in Giselle
- Prince in The Nutcracker
- Prince Florimund and Bluebird in The Sleeping Beauty
- Prince Siegfried in Swan Lake
- Officer in Anastasia
- Lysander in The Dream
- Armand in Marguerite and Armand
- Crown Prince Rudolf in Mayerling
- Matvei and Beliaev in A Month in the Country
- Romeo in Romeo and Juliet
- Lensky in Onegin
- Young Man in The Two Pigeons
- Escamillo in Carmen
- Aeternum
- Afternoon of a Faun
- Jewels
- Scènes de ballet
- Woolf Works
- Yugen
Created roles
- Albert de Belleroche in Strapless
- The Cellist[12]
- Connectome
- Corybantic Games
- The Illustrated 'Farewell'
- Medusa
- Multiverse
- Obsidian Tear
- The Unknown Soldier
- Untouchable
References
- Byrne, Emma (4 December 2018). "Royal Ballet principal Matthew Ball: 'I was hungry to do Matthew Bourne's Swan Lake'". Evening Standard.
- Winship, Lyndsey (26 May 2020). "One giant leap: meet the new generation of male ballet stars". The Guardian.
- Craine, Debra (6 October 2018). "Swoon! Matthew Ball, the hot young hero at the Royal Ballet". The Times.
- "Matthew Ball". Royal Opera House. Retrieved 13 October 2020.
- "Royal Ballet: Promotions and joiners for the 2016/17 season". DanceTabs. 10 June 2016.
- "News – Royal Ballet Promotions, Joiners and Leavers, 2017/18 Season". DanceTabs. 9 July 2017.
- Craine, Debra (2 March 2018). "Dance review: Giselle at Covent Garden". The Times.
- "Matthew Ball on Swan Lake, 'dad dancing' and becoming the Royal Ballet's youngest star". The telegraph. 20 November 2018.
- Mackrell, Judith (16 March 2018). "Royal Ballet: Bernstein Centenary review – McGregor and Wheeldon at the top of their game". The Guardian.
- Winship, Lyndsey (18 February 2020). "The Cellist review – a joyfully giddy tribute to Jacqueline du Pré". The Guardian.
- Parry, Jann (1 July 2020). "Royal Opera House/Royal Ballet – Live from Covent Garden: Third Concert (27 June)". DanceTabs.
- Monahan, Mark (18 February 2020). "The Cellist, Dances at a Gathering, Royal Ballet, review: a heartbreaking love letter to Jacqueline du Pré and the magic of music". The Telegraph.