Meenakshi Sundaram Pillai

He began his career as a Tamil teacher in Mayiladuthurai, and went on to train many students in the craft of Tamil literature. One of his first publications under his own name was Akhilanda Nayaki Pillai Tamil, written in 1842. He is remembered for his contribution to Tamil studies as well as Saiva Agamas (Rules of Saivites). The celebrated Tamil scholar U. V. Swaminatha Iyer, known for his discovery of the Sangam classics, became his student at the age of 17. Meenakshi Sundaram Pillai, who left behind him a treasure of Tamil palm leaf manuscripts, died in 1876. He lead a poor's life but respected one among the greats who served to Tamil language. [1]

Along with the institution of Tamil literature came an increased specialization of roles. Whereas poetic and musical composition were often combined in the creation of dramatic and poetic works, the dual role of Kirthana(musical text) composer and erudite poet was becoming unusual in the 19th century. U. V. Swaminatha Iyer reports the contempt of his teacher, Pillai, for poets who composed musical works; music was thought to be a distraction from the more important aspects of grammar, poetics and mastery of traditional commentaries.[2]

Sthala Puranas constitute one of the 96 minor literary genres of Tamil, which gained prominence after the 16th century and came to be recognised as an important literary text for studying temples in the context of socio-economic milieu. Pillai is said to have composed 90 Sthalapuranas(history of ancient temples) about various temples and imparted puranams to his pupils.[3]

Mahamahopadhyaya Dr. U. V. Swaminatha Iyer compiled Pilla's biography in Tamil, which was translated into English by Sridharam K. Guruswamy. as "A Poet's Poet" (Maha Vidhwan Sri Meenakshisundaram Pillai of Tiruchrappalli).[4] This book of 129 pages was first published in the year 1976 by Mahamahopadhyaya Dr. U. V. Swaminatha Iyer Library, Madras, now known as Chennai.

In addition, we get to know the poetic brilliance and the unwavering Tamil bhakti of Poet Meenakshi Sundaram Pillai, and the high regard the Tamil speaking world idolized him, by reading the first 300 pages of the Autobiography of Dr. U. Ve. Swaminatha Iyer, En Saritham. It was to the credit of the Saivite Thiruvaavaduthurai mutt and the then Sannidhanam HH. Subramania Desikar that Poet Meenakshi Sundaram Pillai could sustain despite the severe monetary challenges faced. Another aspect is of the Guru Sishya relation that moves one to tears and shows the dark contrast to the low level, education of our current times have degraded to. A disciple (in the form of U. Ve. Sa) like a calf that has strayed out for a few days, longing for its mother, and The Poet as the searching and longing mother yearning to nourish the calf (his disciple and take care of his Tamil hunger as well as the real hunger). He passed away at Thiruvaaduthurai after ailing for sometime, with his two foremost disciples at the deathbed, Saverinatha Pillai massaging his feet and U. V. Swaminatha Iyer reciting from the Thiruvaasagam.

He was an ardent Saivite, but held Kamban and his Ramayanam in the loftiest pedestal. It would be fair to say that in the last 200 years, Pillai has contributed possibly the largest corpus to Tamil poetic literature than any other poet, and by his teaching and through his students brought out the greatness of Tamil literature to the public at large and beyond. Remember all of this literature are aligned to the Yaappu and Ani Illakanam (Poetic grammar) and much before the advent of the new style of poem writing (Pudhu Kavidhai).

• Prabada Tirattu[5]
• Kanthimathiammai Pillai Tamil[6]
• Sri Mangalambigai Pillai Tamil[7]
• Perunthipirattiyar Pillai Tamil[8]
• Thiruvidaikazhi Murugar Pillai Tamil[9]
• Prabada Tirattu - Paguthi 10 - Sri Ambalavanathesikar Pillai Tamil[10]
• Vaatpokki Kalambagam[11]
• Thiruvavauthurai Atheenathuk Guru Parambarai Agaval[12]
• Prabantha Thirattu - Paguthi 11 - Sri Ambalavana Thesigar Kalambagam[13]
• Thiruvidaimaruthur Ula[14]
• Prabantha Thirattu - Paguthi 13 - Seekazhi Kovai[15]
• Prabantha Thirattu - Paguthi 14 - Thirupanjeelithirupandathi[16]
• Prabantha Thirattu - Paguthi 15 - Thiruthillaiyamagavanthathi[17]
• Prabantha Thirattu - Paguthi 16 - Thuraisaiyamagavanthathi[18]
• Prabantha Thirattu - Paguthi 17 - Thirukudanthai Thiripandathi[19]
• Prabantha Thirattu - Paguthi 18 - Thiruvidaimaruthur Thiripanthathi[20]
• Prabantha Thirattu - Paguthi 19 - Palaivana Pathitranthathi[21]
• Prabantha Thirattu - Paguthi 20 - Thirvooraipathiranthathi[22]
• Prabantha Thirattu - Paguthi 26 - Thiruchiramalaiyamagavanthathi[23]
• Prabantha Thirattu - Paguthi 27 - Thirupanjeeli thiripanthathi[24]
• Prabantha Thirattu - Paguthi 28 - Kalaichaichidambareswarar Malai[25]
• Prabantha Thirattu - Paguthi 29 - Agilanda Nayagi Malai[26]
• Prabantha Thirattu - Paguthi 30 - Subramaniya Thesika Malai[27]
• Prabantha Thirattu - Paguthi 31 - Sri Sachithananda Thesikar Malai[28]
• Thiruvanaikka Agilandanayagi Pillai Tamil[29]
• Prabantha Thirattu - Paguthi 2[30]
• Seizhkizhar Pillai Tamil[31]
• Thirugnana Sambandar Aaanantha Kalippu, Thirukkarkudi malai[32]
• Prabantha Thirattu - Paguthi 32 - Thesikar Nenjuvidu Thoothu[33]
• Prabantha Thirattu - Paguthi 33 [34]