Michael Brough (game designer)

Michael Brough (born 20 May 1985) is a New Zealand-born[1] indie video game developer known for his eclectic roguelike games. His games are often tightly-focused explorations of a single mechanical aspect of the roguelike genre, set on unusually small grids.[2] This style of game, perhaps best exemplified by 868-HACK,[3] has become widely known as the "Broughlike".[4]

Michael Brough
Michael Brough at Berlin Indie Game Jam in 2011
Born (1985-05-20) 20 May 1985
Auckland, New Zealand
OccupationGame designer
Websitewww.smestorp.com

Wired Magazine called Brough's games "corrupted" and "brilliant",[5] while The Guardian wrote that his work is "strange" and "elegant".[6]

Design philosophy

Brough believes that games are best understood within genres, which led him to focus on the roguelike game genre. He cites early roguelike Castle of the Winds as an early inspiration.[7] One design problem with the original Rogue and subsequent roguelikes, Brough argues, is a large game board (80x20 tiles in Rogue) which leads to the player running down long corridors and "not making choices."[7] In comparison, classic board games like Chess and Go use 8x8 and 19x19 board sizes. "You should never need a larger possibility space than Go," says Brough.[7] For one of his first roguelike games, Zaga-33, Brough specifically limited the board size to 9x9.[7] 868-HACK, Imbroglio, and Cinco Paus took this trend even further, with 6x6, 4x4, and 5x5 boards respectively.

Brough also identifies another design problem in roguelikes which he likens to Zugzwang in Chess, when the game forces you to move into a bad situation.[7] Most roguelikes implement a "Wait" command to let the player pass their turn, forcing monsters to move into a bad position instead; however, Brough argues this is a poor solution and thus he tries to avoid implementing wait actions in his games.[7] "Attacking is already a form of waiting" since combatants stay in the same positions before and after the attack, which means enemies are already "resources for waiting."[7] To try to innovate on this Zugzwang problem, 868-HACK lets the player use ranged attacks, as well as consume resources to use a ".WAIT" ability if they have acquired it.[7]

Award nominations

His games Vesper.5, Corrypt, and BECOME A GREAT ARTIST IN JUST 10 SECONDS were finalists for the IGF's Nuovo Award in 2013,[8] 2014,[9] and 2015[10] respectively, and 868-HACK and Imbroglio were finalists for the Excellence in Design award in 2014[9] and 2017.[11]

Selected works
  • P1 Select (2019)
  • Cinco Paus (2017)
  • Imbroglio (2016)
  • Helix (2014)
  • 868-HACK (2013)
  • Become a Great Artist in Just 10 Seconds (2013)
  • Corrypt (2012)
  • Vesper.5 (2012)[12]
  • Zaga-33 (2012)
  • Glitch Tank (2011)

References
  1. "NZ Game Development Industry". New Zealand Game Developers Association.
  2. Couture, Joel (15 January 2018). "Freedom through constraints: The design of Michael Brough's Imbroglio". Gamasutra. Retrieved 16 January 2018.
  3. Nowak, Mike (30 August 2013). "Review: 868-HACK". Pocket Tactics. Retrieved 16 January 2018.
  4. "broughlike". Warp Door. 16 March 2015. Retrieved 16 January 2018.
  5. Rigney, Ryan (26 February 2013). "The Ugly, Corrupted, Brilliant Games of Michael Brough". WIRED. Retrieved 16 January 2018.
  6. Stuart, Keith (5 July 2013). "Outsider art: Michael Brough on creating strange elegant games alone". the Guardian. Retrieved 16 January 2018.
  7. Brough, Michael (17 November 2013). PRACTICE 2013: rogue(like)^n (Speech). PRACTICE 2013. New York City, NY.
  8. "2013 Independent Games Festival Announces Main Competition Finalists". IGF. 7 January 2013. Retrieved 10 January 2018.
  9. "2014". IGF. 12 September 2016. Retrieved 10 January 2018.
  10. "2015". IGF. 12 September 2016. Retrieved 10 January 2018.
  11. "2017 Independent Games Festival announces Main Competition finalists!". IGF. 6 January 2017. Retrieved 11 January 2018.
  12. Lien, Tracey (March 19, 2013). "Vesper.5: Finding meaning in rituals". Polygon. Retrieved November 9, 2019.

Further reading
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