Michael Hurd (composer)

He was born in Gloucester on 19 December 1928 and educated at The Crypt School, Gloucester,[2] and Pembroke College, Oxford, where he studied music with Thomas Armstrong and Bernard Rose.[3] He was also a composition pupil of Lennox Berkeley. After National Service he taught at the Royal Marines Band School at Deal,[4] (1953-59) before settling as a freelance composer in East Hampshire, where he took a leading role in the area's music-making.[5] He bought the terraced, two-bedroom cottage at 4, Church Street, West Liss in 1961 and lived there for the rest of his life.[6]

Like his fellow Petersfield resident, the tenor Wilfred Brown, Hurd championed the memory of Gerald Finzi (co-editing the composer's correspondence with Howard Ferguson),[7] as well as Rutland Boughton (he was music advisor to the Rutland Boughton Music Trust from 1978 to 2006), Ivor Gurney and Cyril Scott.[8] Stephen Banfield, unimpressed by the critical stance of his 1962 biography of Boughton ("Hurd seemed unable to accept the poverty of Boughton's musical imagination - it would perhaps have been difficult to justify the biography had he done so"), was much more positive about The Ordeal of Ivor Gurney, published in 1978 ("not only authoritative and rounded but intensely moving").[9]

His lifelong friends included the writer David Hughes and his wife Mai Zetterling. Hughes wrote the libretto for Hurd's first chamber opera, The Widow of Ephesus (1971),[10] and Hurd wrote the music scores for two Zetterling films, Flickorna (1968), and Scrubbers (1982).

As a composer, Hurd was prolific.[1] His numerous dramatic works for schoolchildren,[11] especially the "pop cantata" Jonah-Man Jazz (1966), were widely performed during his lifetime and are still heard in schools today.[12] Jonah-Man Jazz followed on in the tradition of Herbert Chappell's The Daniel Jazz (1963), which had previously been issued by Hurd's publisher Novello. Its popular success led Novello to pay Andrew Lloyd Webber a 100-guinea advance to compose a work along the same lines. This resulted in Joseph and the Amazing Technicolor Dreamcoat (1968).[13]

However, as Geoffrey Bush pointed out, more serious pieces by Hurd such as the Missa brevis (also 1966) share equally the lyrical invention, sensitivity to words and understanding of the voice seen in his most popular works.[3] There are three chamber operas: The Widow of Ephesus (1971),[14] The Aspern Papers (1994), and The Night of the Wedding (1998).[15] Of those, the three-act Aspern Papers, derived from the novella by Henry James, is the most substantial. It was a success at the Port Fairy Spring Festival in Australia in 1995, and while it hasn't been revived since, it has been recorded.[16]

His orchestral works include the ambitious four movement choral symphony The Shepherd's Calendar, a setting of John Clare's 1827 poem,[17] and the Concerto da Camera, a light and melodic oboe concerto showing the influence of Francis Poulenc.[18] His final work, the Three Piece Suite of 2004, was dedicated to the recorder player John Turner.[19] Much of his music has now been recorded, supported by a British Music Society Charitable Trust.[20][21] He died on 8 August 2006 in Petersfield, Hampshire.[1]

• Immortal Hour: the Life and Period of Rutland Boughton (1962), rev. 1993 as Rutland Boughton and the Glastonbury Festivals ISBN 0091897637
• Young Person's Guide to Concerts (1962)
• Young Person's Guide to Opera (1963)
• Young Person's Guide to English Music (1965)
• The Composer (1968)
• An Outline History of European Music (Novello, 1968, revised 1988) ISBN 0853600767
• The Ordeal of Ivor Gurney (OUP, 1978) ISBN 0192117521
• New Oxford Junior Companion to Music (1979) ISBN 1851521097
• Vincent Novello and Company (Granada, 1981) ISBN 0246117338
• The Orchestra (Phaidon, 1981) ISBN 0871964694

• http://www.michaelhurd.org.uk
• Choral and Opera releases by Lyrita