Michael William Sharp

He was born in London, and was a pupil of Sir William Beechey. He also studied in the schools of the Royal Academy. In about 1804 he married the actress and dancer Arabella Menage (1782–1817). In 1813 he was in Norwich, where he lodged with John Crome, perhaps a former teacher, and godfather to one of his sons. He became one of the prominent painters of the Norwich school, with whom he exhibited for some years. Sharp later was in London, and died at Boulogne in 1840.[1]

Petruchio and the Tailor, 1835

Sharp appeared as a portrait-painter at the Royal Academy in 1801, but he became known as a painter of small domestic scenes, usually of a humorous character. His works were populist, and successful in his day.[1]

The Music Master, exhibited at the British Institution in 1809, gained a premium and was purchased by Thomas Hope. Sharp obtained many commissions, and his pictures sold well at the exhibitions. Many of them also were engraved, such as Sunday Morning (R.A. 1820), The Sailor's Wedding (R.A. 1828), The Black Draught, and The Spoilt Child.[1]

Sharp also executed for theatrical patrons group portraits of the principal performers on the stage at that time, such as Queen Constance before the Tents of the English and Foreign Sovereigns, painted in 1819; An Author reading his Drama to an Assemblage of the Performers in the Green Room of Drury Lane Theatre; The Shakespeare Jubilee, with Portraits of the principal Covent Garden Performers, and others.[1]

A lecture by Sharp, delivered in 1820 to the Philosophical Society at Norwich, was printed. It is in James Elmes's Annals of the Fine Arts, vols. iv. and v., as An Essay on Gesture.[1]

Wikimedia Commons has media related to Michael William Sharp.

• 11 paintings by or after Michael William Sharp at the Art UK site

Attribution

 This article incorporates text from a publication now in the public domain: Lee, Sidney, ed. (1897). "Sharp, Michael William". Dictionary of National Biography. 51. London: Smith, Elder & Co.