Michal Heiman

Michal Heiman, Nouraldin Musa (b. Bendisea, W, Darfur, Sudan, 1976), asylum seeker, photographer and actor in Legislative Theatre Group Holot, lives in Canada. Asylum (The Dress) 1855-2017, 2015, digitally printed photograph, 80X60 cm

For over three decades, since graduating from Art Studies at Hamidrash School of Art in 1984, Heiman has been developing a discipline that inhabits a field between photography, psychoanalysis, human rights, theory, and praxis. Heiman's work has been exhibited in leading venues around the world.

In 1997, Heiman represented Israel at Documenta X in Kassel, Germany, debuting her first Michal Heiman Test box and procedure. In 2008, her solo exhibition Attacks on Linking debuted at the Helena Rubinstein Pavilion for Contemporary Art, Tel Aviv Museum of Art. In 2017, Heiman exhibited her solo exhibition, AP – Artist Proof, Asylum (The Dress, 1855-2017), at the Herzliya Museum of Contemporary Art – a large-scale installation and performance work that incorporated the participation and input of visitors, and which raised questions concerning the notion of the right to return. Among her notable works are a lecture/film on British psychoanalyst Wilfred Bion and video works based on case studies by psychoanalysts Sigmund Freud and D. W. Winnicott.

Heiman has also exhibited in venues such as the University of Melbourne Museum of Art; Le Quartier Centre d'Art Contemporain, Quimper, France; the Jewish Museum, New York City; the Museum of Modern Art, Saitama, Japan; the Van Abbemuseum, Eindhoven, the Netherlands, and the Changjiang Museum of Contemporary Art, China, and others.

Heiman brings her critical voice to bear on issues of history, while engaging with human rights and more specifically, women's rights, exploring and questioning the ability of visual tools to penetrate traumatic experiences through different tactics and pre-enactments, as well as examine the photographic medium, its therapeutic potential, and its role in the struggle for social justice. Her enactment and installation works, archival materials, photography and film series, and her lectures/performances are deeply rooted in the political, familial, and social arenas.

From 2019 to 2020, Heiman exhibited work in the United States, focusing on her growing archive of narratives and histories of marginalized, pioneering, and revolutionary women, first with Radical Link: A New Community of Women, 1855-2020 in Washington, D.C., and then with Hearing in Los Angeles, California.[2]

Heiman has been active as a women's right advocate for many years. In 2015, she founded the organization Women in Academia to protect and advance women's equality in Bezalel Academy of Art and Design, and in 2018, she founded the public-benefit corporation An Academy of Her Own, which advocates for gender equality in various academic institutions.[2]

Heiman has two children, Leigh (26) and Emily (22).

• 2019 Radical Link: A New Community of Women, 1855-2019, American University Museum at the Katzen Arts Center, Washington DC, USA, curated by Sarah Gordon
• 2017 Genetics of a Painting, Basis Gallery, Herzliya, curated by Shlomit Breuer
• 2017 AP – Artist Proof 1885-2017, Herzliya Museum of Contemporary Art, Herzliya, curated by Aya Lurie
• 2008 Attacks on Linking, Helena Rubinstein Pavilion for Contemporary Art, Tel Aviv Museum of Art, Tel Aviv, curated by Mordechai Omer
• 2005 I was There, Andrea Meislin Gallery, New York
• 2003 Photo Rape, The Artists' House, Tel Aviv, curated by Galia Yahav
• 1995 Michal Heiman Test: First Diagnosis, Noga Gallery, Tel Aviv
• 1994 Michal Heiman Test (M.H.T): Endopsychic Press, Ian Potter Gallery, The University of Melbourne Museum of Art, Melbourne, Australia, curated by Merryn Gates
• 1991 Sorting: Undersigned, Bograshov Gallery, Tel Aviv
• 1990 Paintings, Bograshov Gallery, Tel Aviv
• 1990 Sorting, Bograshov Gallery, Tel Aviv, curated by: Ariella Azoulay (Catalog)
• 1986 Paintings, Meimad Gallery for Visual Art, Tel Aviv

• Profile of A Woman Artist – Rachel Shavit Bentwich, 2015, video, color, sound, 50 min
• Looking for Sarah, 2012, video, color, sound, 15 min
• Reality and Playing No. 2, 2009, video, color, sound, 31 min
• Reality and Playing, 2009, video, color, sound, 35 min
• Through the Visual: A Tale of Art that Attacks Linking, 1917-2008, lecture, video, color, sound, 100 min
• Con-ver-sation, 2008, video, color, sound, 2:40 min
• Sleeping, Test No. 1, 2008, video, color, 5:45 min
• Father not Uncle (Freud / Katharina), 2008, video, color, sound, 26 min
• Daughtertype No. 2: Holding, or Savior-Attacker, 2007–08, video, color, sound, 9 min
• Me and Freud (1925), 2006, 2 min
• Attacks on Linking No. 1: The Rope, Screen Memory, L Link, 2006, video, color, sound, 3:50 min
• Daughtertype No. 1: Michal is Crying, 2006, video, color, sound, 9:40 min
• Attacks on Linking No. 4: Yom Kippur at High Noon, K Link (PTSD), 2006, video, black & white, sound, 7:30 min / Camera: Michal Heiman; Editing: Eitan Buganim
• Attacks on Living No. 2: The Double, Case Study, B+B Link, 2003–06, video, color, sound, 7:10 min / Camera: Michal Heiman; Editing: Eitan Buganim
• Attacks on Living No. 3: Proof Only, A Link, 2001–06, video, color, sound, 4:40 mi
• Thirdly: Animation No. 1 (Photographer Unknown / Eti and Tammuz), 2008, photo-activation, 1:20 min. Loop
• Thirdly: Animation No. 2 (Photographer Unknown / Rachel and Michal), 2008, photo-activation, 2:04 min. Loop
• Thirdly: Animation No. 4 (Photographer Unknown / Michal and Subjects Unknown), 2008, photo-activation, 1:30 min. Loop

• 2015 Waiting – one year at Holot Detention Center, Israel, Noureldin Musa, Parasite Gallery, Tel Aviv
• 2006 Presence of Unknowing (or: What do you Know?), co-curated with EitanBuganim
• 2005 Why Don't You Say It?, experimental film project, The New Israeli Foundation for Cinema & TV, Herzliya Museum of Contemporary Art, Herzliya
• 1995 Neither Here nor There, Gordon Gallery, Tel Aviv
• 1994 Michael Shaphir, solo show, part of Nidbach series, The Artists' House, Jerusalem
• 1992 Uri Stettner, solo show, Bograshov Gallery, Tel Aviv
• 1991–1993 Curator of the Camera Obscura Gallery, Tel Aviv

Her photographs are in the permanent collections of several international institutes, such as the Jewish Museum, New York; Museum Ludwig, Köln; the Ian Potter Museum of Art, the University of Melbourne, Melbourne; the Jewish Museum of Australia, Melbourne, and the Van Abbemuseum, Eindhoven; As well as leading museums in Israel, such as the Israel Museum, Jerusalem; Tel Aviv Museum, Tel Aviv; Mishkan Museum of Art, Ein Harod; also in the collections of the Israeli Ministry of Culture, ORS Collection, Bank Hapoalim collection, Brandes Family collection, Come il faut collection, FIBI Bank collection, Igal Ahouvi Art collection and private collections.

In 2011, Heiman was the first winner of the Shpilman Prize for Excellence in Photography, an annual prize awarded by the Israel Museum in Jerusalem and Shpilman Institute of Photography. Heiman was awarded the Minister of Education and Culture for Artists in the Field of Visual Art several times between the years 1996-2015, and the Enrique Kavlin Photography Prize by the Israel Museum in 2004.

• Official website
• Michal Heiman, RawArt Gallery
• Roi Boshi, "Michal Heiman: Winking and Attacks on Linking", Fotograf 13, no. 24, Prague
• Dr. Michal Ben Naftali, "I Am Not Here: On Michal Heiman's Radical Realism"
• Omri Herzog, "A Report to an Academy – On Michal Heiman's Through the Visual: A Tale of Art that Attacks Linking, 1917-2008"
• Danielle Knafo, "Creative and Clinical Transformations of Trauma: Private Pain in the Public Domain", Israel Journal of Psychoanalysis, 1 (4), pp. 533-555
• Dr. Ariella Azoulay, "Critical Image: Michal Heiman", Le Qartier, Center of Contemporary Art, Quimpe