Mohammad Hussain Sarahang

Mohammad Hussain Sarahang (née Mohammad Hussain) was born in 1924 in the Kharabat area of Kabul, an old district known for producing some of the country's greatest musicians. He was the second oldest son of Peshawar musician Ghulam Hussain, who taught his son the basics of music. Sarahang studied Indian classical music in the Patiala style of singing under Ashiq Ali Khan.

After 16 years, Sarahang returned to Kabul at the age of 25 (c. 1949). Sarahang typically performed various genres of classical and semi-classical music including khayal, thumri, tarana and ghazal. He usually sang the ghazals of Amir Khusrow and Abul Ma'āni Bedil, famous poets who wrote in Persian, as he was a Bedil Shenās (Bedil Expert).

At the age of 25 (c. 1949), Sarahang participated in a festival of music held at Kabul's Pamir Cinema. Amongst the participants were Qasim and Bade Ghulam Ali Khan. At this festival, Sarahang was awarded a Gold Medal. A few years later, the government of Afghanistan awarded him the title of Sarāhang.

He wrote two books about classical music, Qānūn-e Tarab (The Law of Music)[1] and Mūssīqī-e Rāg-hā (Music of Ragas).[2] He has also created or composed several ragas including Hazra and Minamalee.

In addition he once also wrote articles for the Pashtun Ghag newspaper in Kabul.

He earned the following titles and degrees from various music schools of India:

• Degrees of Master, Doctor and Professor of Music from Kalakendra School of Music, Calcutta
• Title of “Koh-e Beland” (High Mountain of Music) from Chandigarh School of Music, Chandigarh
• Title of “Sar Taj-e Musiqee” (Top Crown of Music) from Central School of Music, Allahabad
• Title of “Baba-e Musiqee” (The Father of Music) in his final concert in New Delhi, 1979
• Title of “Sher-e Musiqee” (Lion of Music) in his last performance in Allahabad, 1982

Upon his last trip to India in 1982, Sarahang fell ill and was hospitalized and ordered not to sing and to keep his talking to a minimum. Sarahang told his doctors he was feeling homesick and he would get better if he went back to Afghanistan. He returned to Afghanistan but disregarded the orders of his doctors and continued his performance. In 1983 he became ill again and was hospitalized in Kabul where he died from a heart attack.

• A collection of some of his performances from North Indian Classical Archive