Mollie Slott

Mollie Slott was born to parents Lee and Sarah (Herlinger) Slott, in Chicago, Illinois. She attended the Academy of Fine Arts, in Chicago, for two years. Deciding to go to work, rather than stay in school, Slott, concealing her age, (17) began working for the Chicago Tribune, in 1910 as a stenographer in the circulation department.[1][2][3]

She married Charles Levinson, an insurance executive, on May 29, 1917. They later had two sons, William Author, and Lee. William attended Columbia University, and was the sports editor for the school newspaper, The Spectator. He also contributed to several newspaper, writing short stories and articles. He eventually become a magazine editor; Slott would later say she was pleased that he chose to follow in her footsteps. Lee, became an executive in Philadelphia.[3] She was a dedicated worker, who only took a leave of absence, twice, when she had her children. It had been reported that she worked up to the day before she gave birth to her second son, Lee.[1]

In 1921, it was reported that "a little newspaper woman, who is assistant manager of the Chicago Tribune Syndicate," (Slott) sent pictures of the Dempsy-Carpentier fight at Boyle's Thirty Acres, by telegraph. Slott sent two pictures from the New York News, by tracing the images onto grided paper and using the principal of latitude and longitude coordinates, and sending notes explaining details that lines didn't show, she successfully sent the pictures. The article described how '"Miss Slott telegraphed the picture taken just after the blow that sent Carpentier back to France, a beaten fighter."' The second picture was of his final collapse.[3][4]

In 1933, Joseph Medill Patterson, founder and publisher of the organization, moved the syndicate office from Chicago to New York. Slott was charged with coordinating the move, and she did so without missing a deadline.[1]

In 1940, Patterson, at Slott's urging, agreed to experiment with female comic strip pioneer Dalia "Dale" Messick's Brenda Starr, by allowing it to be published in the supplementary issue of the Tribue. Slott had removed the comic strip from the trash, and convinced Mezzick to change Starr's occupation from bandit to reporter, and Dalia to use the pen name, Dale, working around an era when women were not included in all professions. Messick, drew the cartoon for 43-years.[5][6]

in 1946, Slott was chosen as Chicago-Tribune New York news syndicate manager, becoming the first female manager in the syndicate history. In 1955, she was promoted to syndicate vice president, after her boss, Patterson, retired. In 1961, she was  named as director.[2]

• The Art of the Funnies, by R.C. Harvey (p. 95, 111, 114, 144)
• A Century of Women Cartoonists, by Trina Robbins (p. 64)
• Comic Art in America, by Stephen D. Becker (p. 223)
• The Encyclopedia of American Comics, ed. by Ron Goulart (p. 48, 65)
• The World Encyclopedia of Comics, ed. by Maurice Horn (p. 488, 708)

• Time Magazine article