Monica Palacios

The majority of Palacios' writing is about her interpretations of her experiences throughout life as a queer, Chicana woman. She draws inspiration from her family and others close to her. As one of the first comedians in this genre, she often discusses the intersection of queer and Latina identities that develop a liminal identity for people who are marginalized for more than one aspect of their existence.[3]

Her work is known for being unapologetically queer, despite the homophobia that had permeated Latinx communities since long before she began performing.[4] Palacios acknowledges that she often takes uncomfortable topics and makes them more palatable to herself and her audiences with physical comedy, but not without challenges and some pushback.[5] She continues to produce works like The OH! Show, where discussion of sex is intentionally ubiquitous. This is evident in the forward of the play, in which she declares, "...we are sexual beings until we die, or until your partner removes the vibrator from your hands—whichever comes first."[6]

In her performances, Palacios restructures white and heteronormative narratives by using several modes of storytelling. One way by which she does this is adapting popular, and heterosexual, songs to include queer people in the narratives and uproot their heteronormativity. For example, she ends her show Queer Chicano Soul: Thirty Years of Fierce Performance, My Quinceañera Times Two, with a series of song snippets titled the "Vagina Medley." All lyrics were changed to accommodate the addition of the word, such as "I left my vagina in San Francisco," in which "vagina" replaces "heart" in Tony Bennett's I Left My Heart in San Francisco[4]. This performance is made up of a variety of segments of autobiographical narratives, vignettes, segments of standup and mime. This format is reminiscent of traditional carpas that traveled to working-class Latinx people to engage them in theatre and political discourse (like Luis Valdez's El Teatro Campesino).[4] Thus, the backdrop of Los Angeles, a city claimed to be of "Chicanos and Mexicanos" that Palacios has called "complex and brilliant inspiration" for her art, provides a place where she can teach and perform for diverse audiences.[5] Like Queer Chicano Soul, the majority of her shows are grounded in her identity as a Chicana woman, as they switch between English and Spanish and have cultural references throughout.

Palacios also draws inspiration from Latinx writers Jorge Huerta, Irene Fornes, Migdalia Cruz, Marga Gomez, and several others.[2]

From 1992–2000, Palacios was the director of VIVA, Lesbian and Gay Latino Artists of Los Angeles. She organized cultural events in Los Angeles County which combined art and activism. The goal of these events was to inspire and promote queer, Latino artists in her community, and the majority of her works are developed to empower them.[7]

Palacios has won awards for her contributions to the queer and Latinx communities. She is a co-founding member of Culture Clash, whose satirical sketches, plays, and screenplays all feature race-based, political, and social commentary.[8]

In 2016, Palacios performed her short play Say Their Names in the international theatre effort "After Orlando" in response to the Orlando nightclub shooting. That same year, she did a presentation about her career titled "Queer Chicana Lesbian Activism Through Theatre & Comedy" at the University of New Mexico. In 2014, she was a panelist at a World AIDs day panel called "Queer Latinidad: Histories of AIDS Consciousness from Los Angeles" at Pitzer College. Palacios does much of her activist work in universities. For example, she performed during Gay and Lesbian awareness month at UC San Diego, UC Santa Barbara, UCLA, and MIT in 1994.

Palacios helped develop and has her own blog on epochalips.com,[9] an online platform where lesbians and allies can discuss similar experiences and find community in these shared moments.

In over three decades, Palacios has written numerous plays, standup sets, poems, and articles. She began her solo work in 1982 and has dozens of performances.

Palacios has been a lecturer at UCLA and UC Santa Barbara. She has taught several classes in the Chicano/a department at other universities as well, such as UC Riverside, Loyola Marymount University, The Claremont Colleges and The American Academy of Dramatic Arts.[10] Her classes and guest lectures focus on the intersections of race, queerness, performance, and comedy.

• 1990 VIVA, Lesbian & Gay Latino Artist Award, Excellence in Writing & Performing[1]
• 2002 Out 100 for promoting positive queer messages, Out Magazine
• 2002 Tentaciones Magazine: One of 16 Most Influential LGBT Latinas/os In the Country. Honored for Activism, Achievements, Visibility & Leadership
• 2003 National LLEGO, El Premio Mujer Award: Honored for strengthening Latina lesbian/bisexual visibility and empowerment
• 2004-2003 Postdoctoral Rockefeller Fellowship, Center for Chicano Studies, UC Santa Barbara
• 2008 Nominated and Selected as Latino LGBT Community Leader, Adelante Magazine 10th Anniversary July Issue. Selected as Artist-in-Residence Breath of Fire Latina Theater Ensemble, Santa Ana
• October 12, 2012, declared Monica Palacios Day.
• 2012 Recognition from Los Angeles Mayor Antonio Villaraigosa, for 30-year career as a pioneering Chicana lesbian writer/performer.
• 2013 Miercoles Loves Luna, play selected for International Dublin Gay Theatre Festival
• 2013 Selected as Latinas of Influence for professional accomplishments & community service, HispanicLifestyle.com
• 2015 GO Magazine's annual "100 Women We Love" Honored for being a prominent out lesbian
• 2016 Selected playwright for Irene Fornés Playwriting Workshop. Institute for Latino Studies University of Notre Dame
• 2017 Latinx LGBTQ Trailblazer Award, City of Los Angeles, Presented by Councilmember Mike Bonin
• 2019 Selected as Lucille Geier Lakes Writer-in-Residence at Smith College Spring 2019