Nabil Ayouch

He was born in 1969 in Paris, to a Moroccan-Muslim father, Noureddine Ayouch and a French mother of Tunisian-Jewish descent. His brother is fellow director Hicham Ayouch. After the divorce his parents, he spent a large part of his childhood in Sarcelles.[1][2]

Ayouch started his career as a scriptwriter and director with the advertising agency Euro-RSCG.

In 1992, he directed Les Pierres bleues du désert, a first short film with Jamel Debbouze which tells the history of a young man convinced that there are large blue stones in the desert.

In 1993, he ended up settling in Casablanca, where he directed two short films, Hertzienne Connexion (1993) and Vendeur de silence (1994), for which he received international recognition.

In 1997, Ayouch directed his first feature film Mektoub, which represented Morocco at the Oscars. He also directed the feature films Une Minute de soleil en moins (2003) and Whatever Lola Wants (2008), produced by Pathé[3]

In 1999, he created a production company called Ali n'Productions to aid aspiring young directors establish their careers.[1][4][3] He won the Ecumenical Award in 2000 in the Montreal World Film Festival for his film Ali Zaoua: Prince of the Streets.[5] Ayouch is set to produce the French-Moroccan thriller film Mirages.[6]

His 2012 film Horses of God is based on Mahi Binebine’s novel The Stars of Sidi Moumen. In Horses of God, Ayouch explores the radicalization that can occur in poverty and extreme machismo, alluding to the 2003 Casablanca Bombings. The film competed in the Un Certain Regard section at the 2012 Cannes Film Festival.[7][8] It was also Morocco's submission for the 85th Academy Awards (held in February 2013).

He is a member of the Academy of Motion Pictures, the Académie des Césars, and the Arab Film Academy.[3]

Nabil Ayouch's film Much Loved, which takes place in Marrakesh and includes scenes of prostitutes servicing wealthy Saudi clients, was banned in 2015 by Morocco's communications minister Mustapha Khalfi to “protect freedom of expression, which absolutely does not mean freedom of absurdity and destruction in cinema.”[9]

Nabil Ayouch works and lives in Casablanca.[10] He is married to a fellow Moroccan filmmaker and actress Maryam Touzani.[11]

• Chevalier of the Order of Arts and Letters (2015)[12]

• Jonathan Smolin, "Nabil Ayouch: Transgression, Identity, and Difference" in: Josef Gugler (ed.), Ten Arab Filmmakers: Political Dissent and Social Critique, Indiana University Press, 2015, ISBN 978-0-253-01644-7, pp 214–244

• Nabil Ayouch at IMDb