Nightnoise

The origins of Nightnoise can be traced to the Bothy Band (disbanded in 1979), who made a name in Ireland and internationally with a lively fiddle-based sound that brought Irish music into the mainstream. One of the band's founders, guitarist Mícheál Ó Domhnaill, came from a long line of Irish musicians, and was considered one of the finest performers of traditional Irish music.[1]

In 1983, after seven years with the Bothy Band and several years collaborating with the master fiddler Kevin Burke, Ó Domhnaill began searching for a new project and a new sound. He met Billy Oskay in Portland, Oregon, and the two began a new collaboration focused on a new and innovative music that integrated Celtic, jazz, and classical chamber music.[2]

Billy Oskay was born in Kingston, New York, and had developed an international reputation as a violinist. He started playing violin at seven and went on to study under Eugen Prokop at the International Academy of Music Palma de Mallorca in Spain. He excelled equally in violin technique and composition. He graduated from the esteemed academy with a degree in violin and chamber music.[2]

Nightnoise began as a collaboration between this American violinist and Irish guitarist who sought to create a unique blend of musical forms. Together, they composed and recorded some songs in Oskay's Portland home and were pleased with the result – a unique understated sound that had a "rough but fresh quality that engendered a serene atmosphere."[2] Ó Domhnaill secured a contract with William Ackerman at Windham Hill Records, the tracks they recorded were mixed and released in 1984 under the title Nightnoise. The album represented a real departure from Ó Domhnaill's Bothy Band roots, and the mellow, ambient instrumental style incorporating jazz and classical elements and forms full of spirituality almost defined what would be called New Age music.[1]

Three years later, Mícheál's sister, Irish pianist and vocalist Tríona Ní Dhomhnaill, who performed with her brother in Skara Brae, Relativity, and the Bothy Band, and Irish-American flutist Brian Dunning joined the original duo. Nightnoise, the band, was born. The quartet's first album Something of Time, was released by Windham Hill in 1987. It was followed by At the End of the Evening (1988), The Parting Tide (1990). This would be the last album to feature the playing and writing of Billy Oskay, who chose to follow his dream of owning his own recording studio, Big Red Studio.

Following Oskay's departure, Scottish fiddler Johnny Cunningham, a former member of Silly Wizard who had played with Tríona and Mícheál in the band Relativity, took over Oskay's duties. The band took on a much more Irish-centric sound, while still retaining their own signature style. The revamped Nightnoise went on to release the albums Shadow of Time (1994), A Different Shore (1995), and The White Horse Sessions (1997), an album featuring live concert performances mixed in with in-studio live performances, with their Windham Hill colleagues as their audience. The album also featured original material only available in this live format (the songs "Heartwood", "Do We", and "Murdo of the Moon"), as well as a cover of Van Morrison's classic "Moondance". This album marked the end of the band's contractual obligations to Windham Hill, and they decided to relocate to Ireland, going on hiatus while they each focused on their own projects.

The White Horse Sessions proved to be the last Nightnoise album. Cunningham left the band following its release, and was replaced by Irish fiddler John Fitzpatrick. In a 1999 interview, Mícheál Ó Domhnaill stated that Nightnoise had not broken up, and that the band would be getting together again shortly. The band did indeed record new material (both original compositions and covers of classic songs), but they were all made for albums other than their own. Nightnoise officially disbanded towards the end of 2003.

Johnny Cunningham died on 15 December 2003, from a heart attack. He was 46 years old. Mícheál Ó Domhnaill died from a fall in July 2006 at his home in Dublin, Ireland, at the age of 54.[3]

• Johnny Cunningham – violin (joined 1990)
• Brian Dunning – flute
• John Fitzpatrick – violin (joined 1997)
• Tríona Ní Dhomhnaill – vocals, flute, and clavinet
• Mícheál Ó Domhnaill – guitar, piano, banjo, mandolin, tin whistle, and harmonica
• Billy Oskay – violin

• List of ambient music artists

• Mícheál Ó Domhnaill official website
• Johnny Cunningham official website
• Tríona Ní Dhomhnaill official website
• Billy Oskay's Big Red Studio