Nina Salaman

Nina's first published translation, of Abraham ibn Ezra's The Song of Chess, appeared in the Jewish Chronicle on 22 June 1894.[10] Later that year, she contributed an essay and a poem on "The Ideal Minister of the Talmud" to the Jewish Quarterly Review, then under the editorship of Claude Montefiore and Israel Abrahams, and continued thereafter publishing translations of medieval Hebrew poetry in the Jewish press.[9] Israel Zangwill, an acquaintance of her father, provided her with an introduction to Mayer Sulzberger of the Jewish Publication Society of America, which published her Songs of Exile by Hebrew Poets in 1901.[5] The collection, which attracted widespread attention, included translations of poems by Judah Halevi, Abraham ibn Ezra, Eleazar ben Killir, Solomon ibn Gabirol, Joseph ben Samuel Bonfils, and Meir of Rothenburg, as well as passages from the Talmud and Midrash Rabba.[11]

From about 1900, her father worked with Herbert M. Adler, nephew of Chief Rabbi Hermann Adler, on a multivolume edition of the Machzor with a new and modern translation.[12] Nina and her sister, Elsie, both contributed to the work, devoting themselves to translating the metrical sections of the original into poetry, while their father rendered the prose.[13][14] The festival prayer book was published as Service of the Synagogue in 1904–9, and is still in use in synagogues across Great Britain, Canada, and Australia.[15]

Nina met physician Redcliffe Salaman during Shabbat services at the New West End Synagogue in July 1901.[16] Redcliffe was one of the twelve children of Myer Salaman, a wealthy London ostrich feather merchant whose family had migrated to Britain from either Holland or the Rhineland in the early eighteenth century.[17] They were formally engaged ten days later and married on 23 October 1901, after which Redcliffe temporarily relocated to Berlin to complete advanced training in pathology.[18] He was appointed director of the Pathological Institute at the London Hospital in 1902, but ceased to practice medicine the following year after developing pulmonary tuberculosis. The Salamans spent the winter of 1903–1904 in Montana-sur-Sierre and Montreux, Switzerland, where Redcliffe slowly regained some weight. Upon their return to England, they moved to a thirty-room Elizabethan country house, Homestall, in Barley, Hertfordshire, a small village near Cambridge.[5]

Nina and Redcliffe Salaman lived comfortably in a kosher and Shabbat-observant home with numerous servants, and returned to London frequently to observe Jewish festivals and attend committee meetings.[7] Nina and Redcliffe Salaman became active in the Jewish community at Cambridge, and entertained generations of Jewish students at their home.[19] Nina travelled frequently to the town to use the university library and meet with Israel Abrahams, reader in Talmudic and rabbinic literature.[2] Like her father before her, she personally educated her six children at their Hertfordshire home until they went to boarding school (at Clifton College and Bedales School), teaching them to read Hebrew before they learned to read English.[7]

Portrait of Nina Salaman by Solomon J. Solomon (1918)

Salaman continued after her marriage to write in the columns of Jewish periodicals, principally the Jewish Chronicle, the Jewish Quarterly Review, the Menorah Journal, and the Jewish Guardian.[20] A passionate Jewish nationalist, Salaman published in 1916 one of the first English translations of Hatikvah, and later composed the marching song for the Judaeans, the Jewish regiment that participated in the British effort to seize Palestine from the Ottoman Empire during the First World War, in which her husband served as medical officer.[21]

A book of original poetry appeared in 1920 to favourable reviews, entitled The Voices of the Rivers, which includes a hymn for the 9th of Av.[22] The following year she released as a gift book for Jewish children Apples and Honey, a collection of poetry and prose by Benjamin Disraeli, Emma Lazarus, George Eliot, Israel Zangwill, Jessie Sampter, Leigh Hunt, Lord Byron, and others.[23][24] Salaman's most important work was her Selected Poems of Jehudah Halevi, the second of a series of twenty-five volumes of Jewish Classics issued by the Jewish Publication Society. Released in 1924 after twelve years of preparation, the volume is divided into four sections (The Journey to Zion, Love and Bridal Songs, Poems of Friendship, and Devotional Poems) and contains an introduction by Salaman on the life of Halevi and his work.[25] The translation was based on the Hebrew text from Chaim Brody's edition of Halevi, revised for him for the collection.[26]

Besides her scholarly work, Salaman served as vice-president of the Jewish League for Woman Suffrage, in which position she advocated for the right of women to vote in synagogue elections and for Hebrew education for Jewish girls,[27] was an active member of the Federation of Women Zionists and the Union of Jewish Women, and helped establish the Tottenham Talmud Torah for Girls in North London, to which she donated the royalties of her books.[7] She also participated in various non-Jewish charities, such as the Women's Institute at Barley.[25] At Friday evening services on 5 December 1919, she became the first woman to deliver a sermon in a British Orthodox synagogue, when she spoke on the weekly parashah, Vayishlach, to the Cambridge Hebrew Congregation.[28] The event was met with controversy; Chief Rabbi Joseph Hertz supported Salaman, and ruled that since she only went up to the bimah after the concluding prayer, no religious law had been violated.[5]

Salaman was appointed to the council of the Jewish Historical Society of England in 1918, and was elected president in 1922. Her ailing health prevented her from taking office, however, and her husband was elected in her stead.[19]