Patrick O'Brian

O'Brian was christened as Richard Patrick Russ, in Chalfont St Peter, Buckinghamshire, a son of Charles Russ, an English physician of German descent, and Jessie Russ (née Goddard), an English woman of Irish descent. The eighth of nine children, O'Brian lost his mother at the age of four, and his biographers describe a fairly isolated childhood, limited by poverty, with sporadic schooling at St Marylebone Grammar School, 1924 to 1926, while living in Putney, and then at Lewes Grammar School, from September 1926 to July 1929, after the family moved to Lewes, East Sussex,[1] but with intervals at home with his father and stepmother Zoe Center.[2]

His literary career began in his childhood, with the publication of his earliest works, including several short stories. The book "Hussein, An Entertainment" and the short-story collection Beasts Royal brought considerable critical praise, especially considering his youth.[3] He published his first novel at age 15, Caesar: The Life Story of a Panda Leopard, with help from his father.[3]^:50[4][5]

In 1927 he applied unsuccessfully to enter the Royal Naval College, Dartmouth.[6] In 1934, he underwent a brief period of pilot training with the Royal Air Force, but this was not successful, and he left the RAF. Prior to that, his application to the Royal Navy had been rejected on health grounds.[2] In 1935, he was living in London, where he married his first wife, Elizabeth Jones, in 1936. They had two children. The second was a daughter who suffered from spina bifida; she died in 1942, aged three, in a country village in Sussex. When the child died, O'Brian had already returned to London, where he worked throughout the war.

The details of his work during the Second World War are murky. He worked as an ambulance driver, and he stated that he worked in intelligence in the Political Intelligence Department (PID).[7] Dean King has claimed that O'Brian was actively involved in intelligence work and perhaps special operations overseas during the war.[3]^:89–104 Indeed, despite his usual extreme reticence about his past, O'Brian wrote in an essay, "Black, Choleric and Married?", included in the book Patrick O'Brian: Critical Appreciations and a Bibliography (1994)[8] that: "Some time after the blitz had died away I joined one of those intelligence organisations that flourished during the War, perpetually changing their initials and competing with one another. Our work had to do with France, and more than that I shall not say, since disclosing methods and stratagems that have deceived the enemy once and that may deceive him again seems to me foolish. After the war we retired to Wales (I say we because my wife and I had driven ambulances and served in intelligence together) where we lived for a while in a high Welsh-speaking valley..." which confirms in first person the intelligence connection, as well as introducing his wife Mary Wicksteed Tolstoy as a co-worker and fellow intelligence operative.

Nikolai Tolstoy, stepson through O'Brian's marriage to Mary Tolstoy, disputes this account,[9] confirming only that O'Brian worked as a volunteer ambulance driver during the Blitz. Doing this work, he met Mary, the separated wife of Russian-born nobleman and lawyer Count Dimitri Tolstoy. They lived together through the latter part of the war and, after both were divorced from their previous spouses, they married in July 1945. The following month he changed his name by deed poll to Patrick O'Brian.

As background to his later sea-going novels, O'Brian did claim to have had limited experience on a square-rigged sailing vessel, as described within his previously-quoted 1994 essay:

The disease that racked my bosom every now and then did not much affect my strength and when it left me in peace (for there were long remissions) sea-air and sea-voyages were recommended. An uncle had a two-ton sloop and several friends had boats, which was fine, but what was even better was that my particular friend Edward, who shared a tutor with me, had a cousin who possessed an ocean-going yacht, a converted square-rigged merchantman, that he used to crew with undergraduates and fair-sized boys, together with some real seamen, and sail far off into the Atlantic. The young are wonderfully resilient, and although I never became much of a topman, after a while I could hand, reef and steer without disgrace, which allowed more ambitious sailoring later on.[8]

However, in 1995, venture capitalist Thomas Perkins offered O'Brian a two-week cruise aboard his then sailing yacht, a 154 ft ketch. In an article about the experience written after O'Brian's death, Perkins commented that "... his knowledge of the practical aspects of sailing seemed, amazingly, almost nil" and "...he seemed to have no feeling for the wind and the course, and frequently I had to intervene to prevent a full standing gybe. I began to suspect that his autobiographical references to his months at sea as a youth were fanciful."[10]

Between 1946 and 1949 the O'Brians lived in Cwm Croesor, a remote valley in north Wales, where they initially rented a cottage from Clough Williams-Ellis. O'Brian pursued his interest in natural history; he fished, went birdwatching, and followed the local hunt. During this time they lived on Mary O'Brian's small income and the limited earnings from O'Brian's writings.

In 1949 O'Brian and Mary moved to Collioure, a Catalan town in southern France. He and Mary remained together in Collioure until her death in 1998. Mary's love and support were critical to O'Brian throughout his career. She worked with him in the British Library in the 1940s as he collected source material for his anthology A Book of Voyages, which became the first book to bear his new name – the book was among his favourites, because of this close collaboration. The death of his wife in March 1998 was a tremendous blow to O'Brian. In the last two years of his life, particularly once the details of his early life were revealed to the world, he was a "lonely, tortured, and at the last possibly paranoid figure."[11]

O'Brian protected his privacy fiercely and was usually reluctant to reveal any details about his private life or past, preferring to include no biographical details on his book jackets and supplying only a minimum of personal information when pressed to do so.[11] For many years reviewers and journalists presumed he was Irish,[12] and he took no steps to correct the impression. One interviewer described the man in his late seventies as "a compact, austere gentleman. ... his pale, watchful eyes are clear and alert."[13] He is polite, formal, and erudite in conversation, an erudition that Horowitz said could be intimidating. He learned from those who worked with O'Brian that the erudition did not go unnoticed, while they remained friends.

Richard Ollard, a naval historian, calls this particular habit "blowing people out of the game." Ollard, who edited the early Aubrey/Maturin novels, urged O'Brian to tone down the most obscure allusions, though the books remain crammed with Latin tags, antiquated medical terminology and an endless stream of marvellous sounding but impenetrable naval jargon. "Like many who have struggled themselves," Ollard said of his friend, "he thought others should struggle, too." One longtime acquaintance put it more bluntly: "Patrick can be a bit of a snob, socially and intellectually.""[13]

In 1998, a BBC documentary and an exposé in The Daily Telegraph[14] made public the facts of his ancestry, original name and first marriage, provoking considerable critical media comment. In his biography of O'Brian,[11] Nikolai Tolstoy claims to give a more accurate and balanced account of his late stepfather's character, actions and motives, particularly in respect of his first marriage and family.

Lanchester, in reviewing Tolstoy's book, says "The last few years have been disheartening for Patrick O'Brian's many fans."[15] He does not find the arguments altogether persuasive, and with access to documents that Dean King never saw, Tolstoy "gives a portrait of a man who is cold, bullying, isolated, snobbish and super-sensitive."[15] Lanchester closes by saying "Let's agree, we O'Brianists, to read the novels and forget everything else." Veale, in reviewing King's book, says that "however judicious and well-grounded his [King's] speculation, he fails to crack his subject's protective shell. In the end, Aubrey and Maturin will have to thrive on their own—which is how the willfully enigmatic O'Brian most likely intended it."[4]

As if anticipating 21st-century debates and disappointments once O'Brian's past was exposed, Horowitz interviewed O'Brian at his home in France in 1994: "Until recently, he refused all interviews. Those authors we know the least about, he says, are the ones we get in their purest form, like Homer. In Clarissa Oakes (published as The Truelove in the US), Stephen warns would-be interviewers that "question and answer is not a civilised form of conversation." O'Brian deflects direct inquiries about his private life, and when asked why he moved to the south of France after World War II, he stops and fixes his interrogator with a cold stare. "That seems to be getting rather close to a personal question," he says softly, walking on."[13]

At his death, many obituaries were published evaluating his work, particularly in the Aubrey-Maturin series, and the too-recent revelations of his biography prior to his marriage to Mary Wicksteed Tolstoy.[16][17][18][19][20][21] Playwright David Mamet wrote an appreciation.[22] His American publisher, W. W. Norton, wrote an appreciation, mentioning their story with O'Brian, how pleased they were the three times he came to the US, in 1993, 1995 and in November 1999 only weeks before his death, and noting sales in the US alone of over three million copies.[23]

O'Brian published two novels, a collection of stories and several uncollected stories under his original name, Richard Patrick Russ. His first novel, Caesar: The Life Story of a Panda-Leopard, was written at the age of 12 and published three years later in 1930. It was a critical success, with a recommendation in the New Statesman and positive reviews in publications including the New York Herald Tribune and the Saturday Review of Literature.[3]^:50 Other stories followed, published in boys' magazines and annuals and incorporating themes of natural history and adventure, and a collection of these and other animal stories was published in 1934 under the title Beasts Royal, with illustrations by the noted artist Charles Tunnicliffe, illustrator of Tarka the Otter.

Hussein: An entertainment, set in India, was published in 1938, when O'Brian was 23. It was notable for being the first book of contemporary fiction ever published by the Oxford University Press,[3]^:75 to whose annuals for boys he had been a regular contributor for some years. O'Brian published very little under his original name of Russ during World War II, and nothing after 1940. His change of surname in 1945 necessarily meant abandoning the literary reputation he had built up as R. P. Russ.

O'Brian returned to writing after the war, when he moved to rural Wales. His non-fiction anthology A Book of Voyages (1947) attracted little attention. A collection of short stories, The Last Pool, was published in 1950 and was more widely and favourably reviewed, although sales were low.[3]^:151–151 The countryside and people around his village in Wales provided inspiration for many of his short stories of the period, and also his novel Testimonies (1952), which is set in a thinly disguised Cwm Croesor, and which was well received by Delmore Schwartz in Partisan Review in 1952.[4][13] His next novel was The Catalans, published in 1953. The review in the New York Times noted O'Brian's accomplishments in Testimonies; The Catalans was viewed as a series of well-written scenes by an observant author, but the reviewer did not think it held together as a novel.[26]

In the 1950s O'Brian wrote three books aimed at a younger age group, The Road to Samarcand, The Golden Ocean, and The Unknown Shore. Although written many years before the Aubrey–Maturin series, the two naval novels reveal literary antecedents of Aubrey and Maturin. In The Golden Ocean and The Unknown Shore, based on events of George Anson's voyage around the world from 1740 to 1744, they can be clearly seen in the characters of Jack Byron and Tobias Barrow in the latter novel.[3]^:180

Over four decades he worked on his own writings, his British literary reputation growing slowly. He became an established translator of French works into English. His early novels and several of the translations were published by Rupert Hart-Davis from 1953 to 1974. O'Brian wrote the first of the Aubrey-Maturin series in 1969 at the suggestion of American publisher J. B. Lippincott, following the death of C. S. Forester in 1966, a writer of popular nautical novels.[27] The Aubrey-Maturin books were quietly popular in Britain; after the first four volumes they were not published in the United States.

In the early 1990s the series was successfully relaunched into the American market by the interest of Starling Lawrence of W W Norton publishers,[13][28] attracting critical acclaim and dramatically increasing O'Brian's sales and public profile in the UK and America.[3]^:Ch.22–23 Paul D Colford notes that when O'Brian "visited the United States a few weeks ago, fans waiting to meet, lunch and have tea with him included Walter Cronkite, Sen. Dirk Kempthorne (R-Idaho) and Supreme Court Justice Anthony Kennedy, who invited O'Brian to attend a session of the high court. Hollywood also wants a piece of the press-shy storyteller."[29]

The novels sold over three million copies in 20 languages.[4] In its review of 21: The Final Unfinished Voyage of Jack Aubrey (published in 2004), Publishers Weekly says that over six million copies have been sold.[30] Thus O'Brian's greatest success in writing, gaining him fame, a following and invitations to events and interviews came late in his life, when he was well into his seventies, and accustomed to his private life.[4]

Shortly before his last completed novel was published in October 1999, O'Brian wrote an article for a series of the best in the millennium ending, titled Full Nelson, choosing for his topic Admiral Nelson's victory in the Battle of the Nile in 1798.[31]

Beginning in 1969, O'Brian began writing what turned into the 20-volume Aubrey–Maturin series of novels. The books are set in the early 19th century and describe the life and careers of Captain Jack Aubrey and his friend, naval physician Dr Stephen Maturin. The books are distinguished by O'Brian's deliberate use and adaptation of actual historical events, either integrating his protagonists in the action without changing the outcome, or using adapted historical events as templates. In addition to this trait and to O'Brian's distinctive literary style, his sense of humour is prominent (see Humour in main article, Aubrey-Maturin series).

Technical sailing terminology is employed throughout the series. The books are considered by some critics to be a roman fleuve, which can be read as one long story; the books follow Aubrey and Maturin's professional and domestic lives continuously.

As well as his historical novels, O'Brian wrote three adult mainstream novels, six-story collections, and a history of the Royal Navy aimed at young readers. He was also a respected translator, responsible for more than 30 translations from the French into English, including Henri Charrière's Papillon (UK) and Banco: The further adventures of Papillon, Jean Lacouture's biography of Charles de Gaulle, as well as many of Simone de Beauvoir's later works.

O'Brian wrote detailed biographies of Sir Joseph Banks, an English naturalist who took part in Cook's first voyage (and who appears briefly in O'Brian's Aubrey-Maturin series), and Pablo Picasso. His biography of Picasso is a massive and comprehensive study of the artist. Picasso lived for a time in Collioure, the same French village as O'Brian, and the two became acquainted there.

Peter Weir's 2003 film, Master and Commander: The Far Side of the World is loosely based on the novel The Far Side of the World from the Aubrey–Maturin series for its plot, but draws on a number of the novels for incidents within the film. The character of Jack Aubrey is drawn from the character in the novels.

In 1995 he was awarded the inaugural Heywood Hill Literary Prize for his lifetime's writings. In his acceptance speech in July 1995, O'Brian, then age 80, said it was the first literary prize of his adult life, in the amount of 10,000 pounds.[32] He received a CBE in 1997. Trinity College Dublin awarded him an honorary doctorate in 1997.

1. Master and Commander (1969)
2. Post Captain (1972)
3. HMS Surprise (1973)
4. The Mauritius Command (1977)
5. Desolation Island (1978)
6. The Fortune of War (1979)
7. The Surgeon's Mate (1980)
8. The Ionian Mission (1981)
9. Treason's Harbour (1983)
10. The Far Side of the World (1984)
11. The Reverse of the Medal (1986)
12. The Letter of Marque (1988)
13. The Thirteen-Gun Salute (1989)
14. The Nutmeg of Consolation (1991)
15. Clarissa Oakes (1992) (published as The Truelove in the US)
16. The Wine-Dark Sea (1993)
17. The Commodore (1994)
18. The Yellow Admiral (1996)
19. The Hundred Days (1998)
20. Blue at the Mizzen (1999)
21. The Final Unfinished Voyage of Jack Aubrey (2004) (published as 21 in the US)

• Caesar (1930, his first book, which led him to be often labelled by critics as the 'boy-Thoreau')
• Wang Khan of the Elephants (1933)
• Hussein, An Entertainment (1938)
• Testimonies (1952) (Three Bear Witness in the UK)
• The Catalans (1953) (The Frozen Flame in the UK)
• The Road to Samarcand (1954)
• The Golden Ocean (1956)
• The Unknown Shore (1959)
• Richard Temple (1962)

• Beasts Royal (1934)
• The Last Pool and Other Stories (1950)
• The Walker and Other Stories (1955)
• Lying in the Sun and Other Stories (1956)
• The Chian Wine and Other Stories (1974)
• Collected Short Stories (1994; The Rendezvous and Other Stories in the US)

• Men-of-War: Life in Nelson's Navy (1974). ISBN 0-393-03858-0
• Picasso (1976; originally titled Pablo Ruiz Picasso). ISBN 0-00-717357-1
• Joseph Banks: A Life (1987) The Harvill Press, London. Paperback reprint, 1989. ISBN 1-86046-406-8
• Histoire Naturelle Des Indes: The Drake Manuscript in the Pierpont Morgan Library (1996) with Morgan Pierpont and Ruth S Kraemer, Translator, London: W W Norton. ISBN 978-0-393-03994-8

• The Uncertain Land and Other Poems (2019)

• Daily Life of the Aztecs on the Eve of the Spanish Conquest by Jacques Soustelle. London, George Weidenfeld & Nicolson Ltd (1961)
• Daily Life in the Time of Jesus by Henri Daniel-Rops. London, George Weidenfeld & Nicolson Ltd (1962)
• Munich: Peace for Our Time by Henri Nogueres. London, George Weidenfeld & Nicolson Ltd (1965)
• Papillon by Henri Charrière. London, Rupert Hart-Davis (1970)
• Banco: The further adventures of Papillon by Henri Charrière. New York, William Morrow (1973)
• Target: Heydrich by Miroslav Ivanov (writer). London. Hart-Davis, MacGibbon (1973)
• Works by Simone de Beauvoir
• De Gaulle The Rebel 1890 - 1944 by Jean Lacouture. London, Collins Harvill (1990) ISBN 978-0-393-02699-3