Pauline Anna Strom

Strom grew up in a Southern Catholic family in Louisiana and Kentucky. Born blind, she learned to navigate the world largely on an auditory plane and to relate to the world through her other senses. During childhood, Strom showed an avid interest in classical music and fiction.[3]

Strom moved to the Bay Area in the early 1970s and embarked on a career in music by acquiring synthesizers and building compositions with a Tascam four-track recorder. She regularly worked with a Yamaha DX7, Prophet 10, two CS1x keyboards and an E-mu Emulator.[4] She taught herself to compose intuitively. She explained, "I learned as I go. And I learned through repetition—I’d try something and see what I’d get and play with it that way…If someone asked me how I did it, I honestly couldn’t say how I did it, I just did it...I went into a different space...I’d start at six at night and I could go until six in the morning."[5] Strom's range of equipment allowed her flexibility in composition and she used this home work station to create 7 albums.[6] She explained: "My mind and imagination were always somewhere else. Music fit. Synthesizers fit. I felt totally at home with this set up, almost like I’d known it before"[7]

Strom said that she translated visual ideas into audio using her setup.[6] As she told FACT magazine, "I like to create what’s in my head and interpret that into sound."[6] According to The Wire, her 1980s recordings included everything from visions of ancient civilizations to late-night drone meditations.[8]

Calling herself the Trans-Millenia Consort, Strom mapped an inner world of imagined pasts, possible futures, and alternate realities.[9] She sought to act as a "consort" for her audience, "spiriting listeners through epochs described by her evocative musical passages," according to the label, RVNG Intl.[10]

The ability to tap into, map, and translate an "inner world"[11] into sound recalls Strom's philosophy that everything in the now is rooted in the past, future and present.[12] This approach extended across her seven albums.

Due to financial constraints, Strom sold all her equipment, stopped making music, and focused on building a spiritual healing practice.[13] After a silent period musically, Trans-Millenia Music, compiled from three albums and four cassette tapes recorded from 1982 through 1988 was released by RVNG Intl. in November 2017. RVNG Intl. describes the album as "a collection of transportive synthesizer music providing listeners a vessel to break beyond temporal limits into a world of pulsing, mercurial tonalities and charged, embryonic waveforms."[14]

The re-circulation of Pauline's music in 2017 was well received by the music press and online magazines. The Wire magazine listed Trans-Millenia Music as No. 2 for Archive Releases of the Year in their 2017 end-of-year list.[8] In an interview with FACT magazine following the release of Trans-Millenia Music, Strom stated that she was hopeful that soon she would be able to obtain a digital audio workstation capable of providing as many possibilities as her previous analogue setup and resume composing music.[13]

Her first album of new compositions in nearly 30 years, entitled Angel Tears in Sunlight, was announced in late 2020 and will be released on RVNG Intl. in February 2021.[15]

Pauline was a Reiki master, spiritual counselor, and healer. She lived in San Francisco with her pet iguana, Little Solstice.[14]

• Trans-Millenia Consort (LP and cassette, Ether Ship Records. 1982)
• Plot Zero (LP and cassette, Trans-Millenia Consort Recordings. 1983)
• Spectre (LP, Trans-Millenia Consort Recordings. 1984)
• The Moorish Project (cassette, Trans-Millenia Consort Recordings. 1988)
• Japanese Impressions (cassette, Trans-Millenia Consort Recordings. 1988)
• Aquatic Realms (cassette, Trans-Millenia Consort Recordings. 1988)
• Mach 3.04 (cassette, Trans-Millenia Consort Recordings. 1988)
• Trans-Millenia Music (LP, CD, RVNG Intl. 2017)
• Angel Tears in Sunlight (LP, CD, RVNG Intl. 2021)