Pedro Páramo

The novel is set in the town of Comala, considered to be Comala in the Mexican state of Colima.

The story begins with the first person account of Juan Preciado, who promises his mother at her deathbed that he will return to Comala to meet his father, Pedro Páramo. Juan suggests that he did not intend to keep this promise until he was overtaken by visions of his mother. His narration is interspersed with fragments of dialogue from the life of his father, who lived in a time when Comala was a robust, living town, instead of the ghost town it has become. Juan encounters one person after another in Comala, each of whom he perceives to be dead. Midway through the novel, Preciado dies. From this point on most of the stories happen in the time of Pedro Páramo.

Most of the characters in Juan's narration (Dolores Preciado, Eduviges Dyada, Abundio Martínez, Susana San Juan, and Damiana Cisneros) are also presented in an omniscient narration but much less subjectively. The two major competing narrative voices present alternative visions of Comala, one living and one full of the spirits of the dead. The omniscient narration provides details of the life of Pedro Páramo, from his early youthful idealization of Susana San Juan to his rise to power upon his coming of age to his tyrannical abuses and womanizing, and, finally, to his death. Pedro is cruel, and though he raises one of his illegitimate sons, Miguel Páramo (whose mother dies giving birth), Pedro does not love his father (who dies when Pedro is a child) or either of his two wives.

His only love, from a very young age, is that of Susana San Juan, a childhood friend who leaves Comala with her father at a young age. Pedro Páramo bases all of his decisions on, and puts all of his attention into trying to get Susana San Juan to return to Comala. When she finally does, Pedro makes her his, but she constantly mourns her dead husband Florencio and spends her time sleeping and dreaming about him. Pedro realizes that Susana San Juan belongs to a different world that he will never understand.

When she dies the church bells toll incessantly, provoking a fiesta in Comala. Pedro buries his only true love, and angry at the indifference of the town, swears vengeance. As the most politically and economically influential person in the town, Pedro crosses his arms and refuses to continue working, and the town dies of hunger. This is why in Juan's narration, we see a dead, dry Comala instead of the luscious place it was when Pedro Páramo was a boy.

A major theme in the book is people's hopes and dreams as sources of the motivation they need to succeed. Hope is each character's central motive for action. As Dolores tells her son, Juan, to return to Comala, she hopes that he will find his father and get what he deserves after all of these years. Despair is the other main theme in the novel. Each character's hopes lead to despair since none of their attempts to attain their goals are successful.

Juan goes to Comala instilled with the hope that he will meet and finally get to know his father. He fails to accomplish this and dies fearful, having lost all hope.

Pedro hopes that Susana San Juan will return to him after so long. He was infatuated with her as a young boy and recalls flying kites with her in his youth. When she finally returns to him, she has gone mad and behaves as though her first husband were still alive. Nevertheless, Pedro hopes that she will eventually come to love him. Dorotea says that Pedro truly loved Susana and wanted nothing but the best for her.

Father Rentería lives in hope that he will someday be able to fully fulfill his vows as a Catholic priest and tell Pedro that his son will not go to heaven instead of pardoning him for his sins in exchange for a lump of gold because he is too poor to survive otherwise.

Ghosts and the ethereal nature of the truth are also recurrent themes in the text. When Juan arrives in Comala it is a ghost town, yet this is only gradually revealed to the reader. For example, in an episode with Damiana Cisneros, Juan talks to her believing that she is alive. They walk through the town together until he becomes suspicious as to how she knew that he was in town, and he nervously asks, “Damiana Cisneros, are you alive?” This encounter shows the truth as fleeting, always changing, and impossible to pin down. It is difficult to truly know who is dead and who is alive in Comala.

Sometimes the order and nature of events that occur in the work are not as they first seem. For example, midway through the book, the original chronology is subverted when the reader finds out that much of what has preceded was a flashback to an earlier time.

The sequence of events for the plot is broken up in the work and is at times difficult to discern. Each plot event is stated and then defined in more detail.

• Fulgor Sedano arrives at Media Luna: His old patrón, Lucas, told him that Pedro is totally useless and that he should go and get a new job when he dies.
• Pedro's grandfather dies: His family prays for him after his death to help shorten his time in Purgatory. Pedro himself does not feel like doing this and instead thinks about Susana.

• Susana San Juan and Pedro Páramo play during their childhood: Pedro thinks about this often. They would fly kites near the village, and Pedro would help Susana fly hers. He is scolded for taking so long in the outhouse by his mother while he recalls this event.
• Señora San Juan dies. This event is assumed since Dorotea cannot remember seeing Susana with her mother ever. Susana also talks about how her mother died. She recounts that she was sickly and never visited anyone and how no one came to her funeral. Susana laments about having to pay for Gregorian masses for her mother and the heartless transaction of money required to be able to do that.
• The San Juan family moves to the mining region. Not much is known about this other than they lived there for many years and later returned to Comala.
• Susana and her Father explore the Andromeda mine. Señor San Juan drops Susana, at the end of a rope, down into the old mine shaft and tells her to look for gold coins. She is unable to find any, only a skeleton.

• Lucas Páramo was killed: He was shot at a wedding by a bullet that was meant for the bridegroom. Pedro later killed most of the people at that wedding. He also permanently crippled a man, which Juan hears about in the grave.
• Florencio dies (exact time unknown). Susana's husband dies, and she tragically becomes mad. She still thinks that he is living. She stayed up late that night waiting for him, but he never arrived at home, and in the morning she found out that he was dead.
• Fulgor Sedano tells Pedro about his father's debts: Sedano had avoided Pedro in the past because of the warnings of Lucas but stayed on the hacienda because he loved the land. He has to tell Pedro about the debts. Pedro answers, “I’m not interested in how much, just to whom.” They concoct a plan to get Dolores Preciado to marry him to eliminate the debt to her family.
• Sedano and Dolores Preciado talk: Sedano tells her a lie about how much Pedro had wanted her and that he is really a very shy man. To this, she replies that she is having her period and cannot be married so soon. Sedano is scornful of this reason.
• Osorio warns Dolores Preciado not to sleep with Pedro on her wedding night. She begs Eduviges Dyada to go and sleep with Pedro in her place. Eduviges does this, but Pedro is too drunk to have sex.
• Miguel Páramo is killed by his horse: He is going to Contla to visit his girlfriend and to have sex with her when he attempts to save time on his journey by jumping his horse over a fence that his father had built. His horse's name is El Colorado, and it was said that this horse would be the death of him one day. His ghost came back to tell Eduviges about this.
• Miguel Páramo is absolved by the Church: Father Rentería absolves him after Pedro Páramo gives him some gold coins. The priest realizes that he cannot afford to anger the leader of the town, Pedro, by not doing so. The priest is upset that he absolved his brother's killer and niece's rapist.
• Father Rentería talks to his confessor: He is not forgiven of his sins as he did not give absolution to the dying. The other priest chastises him for not doing his job and saying that the people of Comala believe in God more out of superstition rather than actual adoration. They talk about how the land is bitter in Mexico.

• Dorotea confesses: Dorotea goes to Father Rentería and tells him that she was the one who was procuring girls for Miguel Páramo. She is drunk at Miguel's wake. She tells the priest that she had brought girls for Miguel for years and years and that she had lost count of how many she had gotten. The priest said that there is nothing that he is able to do about it. He cannot forgive her and says that she will not “go to Heaven now.”
• Toribio Aldrete is hanged: He was plotted against by Fulgor Sedano and Pedro Páramo, who accused him of “falsifying boundaries”. Toribio owned some land that Páramo wanted to add to his hacienda. Pedro orders Sedano to write charges for Aldrete's conviction. One night Aldrete is drunk and goes into Eduviges Dyada's house (the corner room) and is hanged. He is left to “turn to leather” and to never have salvation. The key to the room is thrown out. Ironically, Eduviges gives Juan Preciado this room in her house in which to stay the night. He then hears an echo of the past while sleeping and awakens suddenly.
• Dolores Preciado (Juan's mother) leaves Pedro Páramo and the Media Luna hacienda: She is looking at a crow in the sky and says that she wishes that she was this bird and could fly to her sister's house in the city. Pedro becomes angry enough to finally dismiss her. She leaves and never returns. She and Pedro are never divorced.

• Eduviges Dyada kills herself: Her sister, Maria Dyada, tells Father Rentería that it was out of despair. “She died of her sorrows.” But the priest laments that all her good work has gone by the wayside and that she will be unable to get into heaven. The priest says that only with prayers will she be able to get into heaven, and even then nothing is certain.

• Start of the Mexican Revolution

• Return of the San Juans: Señor Bartolomé San Juan refuses to read the letters from Pedro asking him to come and be his administrator. He is finally found and comes back to Comala only because the Revolution makes the countryside dangerous. He finds out the Pedro wants only his daughter.
• Señor San Juan dies: Before, while working, he had realized that he would die and that he must die. Additionally, Sedano and Pedro conspire to have him killed. He dies and goes to heaven. His “spirit” comes to say goodbye to Susana. Susana laughs that he came to say goodbye to her while Justina cries. He must have been killed since his ghost does not haunt the town.

• Fulgor Sedano is killed: A scared man comes to Pedro's house with the news. He says that the revolutionaries stopped him and Sedano and told Sedano to run and tell Pedro that they were coming for him and then shot him as he ran.

• Pedro joins Revolution: He calls the local revolutionaries to his house for supper. He promises to give them much money and support, even more than they had asked for. By doing this he managed to remain safe and prevent the soldiers from attacking his lands.
• El Tilcuate, the revolutionary leader, and Pedro talk: Pedro tells Damasio that he has no more money to give to him to fight and that he should go and raid a larger town to get supplies.

• Susana San Juan dies: She refuses absolution by the priest. She is simply waiting for death to come and take her. Father Rentería gives her communion, but she is semi-delirious and is talking to Florencio. Susana says that she “wants to be left in peace”. She dies without receiving the last sacraments.

• The party: The people of Comala have a large fiesta, which is full of drinking and wild revelry. This greatly annoyed Pedro, who wanted people to mourn his loss of Susana. He says, “I will cross my arms and Comala will die of hunger.” And that is what happened

• Refugia Martínez dies: She was the wife of Abundio. He had stayed up all night with her, and she died in the morning. He is out to get drunk to forget his troubles. He goes to the Villalpando's store to do so.

• Damiana Cisneros's slaying: Abundio Martínez frightens Cisneros, and she begins to scream. In his drunken state he becomes confused and begins to stab her. While doing so, he thinks about his wife and that he only wanted money for her burial. He is then captured and dragged back into town.

• Pedro Páramo dies: He is stabbed by his illegitimate son, Abundio. Pedro dies after thinking about Susana. It can be discerned that with her death, he died, too. He realizes that he cannot move his arms and the ghost (apparently) of Cisneros comes to him, and then he dies.
• Dolores Preciado dies: Her death wish is for Juan to find his father and get what he deserves from him after all of these years.
• Juan Preciado comes to Comala: He meets the ghosts of:
  • Abundio
  • Eduviges
  • Damiana
• He is taken in by Donis and his sister/wife: He is scared to death.
• Dorotea dies.
• Juan dies.
• Juan and Dorotea are buried in the same grave.

Critics primarily consider Pedro Páramo as either a work of magical realism or a precursor to later works of magical realism; this is the standard Latin American interpretation. However, magical realism is a term coined to note the juxtaposition of the surreal to the mundane, with each bearing traits of the other. It is a means of adding surreal or supernatural qualities to a written work while avoiding total disbelief. Pedro Páramo is unlike other works of this type because the primary narrator states clearly in the second paragraph of the novel that his mind has filled with dreams and that he has given flight to illusion and that a world has formed in his mind around the hopes of finding a man named Pedro Páramo. Likewise, several sections into this narration, Juan Preciado states that his head has filled with noises and voices. He is unable to distinguish living persons from apparitions. Eurocentric critics believe that certain qualities of the novel, including the narrative fragmentation, the physical fragmentation of characters, and the auditory and visual hallucinations described by the primary narrator, suggest that this novel's journey and visions may be more readily associated with the sort of breakdown of the senses present in schizophrenia or schizophrenia-like conditions rather than with magical realism.[3][4]

It is obvious that the title underscores the importance of the character of Pedro Páramo. Pedro is a very important character, and his life and decisions that he makes are key to the survival of the town of Comala. His last name is symbolic because it means "barren plain", which is what the town of Comala becomes as a result of his manipulation. He is not only responsible for the economic well-being of the town but also for the existence of many of its inhabitants. His offspring includes Abundio, Miguel, and Juan, along with countless others. He is commonly seen raping women, and even Dorotea cannot keep track of all the women he has slept with. He is also responsible for the security of the town. He strikes a deal with the revolutionary army and does so mainly in his own self-interest and for protection. But being the owner of such a large swath of land, he is, by extension, in charge of the physical well-being of the town. An example of his power is when he decides to allow Comala to starve and do nothing with the fields and with the crops. The town withers on his apathy and indifference. The entire work centers around his actions, appetitive and aversive. He holds the town of Comala in the proverbial palm of his hand.

• Pedro Páramo (1967 film)

• The Ghosts of Comala: Haunted Meaning in Pedro Páramo. University of Texas press introduction to Pedro Páramo.
• Zepeda, Jorge. La recepción inicial de Pedro Páramo (1955–1963). México: Fundación Juan Rulfo / Editorial RM, 2005. 378 pp. ISBN 968-5208-44-1.

• Pedro Páramo (1967) at IMDb
• Pedro Páramo (1978) at IMDb
• Pedro Páramo (1981) at IMDb
• Pedro Páramo (2004) the theatre by Theatre Formation Paribartak of India
• Ghosts of Comala (2012), Alex Torío studio album inspired by the novel