Phyllis Mailing

Phyllis Mailing was born on November 4, 1929, in Brantford, Ontario, and grew up in Hamilton.

Mailing began her musical education at the Hamilton Conservatory of Music, where she studied voice with Bertha Carey Morrow, and piano with Reginald Godden.[1] While there, she won the gold medal for the highest marks in Canada within the Conservatory system.[2]

From 1952-1957, Mailing attended the Royal Conservatory of Music of Toronto, where she studied with George Lambert, Weldon Kilburn, and Aksel Schiøtz. Following this, she continued her studies in Europe, first in Stuttgart, in 1959, then in Vienna to study with Giselle Rathanser, and finally in London, where she studied with Bruce Boyce.[1]

While still a student at the Royal Conservatory, Mailing made her debut as a soloist in 1955, singing in J.S. Bach's St John Passion with the Toronto Mendelssohn Choir. Following this, she performed in small roles with the Canadian Opera Company, before leaving to study in Europe.[1]

Upon her return to Canada, she settled first in Toronto to sing from 1961–63, then relocated to St. John's, Newfoundland to open her own private studio, where she taught voice and the Orff method until 1965. During this time she was also a regular recital singer on CBC Radio Halifax.[1]

In 1965 Mailing was a winner of the Concert Artists Guild competition,[3] which provided her the opportunity to perform a recital in New York. This served as a catalyst for her international career, which brought her to recital halls all across North America, France, and even the USSR in 1971.[1]

In addition to her performances of standard recital and operatic repertoire, Mailing became known as a specialist in contemporary classical music, in part due to her association with Canadian composer R. Murray Schafer. Mailing and Schafer were married on July 1 (Canada Day), 1960, in England.[4] (They divorced in 1975).[1] Many of Schafer's vocal works were written for, and premiered by Mailing, and include his Minnelieder (1965), Loving (1966), and Requiems for the Party Girl (1967), which she performed in 1972 with the New York Philharmonic, conducted by Bruno Maderna.[1] The latter work, which was incorporated as part 2 of Schafer's Patria cycle, won the Fromm Foundation Prize in 1968.[4] These performances significantly contributed to Mailing's reputation as an outstanding interpreter of contemporary music, and led to her involvement in the premieres of works by many Canadian composers, including István Anhalt, Jack Behrens, Jean Coulthard, Bruce Mather, Barbara Pentland, Harry Somers, Barry Truax, and Robert Turner, among others.[1]

From 1965 to 1967 Mailing was Simon Fraser University's artist in residence, a position she held again from 1970 to 1975. After her residency at SFU, she began teaching at the Community Music School of Greater Vancouver in 1975. By 1980 she was a full-time instructor there, and in 1983 was appointed as head of the voice department.[1]

In addition to her activities as a performer and teacher, Mailing was also a prominent and active member within the music community. She was a founding director and first president of the Vancouver New Music Society,[5] and served on the board of the Canadian Music Center from 1979 to 1987.[1]

On November 26, 2004, Phyllis Mailing died of cancer in Vancouver, British Columbia. She was predeceased by her husband of twenty five years, SFU professor Tom Malinson.[2]