Pierre-Octave Ferroud

Pierre-Octave Ferroud (6 January 1900 17 August 1936)[1] was a French composer of classical music.

He was born in Chasselay, Rhône, near Lyon. He went to Lyon, to Strasbourg (for military service from 1920-2) where he studied with Guy Ropartz,[2] and again to Lyon where he was for a time an associate and "disciple" of Florent Schmitt, and a pupil of Georges Martin Witkowski.[3] He then travelled to Paris in 1923, where he later founded with Henry Barraud, Jean Rivier and Emmanuel Bondeville Triton, a contemporary music society (in 1932).[4][5]

In a letter to Boris Asafiev, Sergei Prokofiev described his encounter with Ferroud, praised the Symphony in A and suggested that Asafiev might have a look at it. Ferroud's opera, he reported, impressed him much less.[6]

He wrote a biographical work about his mentor Florent Schmitt (whom he was, nevertheless, to pre-decease - Schmitt died 31 years after Autour de Florent Schmitt was published, in 1958.)

Ferroud was a regular contributor of musical reviews and essays to the journal Paris-Soir.

He died in 1936, when he was decapitated in a road accident in Debrecen, in Hungary. On hearing of Ferroud's death, Francis Poulenc wrote to Georges Auric of his distress.[7]

Primary works

  • Andante cordial (1919/26)[1]
  • Types (Vieux Beau - Bourgeoise de qualité - Businessman)(1922-1924) (recorded by Emmanuel Krivine and the Orchestre National de Lyon)[8]
  • Foules (1922-1924) (recorded by Krivine)[8]
  • Sérénade (piano and orchestra) (1927)
  • Chirugie 1927 (opéra comique)
  • Jeunesse (1929-1933) (ballet in two scenes)
  • Chansons de Fous
  • Sonnerie pour le Hérault (1935)
  • Le Porcher (1924) (ballet)
  • March for L'éventail de Jeanne (collaborative work by Auric, Ferroud and others) (1927) (ballet)[1]
  • Monte-Carlo (1928)
  • Sérénade pour orchestre (1927) (Berceuse; Pavane; Spiritual)[9]
  • Symphonie en la (1930) in three movements [1][9](recorded by Krivine)[8]
  • Chirurgie vers. orchestrale (1930)[1](recorded by Krivine)[8]
  • Trois pièces pour flûte seule (1920-1921)[1]
  • Spiritual (guitar) (1926) [1]
  • Sonate pour violon et piano (1929)[1]
  • Sonate pour violoncelle et piano (1930)[1]
  • Trio à vent en mi (1933)[1]
  • Quatuor à cordes (1932-1936)[10]
  • Sarabande (1920/1926)
  • Au parc Monceau (1921-1925)
  • Sarabande pour piano (1920)
  • Sarabande pour orchestre (1920-1926)
  • Sonatine en ut dièse (in C) (1928)
  • Tables (1931)
  • A contre-coeur (1922-1925)
  • Cinq poèmes de P.J. Toulet (1927)
  • Cinq poèmes de P. Valéry (1929)
  • Trois chansons de J. Supervielle (1932)
  • Trois poèmes intimes de Goethe (1932)

References

  1. K.S. (2003).
  2. "Larousse Entry for Ferroud" (in French). Retrieved 2008-12-02.
  3. "Pierre-Octave Ferroud dans l'Encyclopédie Universalis" (in French). Retrieved 2008-12-02.
  4. Duchesnau, Michel, La societe Triton, Paris: Sorbonne 1997
  5. Lazzaro, Federico (March 12, 2020). "1932. La Société Triton et l'"École de Paris"". Nouvelle histoire de la musique en France (1870-1950). Edited by the "Musique en France aux XIXe et XXe siècles : discours et idéologies" research team.
  6. Prokofiev; Robinson, Harlow, ed. (1998) Selected Letters of Sergei Prokofiev at Google Books. UPNE. page 126. ISBN 1-55553-347-7.
  7. Schmidt, Carl B. The Music of Francis Poulenc (1899-1963): A Catalogue at Google Books. page 257.
  8. "Krivine Discography". Retrieved 2009-01-26.
  9. "Marco Polo Recording Description with Track Listing, includes Serenade for Orchestra and Symphony in A". 1998. OCLC 163139975. Retrieved 2009-01-26.
  10. "Naxos Ferroud Biography". Retrieved 2009-01-26.
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