Pintados-Kasadyaan
The Pintados Festival is a cultural-religious celebration in Tacloban based on the body-painting traditions of the ancient tattooed "pintados" warriors.[1] In 1986, the Pintados Foundation, Inc. was formed by the people of Tacloban to organize this festival in honor of Sr. Santo Niño.[2] Years later, it was merged with the Kasadyaan Festival which is always held on June 29.[3]
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History
"Pintados," or "painted people," is a term that refers to the native Filipinos who Spanish colonizers encountered in the 16th century.[4] Centuries of Spanish occupation affected Filipino culture and much of the history surrounding tribal tattoos is concentrated on the Visayan (including the people of Tacloban) and Igorot peoples.[4] Due to their relative isolation, ethnic groups such as the Ifugao have resisted Spanish cooptation more so than others in the Philippines.[5]
Events
The Pintados-Kasadyaan festival includes multiple events throughout the celebration. These events are called the Festival of festivals of Leyte, the Ritual Dance Presentation of Pintados Festival, and the “Pagrayhay” during the Grand Parade.[6]
See also
References
- "Calendar of Events". Philippine Department of Tourism. Archived from the original on May 10, 2006.
- Ahlette C. Reyes. Pintura, provincial government to stage Kasadyaan Festival, Leyte Samar Daily Express http://leytesamardaily.net/index.php?option=com_content&task=view&id=7511&Itemid=233
- Joey A. Gabieta. "Pontifical Mass highlights today's Tacloban City fiesta" Leyte Samar Daily Express Vol. XXI No. 189, June 29, 2009 page 19.
- Wilcken, Lane (2010). Filipino Tattoos: Ancient to Modern. Atglen, PA: Schiffer. p. 14. ISBN 978-0-7643-3602-7.
- Acabado, Stephen (March 1, 2017). "The Archaeology of Pericolonialism: Responses of the "Unconquered" to Spanish Conquest and Colonialism in Ifugao, Philippines". International Journal of Historical Archaeology. 20: 1–12 – via ResearchGate.
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- Ersa Joy L. Ortiz, Faith Joan P. Relampagos, Jyn Ruehn S. Pejana, Shene Mitchelle B. Siarot, Nino Aaron S. Tolo, Ruby S. Melchor, DBA, and Reynaldo B. Inocian, Ed. D.. (2017). “THE TRANSITION OF SINULOG DANCE FESTIVAL IN THE FACE OF MODERNIZATION.” International Journal of Research - Granthaalayah, 5(3), 293-309. https://doi.org/10.5281/zenodo.478895.