Richard Setlowe

• The Brink (Arthur Fields Books, New York, 1976 ISBN 0-525-63014-7)
• The Experiment (Holt, Rinehart and Winston, New York, 1980 ISBN 0-03-041745-7)
• The Haunting of Suzanna Blackwell (Holt Rinehart and Winston, New York, 1984 ISBN 0-03-057786-1)
• The Black Sea (Ticknor and Fields, New York, 1991 ISBN 0-395-56927-3)
• The Sexual Occupation of Japan (HarperCollins Publishers, New York, 1999 ISBN 0-06-018393-4)

Setlowe's first novel, The Brink, was critically acclaimed as "the classic novel of the Era of Undeclared War" and was a finalist for the Ernest Hemingway Award for First Novels.[1] It draws upon his own experience aboard the U.S.S. Midway during the Quemoy-Matsu crisis. John Chancellor, the late NBC News anchorman, noted, "The Brink is a vivid and frightening description of something very few people have ever experienced: actually taking the nuclear bombs to the brink of war".[6]

This Doomsday scenario is drawn out in vivid counterpoint to the human dimensions, which portrays the social ferment of marital tedium, love and sexual profligacy in military life. The Brink is a post Cold War thriller that has been favorably compared with one of the best books of the genre, James Michener's Bridges of Toko-Ri.[7] Setlowe retrospectively incorporates his personal experiences into his narrative, but The Brink also reflects some of the pervasive social discontent of the post-Vietnam War period during which the book was written. The premise for The Brink is contextualized in well-documented historical events—the strident posturing of world leaders such as Nikita Khrushchev, sensational headlines taken directly from the ominous intonations of President Eisenhower and General Dulles, and the clinical calculus of now-declassified reports on the crisis.[8][9] One study prepared by a joint committee of the Defense Dept., State Dept. and CIA at the direction of President Eisenhower developed possible limited war contingencies in defense of the Offshore [Taiwanese] Islands, but quickly arrived at a consensus assessment: "…the Joint Chiefs, in particular Air Force General Nathan Twining, Chairman of the Joint Chiefs, felt that the use of atomic weapons was inevitable and the planning proceeded on that assumption" and "the study proceeded on the assumption that a Chinese Communist move against the Offshore Islands would involve aerial as well as artillery interdiction followed by American atomic attacks on mainland airfields".[10]

Setlowe's second novel, The Experiment, published in 1980, is a medical science fiction thriller. The story of "a human Neptune in the grotto of marine science. And, more particularly, our imagination",[11] was a Literary Guild selection.[12] The New York Times review by Jack Sullivan praised "an underwater phantasmagoria, [that] delivers a welcome sense of wonder in the tradition of H. G. Wells's In The Abyss.[13] The renowned science fiction author and futurist Sir Arthur C. Clarke, author of 2001: A Space Odyssey, corresponded with Setlowe. The Experiment resonated with Clarke, who had a lifelong interest in the sea and diving. He respected the meticulous scientific research—Clarke had personally known several of the scientists cited—and commented on the novel's place in the sci-fi pantheon.[14]

The Haunting of Suzanna Blackwell is a departure from the previous two novels. Published in 1984, the story weaves together multiple storylines and elements of love, war and occult genres into a ghost story suffused with smoldering passion, foreboding and suspense.

This second Literary Guild selection is, at one level, a classic gothic.[15] Yet, again drawing on his personal background, the author sets the story on a modern high-tech Navy base. "Those ships!" reviewed Caroline Banks in The Washington Post, "Richard Setlowe has made them—in part by juxtaposing them to the elegant 'pillared mansions of the senior officers along Walnut Avenue'—seem as sinister as the House of Usher. They are 'a great desolate armada—aircraft carriers, battle cruisers, assault transports, destroyers and submarines—all packed stem to stern in tight rows along the length of a narrow bleak pier.' " As in The Experiment, Setlowe creates a convincing scientific framework for the supernatural.[15]

Setlowe's fourth novel, The Black Sea, was a nominee for the PEN West Literary Award in Fiction. Published in 1991, this tale of terror set in Southeast Asia presaged a post-9/11 world in which piracy, ancient ethnic conflicts and ideological zealotry threaten to undermine the hegemony of the superpowers, despite the advantages of their military and technological superiority. As a thriller and gripping sea adventure, The Black Sea's clash between a lone U.S. Navy frigate and the mysterious cultures of the Far East and the Muslim fundamentalist world drew critical attention. J. C. Pollock, author of Goering's List, observed presciently, "The Black Sea ushers in [the] new era [for the adventure novel] with a masterfully told tale so real it could be true."[16]

The Black Sea dramatizes historical events—the Iran-Contra guns for hostages affair, which came to light in 1986, and the 1985 hijacking of the Italian cruise ship Achille Lauro—and anticipates the future.[17] The Islamic fundamentalism and piracy portrayed in Setlowe's thriller not only reflects the zeitgeist of its time but also foresees with uncanny accuracy events that would take center stage in world affairs a decade later. The novel has been republished by the authoritative Naval Institute Press as one of the "exceptional works on naval and military subjects".[18]

The menace of past lives colliding with the present explored in The Haunting of Suzanna Blackwell is a theme Setlowe revisits in his fifth novel, The Sexual Occupation of Japan (1999). Again, moldering memories and the psychic scars of wartime, this time World War II Japan and Vietnam, propel the main characters toward an uncertain future.

The starred Kirkus Review said, "First-rate adult melodrama about the globalization of entertainment and communications networks, not to mention intellectual and spiritual maturity in high finance".[19] Setlowe's novel, however, focuses on interwoven histories—a main character whose personal experiences and memories pit him against contemporary adversaries seething over bitter grievances fomented in wartime Japan.

Feminist critics have argued the book perpetuates a literary tradition of fetishizing Japanese women. The book begins with an act of literal reciprocity for the metaphorical emasculation of Japanese men bent on revenge for the humiliations suffered at the hands of American occupiers. The gruesome "night letter" nailed on Saxon's hotel room door recalls the true story of geisha Sada Abe, well known in Japan for having carried her lover's severed genitalia in her handbag after killing him by erotic asphyxiation. Abe's notoriety gained international infamy primarily through Nagisa Oshima's film, In the Realm of the Senses (1976). Narrelle Morris regards Setlowe's scene as an example of his story's cultural mythologizing with specific reference to Sada Abe's story.[20]

Conversely, other reviewers credit the author with a deft and thoughtfully provocative characterization of the story's protagonists and historical context. Ronnie Terpening, in a starred review for Library Journal, encapsulated The Sexual Occupation of Japan: "Setlowe tells an intelligent and engrossing story of love and war, one crafted with exquisite skill, richly detailed, insightful in its implications…."[21]

• Norma Jean & Johnny (2010)
• The Apple That Fell Far From the Tree (2007)

Setlowe's play The Apple That Fell Far From the Tree was staged at the East West Players' David Henry Hwang Theater in Los Angeles in May 2007. Norma Jean & Johnny was staged at the Blank Theatre in Hollywood in March 2010. Setlowe regards both plays as works in progress.