Robert Walker (actor, born 1918)

Walker found work in radio while Isley stayed home and gave birth to two sons in quick succession - actor Robert Walker Jr. (1940 - 2019) and Michael Walker (1941 – 2007).

Walker co-starred in the weekly show Maudie's Diary from August 1941 to September 1942.[3] Isley then returned to auditioning where her luck changed when she was discovered in 1941 by producer David O. Selznick, who changed her name to Jennifer Jones and groomed her for stardom.

Dorothy Patrick and Walker in Till the Clouds Roll By (1946)

The couple returned to Hollywood, and Selznick's connections helped Walker secure a contract with Metro-Goldwyn-Mayer, where he started work on the war drama Bataan (1943), playing a soldier who fights in the Bataan retreat.

He followed it with a supporting role in Madame Curie (1943). Both were notable commercial successes.

Walker's charming demeanor and boyish good looks caught on with audiences, and he was promoted to stardom with the title part in as the "boy-next-door" soldier in See Here, Private Hargrove (1944).

He also appeared in Selznick's Since You Went Away (1944), in which he and his wife portrayed doomed young lovers during World War II. By that time, Jones' affair with Selznick was common knowledge, and Jones and Walker separated in November 1943, in mid-production.[4] The filming of their love scenes was torturous as Selznick insisted that Walker perform take after take of each love scene with Jones. She filed for divorce in April 1945. Since You Went Away was one of the most financially successful movies of 1944, earning over $7 million.[5]

Back at MGM, Walker appeared alongside Spencer Tracy and Van Johnson in Thirty Seconds Over Tokyo (1944), the story of the Doolittle Raid. He played flight engineer and turret gunner David Thatcher, and it was another box office hit.

Walker starred as a GI preparing for overseas deployment in The Clock, with Judy Garland playing his love interest in her first straight dramatic film. It was profitable though not as successful as Garland's musicals.[6]

He then made a romantic comedy with Hedy Lamarr and June Allyson, Her Highness and the Bellboy (1945). Then he did a second Hargrove film, What Next, Corporal Hargrove? (1945) and a romantic comedy with June Allyson, The Sailor Takes a Wife (1945).

Walker starred in the musical Till the Clouds Roll By (1946), in which he played the popular composer Jerome Kern, which had rental receipts of over $6 million.[6] He starred as another composer, Johannes Brahms, in Song of Love (1947), which co-starred Katharine Hepburn and Paul Henreid, which lost MGM over a $1 million. In between, he made a film about the construction of the atomic bomb, The Beginning or the End (1946), which also resulted in a loss at the box-office, and a Tracy-Hepburn drama directed by Elia Kazan, The Sea of Grass (1947), which was profitable.[6]

In 1948, Walker was borrowed by Universal to star with Ava Gardner in the film One Touch of Venus, directed by William A. Seiter. The film was a non-musical comedy adapted from a Broadway show with music by Kurt Weill. He married Barbara Ford, the daughter of director John Ford, in July 1948, but the marriage lasted only five months.[7]

Back at MGM he was in some films which lost money, Please Believe Me (1950) with Deborah Kerr and The Skipper Surprised His Wife (1950) with Joan Leslie. More popular was a Western with Burt Lancaster, Vengeance Valley (1951), a notable hit.[6]

Walker in Strangers on a Train (1951)

In 1949, Walker spent time at the Menninger Clinic, where he was treated for a psychiatric disorder.[8] Following his discharge, he was cast by director Alfred Hitchcock in Strangers on a Train (1951).

In his final film, Walker played the title role of Leo McCarey's My Son John (1952), made at the height of the Red Scare. Despite the film's anti-Communist themes, Walker was allegedly neither liberal nor conservative and took the job to work with McCarey and co-star Helen Hayes.[9] Walker died before production finished, and so angles from his death scene in Strangers were spliced into a similar melodramatic death scene near the end of the film.[10]

Walker was a registered Republican who supported Dwight Eisenhower's campaign in the 1952 presidential election,[11] and was of the Mormon faith.[12]