Roberta Alexander

Roberta Alexander (born 3 March 1949) is an American operatic soprano. She began her career as a lyric soprano in 1975 and spent the next three decades performing principal roles with opera houses internationally. Particularly celebrated for her performances of Mozart heroines, she was a leading soprano at the Metropolitan Opera from 1983-1991. In addition to principal Mozart roles like Countess Almaviva, Elettra, Fiordiliggi, and Donna Elvira, she had particular success with the parts of Mimì in Puccini's La bohème and the title role in Janáček's Jenůfa. More recently she has performed secondary character roles on stage, including performances at the Grand Théâtre de Provence in 2013, La Scala in 2014, and La Monnaie in 2015. She performed the 5th maid in Strauss's Elektra at the Met in 2016 and Curra in Verdi's La forza del destino at the Royal Opera House, Covent Garden, in 2019.

Roberta Alexander (1976)

Life and career

Born in Lynchburg, Virginia, Alexander's parents both studied music at Virginia State College where they were pupils of Undine Smith Moore. Her mother was a soprano, and her father was a choral conductor. She grew up in Yellow Springs, Ohio, after her family moved there when she was age 2. Her father directed choirs as Wilberforce University. She studied music at Central State University, the University of Michigan at Ann Arbor, and the Royal Conservatory of The Hague (with Herman Woltman).[1][2]

Alexander moved to the Netherlands at age 23.[2] She made her debut at the Netherlands Opera in 1975 as Fanny in La cambiale di matrimonio.[3] Later that year she created the role of Bubikopf in the world premiere of Viktor Ullmann's Der Kaiser von Atlantis. Other early roles with that house included Princess Ninetta in Prokofiev's The Love for Three Oranges, the Second Woodnymph in Russalka, and the fifth maid in Strauss' Elektra. She made several guest appearances as Mozart heroines with the Berlin State Opera and the Zürich Opera, including the roles of Fiordiligi in Così fan tutte, Elettra in Idomeneo, and Countess Almaviva in The Marriage of Figaro.[4]

In 1980 Alexander made her American debut as Pamina in The Magic Flute with the Houston Grand Opera. That same year she made her debut at the San Francisco Opera as the Witch/Anne Sexton in Conrad Susa'a Transformations. She was an apprentice singer with Santa Fe Opera, and made her feature role debut with Santa Fe Opera under conductor John Crosby in the title role of Strauss' Daphne in 1981.[5] Her Metropolitan Opera debut was in 1983 as Zerlina in Don Giovanni.[6] She later returned to the Met as Bess in Porgy and Bess (1985), the title role in Jenůfa (1985, 1986), Vitellia in La clemenza di Tito (1987, 1991), Mimì in La bohème (1987), Antonia in The Tales of Hoffmann (1987), Countess Almaviva (1988, 1989), Donna Elvira in Don Giovanni (1990), and the Fifth Maid in Elektra (2016)[4]

In 1982 Alexander made her debut at the Komische Oper Berlin as Puccini's Mimì; a role she sang again for her debuts at the The Royal Opera, London in 1984 and the English National Opera in 1992.[4] In 1985 she gave her first of several performances at the Theater an der Wien as Cleopatra in Handel's Giulio Cesare, and sang Donna Elvira for her debut at the Vienna State Opera in 1986.[4] In 1989 she gave a lauded portrayal of the title role in Jenůfa at the Glyndebourne Festival, and returned there as Vitellia in 1995.[4] She performed and recorded several works with Nikolaus Harnoncourt and the Concentus Musicus Wien, including the title role in Handel Theodora in 1990 and the role of Daphne in Handel's Apollo e Dafne in 1992.[7] In 1994 she portrayed the title role in Berthold Goldschmidt's Beatrice Cenci at the Opernfest in Berlin.[8] In 1997 she portrayed Donna Elvira at the Florida Grand Opera. In 2004 she portrayed Hannah Pitt and other characters in the world premiere of Péter Eötvös's Angels in America at the Théâtre du Châtelet in Paris.[9]

Alexander has recorded for the Dutch label Etcetera Records, in addition to selected recordings for such labels as Philips. Orchestras she has performed with include the Vienna, London and Royal Philharmonics; Royal Concertgebouw, Philadelphia, Cleveland and Bavarian Radio Orchestras; and the Cincinnati, Atlanta, Boston, and Dallas Symphony Orchestras. Conductors she has worked with include Vladimir Ashkenazy, Andrew Litton, Bernard Haitink, Sir Colin Davis, Nikolaus Harnoncourt, James Levine, Zubin Mehta, Carlo Maria Giulini, Leonard Slatkin, Jesus Lopez-Cobos, Seiji Ozawa, André Previn, Sir Simon Rattle, and David Zinman.

Alexander has been married twice. Her first marriage was to Edo de Waart in the early 1970s, and ended in divorce. She married her second husband, orchestral manager Siebe Riedstra, in 1975.[2]

Selected discography

Recitals

References
  1. John Henken (1988-04-03). "A Pair of Firsts for Roberta Alexander". Los Angeles Times. Retrieved 2015-04-04.
  2. Ineke Jungschleger (1997-10-03). "De Nederlandse badkamer is mij een raadsel Roberta Alexander, diva tussen twee continenten". De Volksrant. Retrieved 2015-04-04.
  3. The Concise Oxford Dictionary of Music, p. 13, Michael Kennedy, Joyce Bourne – 2004 "Alexander, Roberta (b Lynchburg, Va., 1949). Amer. soprano. Eur. début Netherlands Opera 1975. CG début 1980; NY Met début 1983; Salzburg Fest. 1986 ..."
  4. Goodwin, Noël (2001). "Alexander, Roberta (Lee)". In Stanley Sadie; John Tyrrell (eds.). The New Grove Dictionary of Music and Musicians (2nd ed.). London: Macmillan.
  5. Donal Henahan (1981-08-03). "Santa Fe Troupe Gives Strauss's Daphne". The New York Times. Retrieved 2015-04-04.
  6. Bernard Holland (1983-11-05). "Mozart's Don Giovanni in an Old Met Production". The New York Times. Retrieved 2015-04-04.
  7. Shirley Fleming (June 1993). Handel: Apollo e Dafne. (Roberta Alexander, Thomas Hampson, Concentus Musicus Wien, Nikolaus Harnoncourt). Opera News. 57. p. 43.
  8. James Helme Sutcliffe (March 1995). In review: Berlin. Opera News. 59. p. 42.
  9. Matt Wolf (November 30, 2004). "Angels in America". Variety.
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