Robin Tanner

His etchings began following night-school classes at Goldsmiths College, London. He had been inspired by the major Samuel Palmer retrospective exhibition organised by Martin Hardie in London in 1926, and his first etching was made in that year. He was particularly moved by Palmer's early Shoreham works which had been so influential on fellow students such as Paul Drury, William Larkins and Graham Sutherland. He also acknowledged his admiration for the technical craftsmanship of the older etcher, F.L. Griggs.

Tanner was thus part of the etching revival in England, but the market for etchings collapsed following the economic depression of 1929, and the growing use of photography for illustration.

Tanner turned to teaching to earn his livelihood. His passion for teaching fine art to young children was infused into many English counties through his role as H.M. Inspector of Schools in primary schools from 1935 to 1964. Tanner believed that the study of natural things and the exploration of arts and crafts, music and poetry were essential for the development of teachers and children. At the Ministry of Education, he ran courses for primary teachers, often with Christian Schiller.

Following his retirement in 1964, Tanner took up printmaking again with dedication. He also had a sideline in topographical graphic book illustration, collaborating with his wife, Heather Spackman, whom he had married in 1931, and he published a number of books on printmaking aimed at children. Wiltshire Village was reprinted as late as 1978, and became a best seller. In 1932 they had moved into the house they built at Kington Langley outside Chippenham, Old Chapel Field, where the diarist Francis Kilvert's ancestors lie buried. They lived there for the rest of their lives. He was a founder and benefactor of the Crafts Study Centre, now at Farnham, Surrey. He was awarded an Honorary Degree (MA) by the University of Bath in 1977.

His later work, such as Woodland Plants, shows the influence of William Morris.

Tanner's etching plates are held at the Ashmolean Museum, Oxford.

His personal papers regarding his educational work can be found in the Archives of the Institute of Education, University of London (Ref: DC/BTA).

University of Bristol Special Collections holds letters written by Tanner, along with some sketches, collected verses, and draft and final versions of his autobiography and volume of collected letters (Ref: DM 1450).[1]

Wiltshire Museum, Devizes holds many etchings and published works.[2]

The Crafts Study Centre, Farnham holds the Robin and Heather Spackman collection which includes personal documents; correspondence; sketches, drawings, prints and etchings by Robin and Heather; notebooks and commonplace books kept by Heather; travel journals; and written work by Heather.[3]

• Ashmolean Museum of Art, Oxford, 1981. "Robin Tanner".
• The Fine Art Society, London, 2004. "Visions of Landscape: Samuel Palmer & Robin Tanner".

• Robin Garton (1988), Robin Tanner: The Etchings. ISBN 0-906030-21-8
• Barley Roscoe, 'Robin Tanner and the Crafts Study Centre' in Barley Roscoe (ed.) Tributes to Robin Tanner 1904–1988 (Holburne Museum and Crafts Study Centre, Bath, 1990)
• Tim Fenn (ed.), From Old Chapel Field: Selected Letters of Robin Tanner 1920-1988 ISBN 0-245-60406-5

• "Wiltshire Rickyard" by Robin Tanner
• Works by or about Robin Tanner in libraries (WorldCat catalog)