Roger Norrington

From 1969 to 1984, Norrington was music director of Kent Opera. In 1978, he founded the London Classical Players and remained their musical director until 1997. From 1985 to 1989, he was principal conductor of the Bournemouth Sinfonietta. He is also president of the Oxford Bach Choir. In the US, from 1990 to 1994, he was music director of the Orchestra of St. Luke's.

With his wife, the choreographer Kay Lawrence, he formed in 1984 the Early Opera Project to complement his concert work in period-style opera, beginning with Claudio Monteverdi's L'Orfeo at the Maggio Musicale Fiorentino that year, and touring Britain in 1986.

In Europe, he was principal conductor of the Camerata Salzburg from 1997 to 2006, and principal conductor of the Stuttgart Radio Symphony Orchestra from 1998 to 2011.[2] On 28 July 2016, he conducted the final concert of the Stuttgart Radio Symphony Orchestra in London at the Royal Albert Hall as part of The Proms, before its scheduled merger with the SWR Sinfonieorchester Baden-Baden und Freiburg.[3]

He was artistic advisor of the Boston Handel and Haydn Society from 2006 to 2009. He was principal guest conductor of the Orchestre de chambre de Paris and the Deutsche Kammerphilharmonie Bremen. He was principal conductor of the Zurich Chamber Orchestra from 2011 to 2016.[4][5] He has conducted over 50 world premieres, and has appeared regularly with the Berlin Philharmonic, the Vienna Philharmonic, and major orchestras throughout the world.

Norrington is best known for historically informed performances of Baroque, Classical and Romantic music. He is a member of the historically informed performance movement. Norrington has advocated a limited or no use of vibrato in orchestral performances,[6] which has brought him both positive and adverse criticism.[7] He has strictly followed Beethoven's original metronome markings in his symphonies, despite critical comment that these markings were "miscalculated".[7] He has conducted recordings of Haydn, Mozart, Beethoven, Schubert, Berlioz, Brahms, Tchaikovsky, Dvorak, Bruckner, and Mahler on period and modern instruments.[8] In particular, Norrington makes very sparse use of the vibrato, often uses very fast tempos, and varies the placement of the instruments on stage. Especially with the Stuttgart Radio Symphony Orchestra Norrington has developed a very individual sound, which is often dubbed by the trade press as Stuttgart Sound.[9] This refers to the synthesis of historically informed music making with the means of a modern and flexible orchestra. Symphonic cycles which Norrington interpreted in recent years with the Stuttgart Radio Symphony Orchestra have received worldwide acclaim. However, Norrington's performance practice is not without critics among other musicians; for example, the violist of the Melos Quartet, Hermann Voss, drew two tough caricatures to Norrington's vibrato-free string sound in 2005, adding: "Except for the Stuttgart Feuilleton, the New Stuttgart Style finds only contempt and scorn."[10]

In August 2008, Norrington appeared in the reality TV talent show-themed television series, Maestro on BBC Two, when he led the judging panel.[11] He conducted the First Night of the Proms in 2006 and the Last Night of The Proms on 13 September 2008.[12]

Norrington has been married twice. He and his second wife, Kay Lawrence, have a son, Tom.[13]