Roomful of Blues

Roomful of Blues was born in Westerly, Rhode Island, United States, in 1967 when guitarist Duke Robillard and pianist Al Copley started a band that played tough, no-holds-barred Chicago blues.[4] They soon began exploring the swinging, jumping blues, R&B and jazz of the 1940s and 1950s, and added a horn section (including Rich Lataille) in 1970. They established a devoted fan base in New England. In 1974, they performed with Count Basie, and a few years later songwriter Doc Pomus helped them land their first record deal, and produced their debut with co-producer Joel Dorn. In 1977, Roomful of Blues’ self-titled debut album on Island Records (reissued on Hyena Records as The First Album) brought them to national attention.

Founding member Duke Robillard left the band in 1980, and guitarist Ronnie Earl replaced him. Singer Lou Ann Barton joined the band at this time, sharing vocals with sax man Greg Piccolo.[5] By now the band was touring nationally, attracting bigger and bigger crowds. Roomful recorded the Hot Little Mama for their own Blue Flame label and two successful albums for the Varrick label during the 1980s. In 1994, they released Dance All Night, their first featuring guitarist Chris Vachon (who joined the band in 1990) and harpist/vocalist Sugar Ray Norcia. Their 1995 album, the Grammy-nominated Turn It On! Turn It Up!, a mix of big band swing and rock and roll, brought the band its greatest radio and sales success to date.[6] 1997 saw a sizable turnover in personnel, with 5 members departing; vocalist/harpist Sugar Ray Norcia, keyboardist Matt McCabe, bassist "Doc" Grace, baritone saxophonist Doug "Mr. Low" James, and trombonist Carl Querfurth left and were replaced by, respectively, vocalist McKinley "Mac" Odom, keyboardist Al Weisman, bassist Marty Ballou, baritone saxist Kevin May, and trombonist/bass trombonist John Wolf. This edition of Roomful released There Goes the Neighborhood on Rounder subsidiary Bullseye Blues in 1998. Roomful of Blues joined Chicago-based Alligator Records with the Grammy-nominated That’s Right! in 2003, followed by Standing Room Only in 2005, Raisin’ A Ruckus in 2008, Hook, Line and Sinker in 2011 and 45 Live! in 2013.[5] Down Beat described Standing Room Only as “bold, brassy and highly danceable jump blues with contemporary energy and sophistication...swings with a vengeance.”[7]

In addition to their band recordings, Roomful of Blues often backed musicians like Jimmy Witherspoon, Jimmy McCracklin, Roy Brown, Joe Turner, Eddie “Cleanhead” Vinson and Earl King — stars of the 1940s and 1950s jump blues scene.[6] Roomful recorded albums with Turner, Vinson and King during the 1980s, and all three recordings received Grammy nominations. They played with rocker Pat Benatar on her 1991 blues album True Love. The Roomful Horns backed many other artists as well, including Canadian star Colin James on his double platinum album (in Canada), Colin James and the Little Big Band, and Stevie Ray Vaughan on his 1984 Live At Carnegie Hall album on Epic.[5]

Over the years Roomful of Blues has played countless gigs and many major festivals, including The San Francisco Blues Festival, The King Biscuit Blues Festival, The Beale Street Music Festival, Blues On The Fox, Illinois Blues Festival, Kansas City Blues Festival, Monterey Blues Festival, Santa Cruz Blues Festival, and overseas at The North Sea Jazz Festival, The Stockholm Jazz Festival, The Montreux Jazz Festival, Notodden Festival and the Belgian Rhythm & Blues Festival. They have gigged with blues stars ranging from B.B. King, Otis Rush and Stevie Ray Vaughan to rockers Eric Clapton and Carlos Santana. The band has toured virtually non-stop, hitting cities from coast to coast, and traveling abroad to Spain, Italy, France, Portugal, Switzerland, Turkey and Russia.

Throughout four decades of continuous touring and recording, the band's line-up has experienced many changes.[6] It is said that more than 50 musicians have played in the band. Some of them have achieved a successful solo career. Of note, Porky Cohen, whose career began in the 1940s and included playing in the bands of Charlie Barnet, Artie Shaw, Lucky Millinder, Tommy Dorsey and others, was in the band. Rich Lataille, alto and tenor saxophone, is the only remaining member from the original line-up.

• Official website