Rowan Hisayo Buchanan

Buchanan's debut novel, Harmless Like You, was published in the U.K. by Sceptre in 2016 and in the U.S. by Norton in 2017. The novel follows the overlapping stories of Yuki Oyama, a Japanese-American girl in 1960's New York who fights to become an artist, and her estranged son Jay, who in 2016 must travel to Berlin to confront a mother who abandoned their family when he was two. There was a "fierce" six-way bidding war among publishers for the manuscript,[6] and Harmless Like You was praised by Lorrie Moore and Alexander Chee.[7][8]

The Guardian called Harmless Like You a "startling debut" in England.[9] The book won a Betty Trask Award and the Author's Club First Novel Award.[10][11] The novel was also shortlisted for the Desmond Elliot Prize, but did not win.[12] In America, The New York Times Book Review placed the hardback and paperback releases of the novel in its "Editor's Choice" section.[13][14] National Public Radio selected Harmless Like You as a Great Read and noted that the novel was "highly anticipated".[15] Ilana Masad wrote in the Los Angeles Review of Books that "there is no doubt about how good an artist she is, for this book demonstrates that she is an excellent one".[16]

Buchanan's second novel, Starling Days, was published by Sceptre in 2019. It is about Mina and Oscar, newly-weds who have moved from New York to London in hopes that a change of scenery and new friends will help Mina recover from a major depressive episode. The novel was selected by The Paris Review as a "Staff Pick" for being "an exquisite rendering of love, sadness, and misunderstanding."[17] Starling Days was positively reviewed by Eithne Farry in the Sunday Express,[18] and The Spectactor described it as "a convincing novel about depression which manages, miraculously, not to be in itself depressing."[19] In The Guardian, Molly McCloskey criticized the novel's writing, particularly its unconvincing use of a feminist viewpoint, while also noting that Starling Days contained "indications that Buchanan is a better writer than this work would suggest" and concluding that the book "offers consolation" to readers.[20] The book was shortlisted for the 2019 Costa Book Awards in the Novel category.[21]

Buchanan is the editor of Go Home!, an 2018 anthology from Feminist Press in collaboration with Asian American Writers' Workshop that collects stories from Asian-American writers who "complicate and expand the idea of home".[22] She has also published fiction in literary magazines such as Granta, Tinhouse, and TriQuarterly. Her non-fiction and essays have appeared in The Guardian, The Atlantic, Guernica, The Paris Review, and The Rumpus, among other publications.[23]

Buchanan was a 2016 Margins Fellow at the Asian American Writers' Workshop and a 2018 Kundiman Fellow.[24][25]