Saint Maud

A nurse named Katie fails to save the life of a patient in her care, despite attempting CPR.

Time passes, and Katie, now referring to herself as Maud, has become a devout Roman Catholic and is working as a private palliative care nurse in an unnamed English seaside town. She is assigned to care for Amanda, a dancer and choreographer from the U.S. who is terminally ill with stage four lymphoma and confined to a wheelchair. Amanda is embittered by her fate and confesses to Maud that she fears the oblivion of death. Maud comes to believe that God has tasked her with saving the atheist Amanda's soul. Maud reveals to Amanda that she sometimes feels God's presence tangibly and appears to be overcome with ecstasy as they pray together, something that Amanda pretends to experience as well.

Maud becomes suspicious of Amanda's companion Carol, who visits the house regularly and whom Amanda pays for sex. While in town one evening, a former work colleague called Joy recognises Maud/Katie and gives her phone number in case she needs company. Maud later takes Carol aside and implores her to stop visiting as she believes Amanda's soul is in jeopardy. Carol feigns agreement but later comes to Amanda's birthday party. In front of Maud, Amanda informs the party goers that Maud tried to drive Carol away and mocks the young nurse for trying to save her soul. Maud strikes Amanda and is subsequently dismissed from her job as a carer.

Believing that God has rejected her, Maud visits a pub to find companionship but is rejected by most of the people she meets. She goes home with a man and during sex suffers flashbacks of the death of her patient and her futile attempts at CPR, which causes her to stop. The man proceeds to rape her and then taunts her by revealing he remembers her once hooking up with a friend of his during her hedonistic past.

While out walking, she encounters Amanda's new nurse and interrogates her for information before storming off when she realises that her replacement enjoys a good relationship with Amanda. In her decrepit apartment, Maud begs for a sign from God who appears to converse with her and tells her to be ready for an act that will demonstrate her faith. Joy then visits and apologises for reacting badly to an earlier phone call from Maud/Katie. During her visit, Maud interprets a rolling cloud formation as a sign from God and blesses Joy, who leaves for work.

That night, Maud, dressed in a shawl and bearing rosary beads, waits outside Amanda's house and enters after the care nurse leaves. She finds Amanda in bed, extremely weak. Amanda asks forgiveness for mocking her faith and Maud joyously reminds her of the time they experienced God's presence. Amanda reveals that she feigned the experience and states that God is not real. Maud recoils in horror as a demonic Amanda hurls her across the room and mocks her for needing to prove her faith. In a frenzy, Maud stabs Amanda to death.

In the morning she is briefly seen with luminous angel wings. She wanders onto a beach and douses herself with acetone before horrified onlookers. She utters her last words — "Glory to God" — as she self-immolates. In her last moments, she imagines the onlookers kneeling in reverence as the fire consumes her, before the film cuts back to her screaming in agony.

The film was developed by Escape Plan Productions with funding from Film4. In November 2018, it was announced Clark and Ehle had joined the cast of the film, with Glass directing from her own screenplay.[3] The film was fully financed by Film4 Productions and the British Film Institute.

The film had its world premiere at the Toronto International Film Festival on 8 September 2019.[4][5] Shortly after, A24 and StudioCanal acquired U.S. and U.K. distribution rights to the film.[6][7] It also screened at Fantastic Fest on 19 September 2019,[8] and the BFI London Film Festival on 5 October 2019.[9] The film went on to receive a Special Commendation in the Official Competition section of the London Film Festival, with the jury president, Wash Westmoreland, saying, "This dazzling directorial debut marks the emergence of a powerful new voice in British cinema."[10]

It was scheduled to be released in the United States on 10 April 2020,[11] and the United Kingdom on 1 May 2020.[12] However, due to the COVID-19 pandemic, the release was postponed in the United States until 17 July 2020, and was later pulled entirely from the schedule.[13][14][15][16] It was released theatrically in the United Kingdom on 9 October 2020 to positive reviews, and was released on DVD and Blu-ray in the United Kingdom on 1 February 2021.[17][18] It is scheduled for a limited release in the United States on 29 January 2021, followed by video on demand and Epix on 12 February 2021.[19]

On Rotten Tomatoes, the film holds an approval rating of 92% based on 102 reviews, with an average rating of 8.4/10. The site's critics consensus reads: "A brilliantly unsettling blend of body horror and psychological thriller, Saint Maud marks an impressive debut for writer-director Rose Glass."[20] On Metacritic, the film has a weighted average score of 82 out of 100 based on 30 critics, indicating "universal acclaim".[21]

Director Danny Boyle described Saint Maud as "a genuinely unsettling and intriguing film. Striking, affecting and mordantly funny at times, its confidence evokes the ecstasy of films like Carrie, The Exorcist, and Jonathan Glazer's Under the Skin."[22] Katie Rife of The A.V. Club gave the film a grade of "B+", saying that the finale was shocking.[23]

Mark Kermode listed it as his favourite film of 2020, calling it an "electrifying debut".[24]

Saint Maud led the 41st annual London Critics' Circle Film Awards, with eight nominations, including the Film, Director, Screenwriter, Actress (Morfydd Clark) and Supporting Actress (Jennifer Ehle) categories. In addition, the film has been nominated for British/Irish Film of the Year, with Clark nominated for British/Irish Actress, a body-of-work award that includes her appearance in Eternal Beauty.[25]

• Official website
• Saint Maud at IMDb
• Saint Maud at Rotten Tomatoes
• Saint Maud at Metacritic