Salt Houses

The story begins with Salma in Nablus, 1963. As her daughter Alia prepares for her wedding to Atef, Salma reads her future in a cup of coffee dregs. Though Salma reads a life full of uncertainty, instability, travel, and loss, she keeps the negative to herself, telling Alia that she sees a quick pregnancy and Atef's love for her.

The Yacoubs are a middle-class family who are already dispersed when the novel begins as Salma was from Jaffa, but had to flee to Nablus following WWII and Widad, Salma's very religious oldest daughter, is living in Kuwait in an arranged marriage.

Mustafa, the youngest of Salma's three children, struggles with his faith despite finding a strong community in his mosque. An eloquent speaker, Mustafa uses his talent to mobilize other young Palestinians by speaking of rebellion and anger. As he is best friends with Atef, Salma worries about the influence the two have on each other as they both turn to extremism. Though Mustafa's love for a working-class girl, Aya, could provide him a way out, his fear of disappointing his mother by marrying beneath their class leads him to devote himself entirely to his cause.

In the 1967 Six-Day War, the family is uprooted to Kuwait City, though Atef and Mustafa stay behind to fight. Both men are arrested and tortured during which Atef gives up Mustafa, resulting in Mustafa's death in an Israeli jail. Though the family never recovers Mustafa's body or learns what truly happened to him, Atef blames himself for Mustafa's death and is overwhelmed by guilt which results in his downward spiral caused by PTSD and depression when he joins Alia in Kuwait.

In Kuwait City, Atef becomes withdrawn and spends most of his time writing letters that he will never send to his late best friend in an attempt to process his emotions and spare Alia's. Though Alia is less affected by her brother's death, she hates the heat and unfamiliarity of the new city, and the fact that they are unable to return to their home. However, Alia and Atef, still full of love for each other, attempt to create a happy life and have three children: Riham, Souad, and Karam.

In the increasingly globalized world, Atef worries deeply about the influence of the West on his children, though the couple still sends the three children to international schools for a better education. The family is uprooted yet again at the start of the Gulf War (1990) and is dispersed with Alia and Atef moving to Amman, Jordan and then Beirut, Lebanon, Riham living in Amman with her husband, Latif, and Souad and Karam attending university in Paris, France and Boston, United States, respectively.

Due to her close relationship with her grandmother, Salma, Riham is deeply religious. Her and her generous doctor husband, Latif, remain in Amman and care for poor patients and refugees in their shed. Though Riham wants to support this, she is traumatized by the cries of the injured at all hours and ends up somewhat resenting their generosity.

Even more rebellious than her mother, Souad has a whirlwind marriage to Elie and has two children, Manar and Zain, who grow up completely Americanized in the United States. Karam marries Budur and they raise one child, Linah, who is best friends with Zain. Though they are so dispersed, the family attempts to convene for summers with Alia and Atef in Beirut, and Riham and Latif eventually relocate there.

Zain, Manar, and Linah face racism against Arabs in the United States following 9/11, and, during their summers in Beirut, face racism against Palestinians. When visiting Beirut, the children witness war and violence as well.

The story ends with Souad, following her divorce from Elie, moving her family to Lebanon and Zain and Linah finding Atef's old letters to Mustafa. The grandchildren of Alia and Atef try to discover their family's history as Manar attempts to feel a connection to her Palestinian heritage by traveling to Jaffa. Alia is diagnosed with Alzheimer's disease and, as she deteriorates, longs for a feeling of belonging and home.

• Salma is the matriarch of the Yacoub family and a religiously devout wife to Hussam and mother to three children Widad, Alia, and Mustafa.
• Hussam is the husband of Salma and father of Widad, Alia, and Mustafa.
• Mustafa is the youngest child of Salma and Hussam. As a representation of "the young man in a rudderless moment, looking for anything that will point him north",[2] Mustafa finds security in the mosque, though this connection causes Mustafa to turn to extremism. During the Six Day War, Mustafa is arrested, tortured, and killed in an Israeli jail.
• Widad is the oldest child of Salma and Hussam. She is described as conservative, quiet, and very committed to Islam. Widad is a young bride in an arranged marriage which moves her to Kuwait.
• Alia is the middle child of Salma and Hussam. Her rebellious and head-strong nature quickly makes her the focal point of the novel with the story primarily focusing on her and her husband, their children, and their grandchildren. Alia defies her very religious mother by refusing to wear a hijab and often involves herself in conversations about war and other generally male-dominated conversations. She is mother to Riham, Souad, and Karam and favors Karam.
• Atef is the husband of Alia and the best friend of Mustafa. Atef shared Mustafa's activist ideology and fought with him in the Six Day War. He was arrested and tortured in the war and, though he was released and moved safely to Amman with Alia, he struggled PTSD and depression. He is father to Riham, Souad, and Karam and favors Riham.
• Riham, the eldest daughter of Alia and Atef, is very close with her grandmother, Salma. This leads her to live a very religiously devout life and get married at a young age to an older widower, Latif. She becomes the stepmother of Latif's son, Abdullah, and attempts to live a rather quiet life close to her parents in Amman.
• Latif is the husband of Riham. A quiet and generous doctor, Latif opens their home in Amman to injured refugees and patients to provide them free care in their shed.
• Abdullah is the son of Latif and the stepson of Widad. Similarly to Mustafa and Atef, Abdullah was filled with frustration towards the occupation of Palestine and flirted with extremism though never acted upon it. He expressed his frustration with his family for not being angry enough to fight for Palestine.
• Souad is the youngest daughter of Alia and Atef and is characterized as rebellious, unruly, and fearless. Though she and Alia constantly quarrel, Atef consistently highlights the similarities between the two strong and independent women. Souad is studying in Paris at the start of the Gulf War and impulsively marries her then-boyfriend, Elie. They ultimately move to Boston to live near her brother, Karam, where they have two children and then divorce. Souad later moves with her children to Beirut where Alia and Atef live.
• Elie is the husband, and later ex-husband, of Souad. Their whirlwind romance and marriage closely follows the start of the Gulf War that affected both Souad and Elie, whose families lived in Kuwait. Elie is described as the one person more volatile than Souad.
• Zain is the son of Souad and Elie. He grows up very Americanized and is best friends with Karam's daughter, Linah.
• Manar is the daughter of Souad and Elie. Like her brother, she also grows up Americanized.
• Karam is the son of Alia and Atef, husband of Budur, and father of Linah. After moving to Boston for university, Karam stays there for much of his life and returns only to visit his family. He is described as quiet and kind.
• Budur is the wife of Karam and mother to Linah.
• Linah is the daughter of Karam and Budur and best friend of Zain, Souad's son. She's characterized as curious and adventurous, though it is from her perspective that readers see the racism and violence that the children experience.

The book was published in 2017 by Mariner Books and has been named a best book of the year by NPR, Nylon, Kirkus Reviews, Bustle, and BookPage.

Salam, W.& Safi Mahfouz. 2020. "Claims of memory: Transgenerational traumas, fluid identities, and resistance in Hala Alyan’s Salt Houses." Journal of Postcolonial Writing. Vol. 56, Issue 3. https://www.tandfonline.com/doi/full/10.1080/17449855.2020.1755718