San Moisè, Venice

The church was built initially in the 8th century. It is dedicated to Moses since like the Byzantines, the Venetians often considered Old Testament prophets as canonized saints. It also honors Moisè Venier, the aristocrat who funded the reconstruction during the 9th century.

San Moisè is the parish church of one of the parishes in the Vicariate of San Marco-Castello. The other churches within the parish are Santa Maria Zobenigo, San Fantin, Santa Croce degli Armeni and the Basilica of San Marco itself.

The elaborate Baroque facade, dating from 1668, is profusely decorated with sculpture. Some of its sculptures are generally attributed to German artist Heinrich Meyring. The architectural design attributed to Alessandro Tremignon, with patronage by Vincenzo Fini, whose bust is found over the entry door. Statues in public spaces were forbidden in Venice, thus by putting his bust on the facade of a church, he could circumvent this ordinance and display his wealth and his recent addition to the Libro d'Oro or Venetian aristocracy.

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  Girolamo Fini's Cenotaph
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  Monument to Vincenzo Fini
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  Vincenzo Fini's Cenotaph

The interior is dominated by Meyring's huge and mannerist sculptural set piece and altarpiece, depiction Moses at Mount Sinai receiving the Tablets, created by Tremignon and Meyring. Behind it is a canvas painted by Michelangelo Morlaiter. It also has a Washing of the Feet by Tintoretto,[1] and a Last Supper by Palma il Giovane. The altarpiece of the Deposition (1636) was painted by Niccolò Roccatagliata in collaboration with Sebastiano.

John Law, originator of the Mississippi Scheme, is buried in the church.

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  Interior view
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  Main Altarpiece with sculpture by Meyring and painting by Morlaiter
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  Baptismal font
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  Organ
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  Ceiling
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  Pietà
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  Washing the feet and Agony in the Garden of Getsemani (upper left corner) by Tintoretto

• Extracted from Italian Wikipedia.

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