Sarah Waiswa

Sarah Waiswa is a documentary and portrait photographer born in Uganda and based in Nairobi, Kenya. She won the 2016 Rencontres d'Arles Discovery Award for a series that explored albino persecution in sub-Saharan Africa. She was also recognized by the 2015 Uganda Press Photo Awards.

Early life and career

Sarah Waiswa was born in Uganda and is based in Nairobi, Kenya.[1] She studied sociology and psychology,[2] and is a self-taught photographer.[3]

Her portraiture project, "Stranger in a Familiar Land", explores the persecution of albinos in sub-Saharan Africa,[1][4] in which they are hunted for the perceived magical powers of their body parts.[5] The series sets an albino woman against a background of the Nairobian slums of Kibera, which represent the stormy outside world.[1] The model's dreamlike pose in societal isolation reflects both the model's alienation and the photographer's hesitance towards her society.[5] Waiswa developed the project to raise awareness after reading a newspaper article about treatment of albinos in Tanzania. Part of their shoot consisted of responding to the jeering throng.[2] Aida Muluneh, the photographer who presented the award, described Waiswa's photography as reflecting her surroundings' complexities.[1] While Sarah Moroz of i-D praised the clarity with which Waiswa presented the isolation of albino identity, as the model's lighthearted accessories defied an insurmountable air of rejection,[2] Sean O'Hagan of The Guardian considered the otherwise "brave" effort "oddly overstaged".[4]

Waiswa's work explores what she calls a "New African Identity": how younger generations of Africans feel more expressive and less restrained by tradition than their predecessors. She also sought to counteract stereotypical depictions of Africa, often the result of foreign rather than native photographers. Additionally, many of her subjects are women.[2]

In 2016, Waiswa was working with photographer Joel Lukhovi on "African Cityzens", which records daily life in multiple African cities.[2][3] They participated in a 2017 book that shows the Maasai people in truthful, quotidian context, rather than as stereotypical warriors.[6] For Waiswa, the project consummated a search for information on a poorly documented ancient female deity.[6]

Awards
  • 2015: Uganda Press Photo Award's top creative prize and was a runner-up in its portrait and daily life categories[7][3]
  • 2016: Rencontres d'Arles Discovery Award[4]
  • 2017: OkayAfrica named her among Uganda's best emerging artists[3]

References
  1. Opar, Josephine (July 25, 2016). "Ugandan Photographer Sarah Waiswa Wins Prestigious Rencontres d'Arles 2016 Discovery Award". OkayAfrica. Archived from the original on March 5, 2018. Retrieved March 4, 2018.
  2. Moroz, Sarah (July 28, 2016). "powerful photos exploring albino identity in sub-saharan africa". i-D. Archived from the original on March 5, 2018. Retrieved March 4, 2018.
  3. Lara, Jacqueline (February 8, 2017). "8 Ugandan Artists to Watch in 2017". OkayAfrica. Archived from the original on March 6, 2018. Retrieved March 4, 2018.
  4. O'Hagan, Sean (July 12, 2016). "Les Rencontres d'Arles 2016 review – twin towers and sub-Saharan slums". The Guardian. Archived from the original on March 6, 2018. Retrieved March 4, 2018.
  5. Civre, Carol (July 21, 2016). "7 Shows Not to Miss at Les Rencontres d'Arles 2016". artnet News. Archived from the original on July 22, 2016. Retrieved March 4, 2018.
  6. Obiero, John (November 21, 2017). "Stereotype-Defying Photos of East Africa's Maasai People". Vice. Archived from the original on March 5, 2018. Retrieved March 4, 2018.
  7. Worley, Will (December 24, 2015). "Winners of Uganda Press Photo Awards look incredible". CNN. Archived from the original on March 5, 2018. Retrieved March 4, 2018.

Further reading
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