Saurabh Dube

Dube was born to anthropologist parents, S.C. Dube and Leela Dube. He received the BA (Honours) and MA degrees in History from St. Stephen’s College, Delhi; an MPhil (1988) from the University of Delhi; and a PhD (1992) from the University of Cambridge. Dube has held visiting professorships several times at institutions such as Cornell University, the University of Iowa, and the Johns Hopkins University. He has been elected fellow of the John Simon Guggenheim Memorial Foundation, New York;[7] the Indian Institute of Advanced Study, Shimla; the Institute of Advanced Study, University of Warwick; the Stellenbosch Institute of Advanced Study, South Africa;[8] the Max Weber Kolleg, Erfurt, Germany; and the Institute of the Human Sciences (IWM), Vienna, Austria. He is married to fellow cultural historian, Ishita Banerjee.[9] Both Dube and Ishita Banerjee were elected to the prestigious D.D. Kosambi [Visiting] Research Professorship in Interdisciplinary Studies (2017-2019) of Goa University in India,[10] a Chair previously held by Romila Thapar, Sudhir Kakar, Madhav Gadgil, and Shahid Amin.

Saurabh Dube has been appreciated for setting up conversations between scholarship on South Asia and Latin America,[11] combining "sociology, history, anthropology, and postcolonial studies to present a nuanced analysis of the challenges confronting our contemporary understandings of empire and modernity, power and difference, and nation and history".[12] His work has been read as well for "its lyrical tenor, conversational approach and inspired indecision between the archive and the field. …an irresistible feast for the historical imagination …that is visibly kind to theoretical abstractions",[13] while it closely addresses details, especially of the Chhattisgargh region.[13][14][15][16][17][18][19]

It has been argued that while offering broad "conceptual reflection on, and an extended dialogue with, the vast critical scholarship on modernity that the fields of postcolonial theory, history, and anthropology have yielded …Dube builds on this corpus of writings and further probes them",[20] making an especially "original contribution" through his "deliberations on the productions of time and space by various subjects".[21] In these ways, Dube's writing questions "the dominant models that variously encode modernity as a splitting of the past from the present, as a developmental surpassing of the past, or as the preserve of an exclusive West that narrates the contours of universal history …[and thereby it] also destabilizes prevalent images of traditional spaces that are merely waiting to subsumed into modern history".[22] Commenting on the urgency of this scholarship, it has been suggested that the thought and writing are "disguised as a thesis. But Dube has obviously penned a manifesto …a call for action …a benchmark by which we look at the future investigators of modernity and their ethical and privileged responsibilities for naming and changing the scripts that bind the subject of modernity".[23]

Saurabh Dube's recent authored book, Subjects of Modernity has been heralded as “ranging widely and globally – from histories of empires and genealogies of disciplines to recent Dalit artwork from India – to explore and carefully delineate a tension he regards as fundamental to the formation of the modern: the modern subject's inevitable entanglement with those subject to modernity. A tour de force, this book offers a critical, timely and powerful sequel to postcolonial and subaltern studies” (Dipesh Chakrabarty).[24] The work has also been appreciated as modelling “a form of critical scholarship that is generous in its engagement with the work of its interlocutors even as it pushes against the latest clichés to chart new directions” (Mrinalini Sinha); as elaborating "a meditation of unusual insight and critical value" concerning modernity and its subjects (Jean Comaroff and John Comaroff); and as articulating "a challenging break with frameworks that for too long have carried colonialism's intellectual heritage forward even after its political demise" (Michael Herzfeld).[25]

Taken together, Dube's wide-ranging corpus has been characterized as bearing "an insistence on the difficult and uneasy exercise of interpreting without reifying, of arguing without creating sociological taxonomies, of historicizing while still reflecting on the process of 'history production' …the most astute warning and also the most impressive legacy of Saurabh Dube".[26]

Others, however, have criticized Dube's writings for being far too theoretical, unmindful of disciplinary boundaries, and immensely broad in scope.[27][28]

Dube’s research explores questions of colonialism and modernity, law and legalities, caste and community, evangelization and empire, and popular religion and subaltern art. Apart from more than one hundred and thirty journal articles and book chapters as well as a few dozen reviews/discussion-pieces,[29] his authored books in English include Untouchable Pasts (State University of New York Press, 1998; reprint Sage, 2001); Stitches on Time (Duke University Press and Oxford University Press, 2004); After Conversion (Yoda Press, 2009); Subjects of Modernity (Manchester University Press, 2017 [Hardback and Open Access] and 2019 [Paperback]; SUNMeDIA/STIAS, 2017 [South Africa];[30] Primus Books, 2018 [South Asia]). Dube has authored as well a quintet in historical anthropology in the Spanish language comprising Sujetos subalternos (2001),[31] Genealogías del presente (2003), Historias esparcidas (2007), Modernidad e Historia (2011, second edition 2019), and Formaciones de lo contemporaneo (2017), published by El Colegio de México.[32] A 600-page anthology of his writings in Spanish of the last twenty years, El archivo y el campo: Historia, antropología, modernidad was published in 2019 also by El Colegio de México.[33] Among Dube's more than fifteen edited and co-edited volumes are Postcolonial Passages (Oxford University Press, 2004); Historical Anthropology (Oxford University Press, 2007); Enchantments of Modernity (Routledge, 2009); Ancient to Modern (Oxford University Press, 2009); Modern Makeovers (Oxford University Press, 2011); Crime through Time (Oxford University Press, 2013); Unbecoming Modern (second edition, Routledge, 2019); and Dipesh Chakrabarty and the Global South (Routledge, 2020). Dube also currently edits the innovative international series "Routledge Focus on Modern Subjects" (London, New York, and New Delhi).[34]

• http://ceaa.colmex.mx/profesores/paginadube/dubeindex.htm
• https://colmex.academia.edu/SaurabhDube
• http://bibliotecavirtual.clacso.org.ar/ar/libros/sujetos/sujetos.html
• http://saq.dukejournals.org/cgi/reprint/101/4/729.pdf
• https://www.redalyc.org/pdf/557/55703718.pdf
• http://www.dukeupress.edu/cgibin/forwardsql/search.cgi?template0=nomatch.htm&template2=books/book_detail_page.htm&user_id=23033&Bmain.item_option=1&Bmain.item=8443
• List of Guggenheim Fellowships awarded in 2007
• http://www.eluniversal.com.mx/cultura/53049.html
• https://web.archive.org/web/20110604000615/http://www.gf.org/fellows/3850-saurabh-dube