Save The Last Dance For Me (musical)

Save The Last Dance For Me is a jukebox musical written by Laurence Marks and Maurice Gran. It primarily uses songs from the 1960s written by Doc Pomus and Mort Shuman such as A Teenager in Love, Sweets For My Sweet, Little Sister, Viva Las Vegas, Can't Get Used to Losing You and the title song Save The Last Dance For Me.[1] It opened at the Churchill Theatre Bromley on 9 January 2012 before embarking on a nationwide tour. A spin-off production from Dreamboats and Petticoats,[2] it reunited the writing team with producer Bill Kenwright and director Keith Strachan.[3] The choreography was by Olivier Award winner, Bill Deamer.[4] As was the case in Dreamboats and Petticoats, all of the music was played live by the actors on stage.[5] A new production has been announced, due to open April 2016 at Windsor Theatre Royal, before touring the UK again.[6]

Save The Last Dance For Me
Official CD featuring music from the show. Cover shows Jason Denton as Curtis and Megan Jones as Marie.
MusicMort Shuman & others
LyricsDoc Pomus & others
BookLaurence Marks & Maurice Gran
PremiereJanuary 9th, 2012: Churchill Theatre
Productions2012 UK Tour
2013 UK Tour
2016 UK Tour

Plot

In 1963, teen sisters Jennifer and Marie go on holiday to a caravan in Lowestoft[7] without their parents. There they meet handsome American airman Milton who is stationed at a local airbase and invites the sisters to a dance at the base.[8] At the dance youngest sister Marie meets and eventually falls in love with Curtis, a black airman from Tennessee.[9] The story deals with themes of racial tension both in the American military and British society, as well as Anglo-American relations in the 1960s.

Music

The musical was advertised as featuring the hits of Doc Pomus & Mort Shuman and included many of their songs, although some songs were included that the duo did not write together and some songs, like Way Down Yonder in New Orleans, that were not written by either of them. A double CD compilation album was released in May 2012.

Cast

RoleCurrent Cast (2016)[10]Original Cast (2012)[11]2013 Cast[12]Autumn 2013 Cast[13]
MarieElizabeth CarterMegan JonesElizabeth CarterElizabeth Carter
CurtisWayne Robinson (Jason Denton at certain performances)Jason DentonKieran McGinnKieran McGinn
MiltonAntony CostaAJ DeanLee Honey-JonesLee Honey-Jones
JenniferLola SaundersHannah FrederickVerity JonesVerity Jones
CarloAlan HowellGraham WeaverAlan HowellAlan Howell
CookieMichael KantolaMarc McBrideMichael Kantola (Patrick Burbridge at certain performances)Michael Kantola
MarvinChris CoxonRobert DaltonChris CoxonPatrick Burbridge (Chris Coxon at certain performances)
JohnnySheridan LloydChris CoxonGreg DavidsonSheldon Green
ElvisAndrew JosephDan ChurchStewart McCheyneDan Graham
DonnieJosef Pitura RileyMichael PaverJosef Pitura RileyAlistair Hoyle
RufusSackie OsakonorTosh Wanogho-MaudJay PerryJay Perry
Della/DorisAnna CampkinLaura EmmitNiamh BrackenOlive Robinson
CathyHannah NicholasRobyn ManningHannah NicholasHannah Nicholas
MildredRachel NottinghamChristine HolmanSally PeerlessLauren Storer
CyrilKieran KuypersHarry MyersAlex HammondKieran Kuypers
ClydeJoe McCourtRichard RolfeJoe McCourtJoe McCourt
SwingKate Hardistyn/aEmma Jayne MortonEmma Jayne Morton

Reception

The critical reception was mixed, with many reviewers judging the storyline to be a weak point, while the cast and musicians' performances were often praised. It was often deemed inferior in comparison to Dreamboats and Petticoats.[14][15] Catherine Jones of the Liverpool Echo described the plot as "purely a vehicle to introduce the American songwriters’ extensive back catalogue",[16] while Phil Williams of the North Wales Pioneer called the show "unmissable", "sheer quality" with "excellent musicians".[17] Bruce Blacklaw of The Scotsman was particularly scathing, and referred to the use of "cack-handed race and gender politics", with "all the depth of a burst paddling pool", although he conceded that the show was about the music and that the audience were dancing in the aisles.[18]

References

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