See, amid the Winter's Snow

Caswall wrote "See, amid the Winter's Snow" shortly after converting from the Church of England to the Roman Catholic Church and joining the Oratory of Saint Philip Neri. The hymn was published earliest in 1858 as part of The Masque of Mary and Other Poems by Caswall.[3] In 1871, John Goss wrote the tune "Humility" specifically for the carol. Later in the year, Bramley and Stainer selected "See, Amid the Winter's Snow" to be published nationwide in their "Christmas Carols Old and New" hymn book. It was selected to be included in "Christmas Carols Old and New" as one of the carols that had "proved their hold upon the popular mind".[4] While the carol became popular, a number of verses were cut from later publications of "See, amid the Winter's Snow". This includes the original final verse about the Virgin Mary, which was often cut out of non-Catholic hymnals.[5]

The artist Edward Dalziel used the words of this hymn below his engraving of the English downland with animals, even though the engraving did not have any snow in it.[4]

The tune has been re-used in a variety of social protest and union songs in the late 20th century, beginning with "Coal, Not Dole", written in the mid-1980s by Kay Sutcliffe about the closing of the Kent coal fields to a tune by Paul Abrahams, but later reset to Goss's tune at the suggestion of John Tams and recorded by Coope Boyes and Simpson.[6][7] Shelley Posen wrote "No More Fish, No Fishermen" in 1996 about the end of the cod fishery in Newfoundland. Australian John Warner wrote "Bring out the Banners" on the 150th anniversary of Australia's eight-hour work day rule in 1996.[8]

"See, amid the Winter's Snow" was initially composed with seven verses of four lines with a chorus after each one.[9] The chorus' line calls for the listener to "sing through all Jerusalem, Christ is born in Bethlehem".[1] Several hymnbooks do not contain all seven verses.[9] Goss gave advice in the music that the carol would be best performed solo by a "Treble or Tenor or, alternatively".[4] The writer J. R. Watson commented on study of the hymn that was an example of Caswell's objectivity. He also stated that the hymn develops a dialogue with the singers and the shepherds collectively rather than individually.[1] Aled Jones commented that the usage of snow in the carol was a message of purity against the sins of the world.[4]

The lyrics to this carol's usage in the majority of hymnals are as follows:

Annie Lennox of Eurythmics included the song on her 2010 album and its 2020 re-release A Christmas Cornucopia.[10]