Sensobiographic walking

Sensobiographic walking is an ethnographic research method.[1][2] It provides a possibility for the study of rich, embodied and site-specific emergence of sensory remembering and experiences.

History

The method was developed by professor Helmi Järviluoma with her colleagues for studying transgenerational environmental relationships, engaging participant pairs composed of different generations for the large European Research Council project on Sensory Transformations (SENSOTRA) in Europe between 1950--2020. The method has many other roots as well. Soundscape Studies was one of the earliest humanities research fields, which used walking as a scholarly and artistic research method.[3] Listening walking was developed into Sensory Memory Walking while carrying out the work for the Acoustic Environments in Change project (AEC)[4] with researchers of The Centre for Research on Sonic Space and Urban Environment in Grenoble (CRESSON) in Lesconil, These scholars based their listening method on commented city walks of the sociologist Jean-Paul Thibaud.[5][6] Sensobiography has, as well, been inspired by the concept of topobiography[7] in human geography – the description of a life-course as it relates to lived places. To follow Doreen Massey (2005), it can be argued that, in cultural spaces, different times and temporalities fertilize each other experientially and epistemologically, creating new combinations where diachronic and synchronic methods can be interwoven into a multi-sited ethnography.

Method

As an ethnographic fieldwork method, sensobiographic walking[8] is simple. First, a person or a group of persons are asked to select a path somehow significant to them in the past. Once they have selected the path, they will be the one leading the walk. Second the questioner will walk this path with the researcher[9] and possibly other participants and tell about the sounds, smells and other sensuous memories they have from that path in their childhood. Sensobiographic walking is a method for gathering research material on sensory environmental relationships. [10] [11] [12]


References
  1. "Conferences and other Events". etnologija.etnoinfolab.org. University of Ljubljana.
  2. "Unexpected subjects: a senso-biographic and participatory research on the movements of young adult migrants". euraxess.ec.europa.eu. European Commission.
  3. Westerkamp H [1974] Volume III Number 4 Victoria B.C., revised 2001
  4. Järviluoma H 2017. “The Art and Science of Sensory Memory Walking.” In Cobussen, Marcel & Vincent Meelberg & Barry Truax (eds.) The Routledge Companion to Sounding Art. New York: Taylor & Francis, 191-204.
  5. Thibaud J-P 2013 Commented City Walks. Wi: Journal of Mobile Culture, 7 (1), pp.1–32.
  6. Järviluoma H & Vikman N 2013. ”On Soundscape Methods and Audiovisual Sensibility. “ In J. Richardson, C. Gorman and C. Vernallis (eds) The Oxford Handbook of New Audiovisual Aesthetics. New York: Oxford University Press, 645-658.
  7. Karjalainen P T. 2009. Topobiography - remembrance of places past. Nordia geographical publications38(5): 31-34.
  8. Järviluoma H (forthcoming): Sensobiographic Walking: the Study of Senses as Multi-timed Processes. Manuscript.
  9. Murray L & Järviluoma H forthcoming. Walking as transgenerational methodology. Qualitative Inquiry.
  10. Tiainen M Aula I & Järviluoma H forthcoming in 2019. Transformations in Mediations of Lived Sonic Experience: a Sensobiographic Approach. In Riedel, Friedlind & Juha Torvinen (Eds) Atmosphere and Auditory Cultures. Essays on Feeling in Music and Sound.London: Routledge
  11. Pöllänen S forthcoming, The sense of likeness in sensobiographic walks, Culture Unbound manuscript
  12. Blaž Bajič; Sandi Abram (2019). "Sensobiographic Walking: Between the Anthropology of the Senses and the Anthropology of Digital Technologies". Cite journal requires |journal= (help)
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