She Kills Monsters

Agnes Evans is a completely average woman who strives to be nothing but average until the day she wishes her life was a little less boring. Her wish unfortunately comes true when her family, including her younger sister Tilly, dies in a car crash. Agnes was never close to Tilly due to the fact they were interested in completely different things; Agnes loved everything average, while Tilly had a passion for everything classified as nerdy or geeky and a special love for the Dungeons and Dragons game. As Agnes is cleaning and packing Tilly's room in order to move everything to her new house, she finds a module Tilly had written for D&D. In order to get closer to the sister she never really knew, Agnes embarks on her own adventure with the help of a Dungeon Master to play the game as Tilly designed. As she delves deeper into her quest, the fantasy world and reality begin to collide and mix as Agnes searches to connect with Tilly and realizes how much of her sister she never knew. [1]

• Agnes Evans: Agnes is described as striving to live an absolutely average life. She is of average height, size, and build and grew up in the average town of Athens, Ohio with average parents. In the original version of the play, Agnes is a 25 year old English teacher at her and Tilly's former high school. In the Young Adventurer's (YA) version, she is a senior in high school. After Tilly's death, Agnes decides to go on a D&D adventure in order to feel closer to Tilly, as they never had a close relationship.
• Tilly Evans/Tillius the Paladin: Agnes's sister who dies in a car crash at the age of fifteen. Tilly has a love for D&D adventures, and anything classified as nerdy or geeky. Tilly remains the same age in the original version and the Young Adventurer's (YA) version. Through the D&D module Agnes plays, it is learned that Tilly was facing her own challenges with her sexuality and bullying while she was still alive. In the game, her girlfriend is Lilith, which is later learned to be based on one of her friends named Lilly (or Elizabeth).
• Miles: Agnes's boyfriend of five years. During the original version of the play, Miles and Agnes are in the process of moving in together, while in the YA version Miles is also a senior and on the high school football team. Miles is shown to be scared of commitment in the original version for not proposing to Agnes; however, at the end of the play the Narrator reveals that they eventually did get married. He appears in the game as a shapeshifting "gelatenous blob" that Agnes must kill.
• Orcus/Ronnie: A demon of the underworld that holds onto lost souls or knows where to find them. He is obsessed with watching television. The party travels to him first in order to ask about the Lost Soul of Athens. He later joins the party on their quest. He is based on one of Tilly's high school friends named Ronnie.
• Vera: Agnes's best friend in both versions of the play, the difference being in the original she is the school's counselor and in the YA version she works at a GAP outlet store. She is supportive of Agnes, but does not approve of Miles.
• Chuck: A member of Tilly's friend group and the Dungeon Master for the game. He helps Agnes throughout the module and introduces her to Tilly's other real life friends.
• Lilith Morningstar/Lilly: A Demon Queen that resembles a leather-clad dominatrix and Tilly's girlfriend in the game. Lilith is based on Tilly's high school friend Lilly, who was Tilly's first kiss but is still in the closet.
• Kaliope Darkwater/Kelly: Kaliope is a Dark Elf that is described as a supermodel and incredibly strong. She is based on Tilly's high school friend Kelly, who is Ronny's sister.
• Narrator: Describes the events going on in the story and gives background description of the reason behind the story and the characters of Agnes and Tilly. The narrator is described as sounding like Cate Blanchett from The Lord of the Rings.
• Steve: In real life he is one of Tilly's classmates. In the game he is a mage that usually is on the receiving end of bosses showing how powerful they are, resulting in his death multiple times over.
• Farrah: A fairy and one of the bosses Agnes and her party must face before they can reach the final boss.
• Evil Gabbi and Evil Tina: Cheerleader succubi that torment Tilly, in particular about her sexuality, both in the game and when she was alive. They are based on Tilly's high school bullies.

Nguyen intentionally wrote the characters in a way that allowed for actors of any race to be cast into every role, "We wanted to see the diversity you would find on the New York subway onstage."[2]

She Kills Monsters received its Off-Off-Broadway debut at The Flea Theater in New York City on November 4, 2011 and it ran until December 23.[3][4] Directed by Robert Ross Parker, the production was performed by the resident company of actors of The Flea Theater called The Bats.[4] The play was presented later at the Steppenwolf Theatre Company in Chicago from February 15 to April 21, 2013.[5] It was directed by Scott Weinstein and it featured the Buzz22 Chicago Company as the cast. The play reprised at the Company One Theatre in [[Boston, Massachusetts]from April 13 to May 11, 2013 directed by Shira Milikowsky[6]

Following a 2013 award by the American Alliance for Theater and Education, the play has, as of July 2020, been staged close to 800 times, mostly by high schools and colleges.[2] Some of these productions have done well, including a 2018-18 production which won a state contest.[2] In response to requests by schools, Nguyen wrote a version of the play, dubbed She Kills Monsters:Young Adventurers Edition, that included less profanity and also changed Agnes into a high school cheerleader.[2] Later, in response to the COVID-19 pandemic, Nguyen wrote a version designed to be performed online, called She Kills Monsters:Virtual Realms; changes included changing the climatic battle.[2]

In She Kills Monsters, Agnes discovers Tilly was a lesbian and uses her Dungeons and Dragons Campaign as an outlet for her struggles of being out in school, yet “in the closet” with her family. This play brings complex LGBTQ characters to the stage, that are fulfilling goals that are outside of their sexuality but are well-rounded characters.[9] The sexuality of characters is not the main focus on the play, which normalizes non-heterosexual characters.[10] She Kills Monsters also goes through the storyline of coming out to close family, a difficult moment for those in the LGBTQ community. It creates a serious discussion on the understanding of people and the reactions that many experiences when revealing their sexuality.[11]

• "She Kills Monsters Reviews - Theatre In Chicago - Play Reviews". www.theatreinchicago.com.