Song Jaehak

Song Jaehak was born in Yeongcheon, South Korea in 1955. He studied dentistry at Kyungpook National University and currently works as a dentist in the city of Daegu. He began writing in his teens when he joined a literary club at his middle school and high school. He continued to write and debuted as a poet when the journal World Literature published his poem Eodueun naljjareul seucheoseo (어두운 날짜를 스쳐서 Brushing Past the Dark Days) in 1986.[3] Song's poetry was noted for its emphasis on thought over sentiment. It combined clinical observations of objects and the world with the subjectivity of imagination.[4] He published his first poetry collection Eoreum sijip (얼음시집 Ice Poetry Collection) in 1988, followed by Pureunbitgwa ssauda (푸른빛과 싸우다 Fighting Blue Light) in 1994, Geuga nae ulgureul manjine (그가 내 얼굴을 만지네 He's Touching My Face) in 1997, Gieokdeul (기억들 Memories) in 2001, Jinheukeolgul (진흙얼굴 Mud Face) in 2005, Naeganchereul eotda (내간체를 얻다 I've Acquired the Language of Women) in 2011, Naljjadeul (날짜들 Dates) in 2013, and Geomeunsaek (검은색 Black) in 2015. He is the winner of several accolades, including the Kim Daljin Literature Prize, Pyeon-un Literature Award, and Jeon Bonggeon Literary Award.[5]

Song's poetry is known for appealing to the senses, especially by use of imagery and color.[6] Eoreum sijip (얼음시집 Ice Poetry Collection) describes the anguish of worldly relationships and the process of overcoming it.[7] His subsequent poems are a continuation of that theme and explore the essence of life in a measured tone. Following his third poetry collection Geuga nae ulgureul manjine (그가 내 얼굴을 만지네 He's Touching My Face), which offers a unique interpretation of color and a sympathetic portrayal of everyday life, Song begins to use more compact language to express his thoughts and intuitions.[8] The judges of the Yi Sang Poetry Award note that Song makes effective use of "synesthesia triggered by visual cues" and that "his symbols are not rhetoric but shed light on truth," which is why his poetry can be said to "transcend the contradictions of Western modernism."[9] In addition, literary critic Lee Gwang-ho observes that Song's poetry brings together bodily senses with the beauty of landscapes, describing him as "a poet who finds passages of the body in images."[10] In his 2015 poetry collection, Geomeunsaek (검은색 Black), Song probes the nature of the world through the color black, which he uses to represent death.[11]

• 1994: 5th Kim Daljin Literature Prize
• 2010: 25th Sowol Poetry Award
• 2011: 25th Geumbok Culture Award (literature category)
• 2012: 5th Yi Sang Poetry Award
• 2014: 24th Pyeon-un Literature Award
• 2016: 2nd Jeon Bonggeon Literary Award.

• 권혁웅, ｢세상에서 아프기 혹은 꿈꾸기｣, 『서정시학』 여름호, 1998. { Kwon, Hyeok-ung. "Hurting or Dreaming in this World." Lyric Poetry and Poetics, Summer 1998 Issue. }
• 이혜원, ｢감각의 깊이, 상상의 자유｣, 『열린시학』 여름호, 2008. { Lee, Hye-won. "'Depth of Senses, Freedom of Imagination." Open Poetics, Summer 2008 Issue. }
• 송재학, 윤성택, ｢서정이란 격렬함이 팽창하여 폭발하기 직전의 불온함｣, 『열린시학』 여름호, 2008. { Song, Jae-hak and Seong-taek Yun. "The Discord When Lyricism Intensifies and Is about to Explode." Open Poetics, Summer 2008 Issue. }
• 홍용희, ｢존재와 초월, 그 빛의 피라미드｣, 『현대시의 정신과 감각』, 천년의시작, 2010. { Hong, Yong-hui. "Existence and Transcendence, That Pyramid of Light." In The Spirit and Sense of Contemporary Poetry. Poem Sijak, 2010. }
• 여정, ｢무성의 메아리, 그 울(수 없)음의 풍경화｣, 『시와세계』 겨울호, 2012. { Yeo, Jeong. "Silent Echoes: Landscapes of Cries (or the Inability to Cry)." Poetry & World, Winter 2012 Issue. }