Spamilton

• "Lin-Manuel as Hamilton"
• "Aaron Burr, Sir, Nervous-er"
• "His Shot"
• "Look Around (The Schuyler Puppets)"
• "Lin-Manuel's Quest"
• "Ticket Beggar Woman"
• "Straight Guy's Winter's Prom"
• "Straight is Back"
• "What Did You Miss?"
• "Ben Franklin, Sondheim & Lin-Manuel"
• "Daveed Diggs - The Fresh Prince of Big Hair"
• "Rap Battle"
• "Ticket Beggar Woman #2"
• "Liza's 'Down With Rap'"
• "Ticket Beggar Woman #3"
• “One Big Song” (Written for Los Angeles Production)
• "In the Hype"
• "Lin-Manuel & J-Lo, Beyoncé & Gloria Estefan"
• "Book of No More Mormons"
• "Broadway Assassins"
• "Cool Duel"
• "Who Lives, Who Dies, Who Cries"
• "Lin-Manuel's New York City"
• "The Film When It Happens"
• "Finale: Raise a Glass to Broadway"
• "Encore: Our Shot"

The show has the most racially diverse cast of any of Alessandrini's productions.[4]

Spamilton received positive reviews from critics. In his review of the Off-Broadway production, Ben Brantley in The New York Times called it a "smart, silly and often convulsively funny thesis, performed by a motor-mouthed cast that is fluent in many tongues".[5] Frank Scheck, in his review of the Off-Broadway production for The Hollywood Reporter, wrote the musical "is so infectiously fun that it could easily run as long as its inspiration."[6]

Marilyn Stasio in reviewing the Off-Broadway production in Variety, wrote, "Like the original show, the pants are tight, the boots are shiny, the bosoms are uplifting and the vests show just enough chest to look manly. Switch-hitting as director/choreographer, Alessandrini assigns his performers signature moves that make each character look authentic, if ever-so-slightly goofy. Getting those physical details right lays the groundwork for the witty character impersonations to come."[7]

Hamilton creator Lin-Manuel Miranda and director Thomas Kail both attended a performance. Miranda praised the parody, saying, "I laughed my brains out."[8][9]

• Official website