Susan Sellers

Sellers gained her PhD from the University of London in 1992, having previously received a Diplôme d'Etudes Approfondies from the University of Paris (Sorbonne). While in Paris, Sellers became involved with leading French feminist writers, and has written on their work, for example, Language and Sexual Difference (Macmillan, 1995).[5] She has worked closely with Hélène Cixous, and has been influential in introducing her work to the English-speaking world, in books such as The Hélène Cixous Reader (Routledge, 1994),[6] Hélène Cixous: Authorship, Autobiography and Love (Polity and Blackwell, 1996),[7] "Hélène Cixous: Live Theory (with Ian Blyth, Continuum, 2004), and in translations such Three Steps on the Ladder of Writing (with Sarah Cornell, Columbia University Press, 1993) and Coming to Writing and Other Essays (with Sarah Cornell, Deborah Jenson and Ann Liddle, Harvard University Press, 1991).

Sellers' work has been oriented towards women's writing. Myth and Fairy Tale in Contemporary Women's Fiction (Palgrave, 2001)[8] is an investigation into the ongoing resonance of myth and fairy tale for contemporary women's fiction, drawing on material by Sigmund Freud, Carl Jung, Bruno Bettelheim, Roland Barthes, Jack Zipes and Marina Warner, as well as French feminists Hélène Cixous, Luce Irigaray and Julia Kristeva, to read works by such writers as A. S. Byatt, Angela Carter, Anne Rice, Michèle Roberts, Emma Tennant and Fay Weldon. Sellers has also written on and edited a number of collections concerned with feminist theory and criticism, including A History of Feminist Literary Criticism (with Gill Plain, Cambridge University Press, 2007)[9] and Feminist Criticism: Theory and Practice (Harvester Wheatsheaf, 1991).

Sellers' interest in the writings of Virginia Woolf has led to her involvement in the Cambridge University Press edition of Woolf's writings, which she co-directs with Jane Goldman.[10] Goldman and Sellers received an Arts and Humanities Research Council Award in 2005 for this project. The edition aims for transparency in its mapping of the variants between the first British edition of Woolf's texts and those she subsequently oversaw – in particular the first American publication. It also aims to provide full annotation to Woolf's densely allusive prose. In addition to co-directing the project, Sellers also co-edited Virginia Woolf's The Waves (with Michael Herbert).[11] With Sue Roe, Sellers co-edited and contributed to The Cambridge Companion to Virginia Woolf (Cambridge University Press, 2000).[12] Sellers edited the second edition of The Cambridge Companion to Virginia Woolf in 2010.[13] Sellers' novel, Vanessa and Virginia, is in part a fictional biography of Virginia Woolf. It has also been translated into 16 languages, including Chinese, Spanish, French, Swedish and Dutch, and was adapted for the stage by Elizabeth Wright and directed by Gersch in 2009. The play premiered in Aix-en-Provence in 2010.

Throughout, Sellers has been particularly interested in the creative process of writing. This is reflected in three collections published by The Women's Press – Delighting the Heart: A Notebook by Women Writers (1988), Taking Reality by Surprise (1991), and Instead of Full Stops (1996) – as well as in the translated selections from The Writing Notebooks of Hélène Cixous ( Continuum, 2004).[14] For this latter project, Sellers was awarded a Leverhulme Research Fellowship in 2001–2002, which she held as a Visiting Fellow of Trinity College, Cambridge.

Sellers now combines her academic research with work as a novelist. In 2002 she won the Canongate Prize for short story writing and in 2007 received a New Writing Partnership Arts Council award for her novel Vanessa and Virginia. She is a senior member of St Catharine's College, Cambridge.

• Given the Choice (novel), Cillian Press (2013)
• (ed. with Michael Herbert),Virginia Woolf's The Waves, Cambridge University Press (2010)
• (ed.), The Cambridge Companion to Virginia Woolf, revised second edition, Cambridge University Press (2010)
• (ed. and transl.), White Ink: Interviews on Sex, Text and Politics with Hélène Cixous, Acumen and Columbia (2008)
• Vanessa and Virginia (novel), Two Ravens Press and Houghton Mifflin Harcourt U.S. (2008)
• (ed. with Gill Plain) A History of Feminist Literary Criticism, Cambridge University Press (2007)
• (transl.) Hélène Cixous, La Chambre de Vera, Black Dog Publishing (2006)
• (with Ian Blyth) Live Theory, Continuum (2004)
• (ed. and transl.) The Writing Notebooks of Hélène Cixous, Continuum (2004)
• Myth and Fairy Tale in Contemporary Women's Fiction, Palgrave (2001)
• (ed. with Sue Roe) The Cambridge Companion to Virginia Woolf, Cambridge University Press (2000)
• Hélène Cixous: Authorship, Autobiography and Love, Polity and Blackwell (1996)
• (ed.) Instead of Full Stops, The Women's Press (1996)
• Language and Sexual Difference, Macmillan (1995)
• (ed. and transl.), The Hélène Cixous Reader, Routledge (1994)
• (with Nicole Ward Jouve and Sue Roe) The Semi-Transparent Envelope: Feminism and Fiction, Marion Boyars (1994)
• (transl. with Sarah Cornell) Héléne Cixous, Three Steps on the Ladder of Writing, Columbia University Press (1993)
• (ed.) Feminist Criticism: Theory and Practice, Harvester Wheatsheaf (1991)
• (ed.) Taking Reality by Surprise, The Women's Press (1991)
• (transl. with Sarah Cornell, Deborah Jenson and Ann Liddle) Héléne Cixous, Coming to Writing and Other Essays, Harvard University Press, 1991
• (ed.) Delighting the Heart: A Notebook by Women Writers, The Women's Press (1988)
• (ed.) Writing Differences: Readings from the Seminar of Héléne Cixous, Open University Press and St Martin's Press (1988)

• http://www.movingstories.org.uk/?7de57220

• Susan Sellers at Wordpress
• Two Ravens Press
• Bio at University of St Andrews website