Tansy Davies

Tansy Davies started out singing and playing guitar in a rock band. She developed an interest in composition in her teens[1] and studied composition and French horn at the Colchester Institute[2] followed by further study with Simon Bainbridge at the Guildhall School of Music and Drama and with Simon Holt. Tansy Davies has been Composer-in-Residence at Royal Holloway, University of London (where she gained a PhD) and currently teaches at the Royal Academy of Music in London.[3] She also worked for three years as a freelance horn player and was a member of the Moon Velvet Collective.[2]

Davies was a prize winner in the 1996 BBC Young Composers' Competition.[4] She has received a number of commissions from a number of organisations, for such works as the following:

• Iris (2004), commission from the Cheltenham Festival[5]
• Residuum (2004), commission from the Orchestra of the Swan[6]
• Spiral House (2004), commission from the BBC Scottish Symphony Orchestra
• Tilting (2005), commission from the London Symphony Orchestra[7]
• Spine (2005), commission from the Aldeburgh Festival[8]
• As With Voices And With Tears (2010), commission for The Portsmouth Grammar School[9]
• Christmas hath a darkness (2011), commission for A Festival of Nine Lessons and Carols, King's College Cambridge 2011.[10]
• "Between Worlds" (2015), a commission from The Barbican Centre, for The English National Opera.

Other works include Streamlines (CBSO Youth Orchestra/Paul Daniel); Contraband (Britten Sinfonia); kingpin (City of London Sinfonia), Adorned (Haugesund CO – Norway), Hinterland (Cheltenham Festival), Rift (BBC Concert Orchestra) and Elephant and Castle (a large-scale multi-media work for the 2007 Aldeburgh Festival, co-written with Warp Records DJ Mira Calix, and directed by Tim Hopkins). In February 2007, the Birmingham Contemporary Music Group and Thomas Adès gave the premiere of Falling Angel, a 20-minute commission for large ensemble in Birmingham, and at the Présences festival in Paris. Her first commission for The Proms, Wild Card for orchestra, received its world premiere in September 2010.[11]

Davies' music is informed by the worlds of the classical avant-garde, funk and experimental rock. As well, her scores contain unusual directions, such as 'urban, muscular', 'seedy, low slung', 'stealthy' and 'solid, grinding'. Other influences on her compositions have included the architecture of Zaha Hadid,[4] in her trumpet concerto Spiral House.[12] She has also collaborated with the video artist Zara Matthews.[13]

Davies has been the subject of two portrait CDs, Troubairitz (Nonclassical Recordings, 2011)[14] and Spine (NMC Recordings, 2012),[15] both of which feature music composed over the last decade. Other compositions appear in various anthologies, notably on the NMC label.[16][17][18]

• Official Tansy Davies website
• Faber Music page on Tansy Davies
• Tansy Davies on the British Music Collection