Tatjana Masurenko

Tatjana Masurenko (born 21 January 1965) is a German violist of Russian descent.

Life

Masurenko hails from a Russian family of scientists and jazz musicians. Born in Dushanbe, Tadjikistan,[1] she grew up in Saint Petersburg,[2] where she also started her studies which she then continued in Germany with Kim Kashkashian and Nobuko Imai.[3] Encounters with Boris Pergamenschikow, György Kurtág and Brigitte Fassbaender made a lasting impact on her artistic development.[3] Tatjana Masurenko performs and records as a soloist with orchestras in concert halls all over Europe and Asia.[3] She has played at Mozart Week Salzburg, Leipzig Bach Festival, Rheingau Musik Festival, Schubertiade Schwarzenberg, Musiktage Mondsee, "Spannungen" Heimbach, Marlboro (USA), West Cork (Ireland) and Istanbul (Turkey).[4] She has won the Lionel Tertis International Viola Competition, the Markneukirchen International Viola Competition and the Yuri Bashmet Competition.[4] Her CD recordings "British Viola Concertos" (Coviello Classics) and of Karl Amadeus Hartmann's viola concerto (Capriccio)[5] were awarded the German Record Critics’ Prize, the Diapason découverte and a Supersonic Award (Pizzicato).[6] She has performed chamber music together with Heinrich Schiff, Gidon Kremer, Roglit Ishay, Steven Isserlis, Menahem Pressler, Lars Vogt, Isabelle Faust, Christian Tetzlaff, the Vogler Quartet as well as Carolin Widmann, Jörg Widmann and Jana Bouškova.[3]

Since 2010, Masurenko has also been performing classical folklore in various programmes with ensembles such as the Volga Virtuoso Quartet (Russian folk instruments) and KOTTOS from Copenhague (international folklore with various flutes, guitar, cello and accordion).

Since 2018, she has intensively played the viola d’amore, developing her repertoire in the baroque, classic and modern styles for this instrument.

Masurenko has devoted herself to historically informed performance, particularly to the 19th century and the romantic repertoire. Inspired by Jesper Christensen’s ideas, she works with pianist Gilad Katznelson, also using historical sound documents, on questions concerning the interpretation of this music, the results of which were published on the CD "Just a motion on the air" in 2017.

Masurenko is the artistic director of the Iznik International Viola Camp in Turkey and the chamber music series "Viola plus" at the University of Music and Theater Leipzig. In 2008, she initiated an annual masterclass for viola in Leipzig, which she also directs. Masurenko has been professor of viola at the Felix Mendelssohn Bartholdy University of Music and Theater in Leipzig since 2003[3] and, in the same position at the Haute Ecole de Musique de Lausanne at Sion, Switzerland since 2019.[6] Many of her students built successful careers and are internationally active as soloists, professors, solo violists in large orchestras and as chamber musicians. Her teaching method is based on the St Petersburg tradition of the 19th and early 20th centuries and merges with the new ideas and perceptions of the 20th and 21st centuries, especially regarding the interpretation of the baroque and classical periods.

She plays a viola by Paolo Antonio Testore,[7] made in Milan in 1756, and an instrument specially built for her by Jürgen Manthey (Leipzig 2017), a luthier developing new acoustic and tonal designs.[6] She also plays a viola d’amore by Charles Jacquot, Paris 1849.[6] She uses different bows for different periods of music.[6]

Premieres

Tatjana Masurenko has premiered several works of contemporary music; the composers she works with include Moritz von Gagern, Dimitri Terzakis, Wolfgang Rihm, Spiros Mouchagier and Luca Lombardi.

  • 2015 Nejat Başeğmezler, "Meine kleine Bachmusik" for Viola, Strings and Harpsichord, with the Bratschistenfreunde Chamber Orchestra Leipzig
  • 2013–2015 Nejat Başeğmezler, various works for Viola ensembles, premiered by the Leipzig Viola Ensemble, directed by Tatjana Masurenko
  • 2012 Dimitri Terzakis, "Sonetto" for Viola and Piano
  • 2008 Wolfgang Rihm, "Doppelgesang" for Viola, Clarinet and Orchestra, German premiere with the Gewandhaus Orchestra and Jörg Widmann, directed by Axel Kober[8]
  • 2007 Dimitri Terzakis, "Sappho" Cycle for Solo Viola
  • 2007 Moritz von Gagern, "Auffädeln", for Speaker and Viola (with Brigitte Fassbaender)
  • 2006 Spiros Mouchagier, "Greek Dances" for Viola and Piano
  • 2005 Dimitri Terzakis, "Visionen, die Schalen des Zorns betreffend" (2004) for Choir and Viola ad lib. World premiere: January 29, 2005, Leipzig, Thomaskirche, with the Thomanerchor
  • 2005 Spiros Mouchagier, "Terirem" for Viola and Chamber Orchestra
  • 2004 Johannes Dittmar, op. 8 für Viola Solo
  • 2004 Dimitri Terzakis, "Hero und Leander" for Viola Solo
  • 2003 Dimitri Terzakis, "Solo für Tanja" for Viola Solo

Recordings

  • Just a Motion on the Air. Works for Viola and Piano by Ernst Krenek and Robert Schumann. Tatjana Masurenko (viola), Jens Elvekjær, Gilad Katznelson (piano). Coviello Classics, COV 91619
  • White Nights, vol. 1. Viola Music from Saint Petersburg. Works by Dmitri Shostakovich, Mikhail Glinka, Alexander Glazunov, Igor Stravinsky, Nikolai Rimski-Korsakov and Pyotr Tchaikovsky. Tatjana Masurenko (viola), Roglit Ishay (piano). Hänssler PH10029[2]
  • White Nights, vol. 2. Viola Music from Saint Petersburg. Works by Sergei Prokofiev, Gennady Banshikov and Dmitri Shostakovich. Tatjana Masurenko (viola), Roglit Ishay (piano). Hänssler PH11070
  • Karl Amadeus Hartmann, Concerto for Viola and Piano. Tatjana Masurenko (viola), Frank-Immo Zichner (piano). Rundfunk-Sinfonieorchester Berlin, conductor: Marek Janowski
  • British Viola Concertos. William Walton, Concerto for Viola and Orchestra (1962 version, revised 2002); Sally Beamish, Concerto No. 1 for Viola and Orchestra (1995, revised 1998); Benjamin Britten, Lachrymae – Reflections on a song of Dowland, (1976 version for Viola and String Orchestra), Tatjana Masurenko (viola), NDR Radiophilharmonie, conductor: Garry Walker [9]
  • Viola lumina. Johann Sebastian Bach, Suite No. 2 in D minor BWV 1008; Igor Stravinsky, Élégie (1944); [[Henri Vieuxtemps, Capriccio pour alto seule op. 61; Paul Hindemith, Sonata for Viola alone op.31 / 4 (1923) [10]
  • Portrait of Tatjana Masurenko with Nina Kogan, piano: Johannes Brahms, Sonata in E flat major for Piano and Viola op. 120 No. 2; George Enescu, Concertstuck pour alto avec accompagnement de piano; Benjamin Britten, Lachrymae – Reflections on a song of Dowland for Viola and Piano op. 48; Darius Milhaud, Quatre Visages pour alto et piano; Paul Hindemith, Sonata op. 25 No. 1
  • Dimitri Terzakis, Hero and Leander (2007). Christian Oliviera (narrator), Tatjana Masurenko (viola), Andrès Maupoint (piano)
  • Wolfgang Amadeus Mozart, Figaro Suite for String Quartet with Jan Vogler and others (Sony)

References

  1. Bismark, Antje (15 October 2019). "Tatjana Masurenko gastiert beim Schlosskonzert". Hannoversche Allgemeine (in German). Hanover. Retrieved 9 March 2020.
  2. Krellmann, Hanspeter (2011). "Weiße Nächte". neue musikzeitung (in German). Regensburg. Retrieved 9 March 2020.
  3. "Tatjana Masurenko". schott-music.com. Mainz: Schott Music. 2020. Retrieved 9 March 2020.
  4. "Tatjana Masurenko". operamusica.com. 2020. Retrieved 9 March 2020.
  5. "Bestenliste 2-2007". www.schallplattenkritik.de.
  6. "Tatjana Masurenko EN". sion-academie.ch. January 14, 2020.
  7. Hornig, Norbert (2007). "Starker Charakter". Fono Forum. 4/2007: 40–43.
  8. "Zauberhände und magischer Atem", Leipziger Volkszeitung, Kultur, 14 June 2008
  9. "Und dreimal krähte der Hahn", Frankfurter Allgemeine Zeitung, 7 April 2007
  10. Tatjana Masurenko, Viola, Deutschlandfunk (in German) Retrieved 22 January 2020
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.